History Of Photography 1 Essay 3 2011 Lecturer: Chad Rossouw Title: THE CHANGING ROLE OF PHOTOGRAPHY IN THE EARLY 20TH CENTURY Handing in date: Monday 19th September 2011 Student: Katinka Bester “The artist’s world is limitless. It can be found anywhere‚ far from where he lives or a few feet away. It is always on his doorstep.” –Paul Strand Photography in the early 20th century fast became a dominant medium in documenting the changes in a mass growing society. Artists like Paul Strand
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like without photography? It was not as dull as many would think. One could paint mountains‚ valleys‚ and even people‚ but things change. Those mountains could flow with lava‚ that valley could be a river‚ those people could pass away. According to photography‚ one can make multiple memories as time goes on. One can get better results than a painting‚ and photos do not take time to make. A painting‚ on the other hand‚ requires a lot of time and patience. We should use photography more often because
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What is fashion photography? In general terms‚ it is a photograph that is done to specifically display or depict clothing and/or accessories as visual advertising. The majority of the times the purposes of photographs are to document or sell the prevailing style or custom of dress of the time. What the term fashion photography stands for has changed and evolved over time‚ and there are key photographers who have influenced this change. Even though the main component of a fashion photograph is to
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GEORGE EASTMAN This paper is on a man who had very humble beginnings and through his ingenuity and curiosity was able to enhance the culture we live in‚ even today through his inventions in photography. For without his invention of the roll film‚ photography might be a much more difficult process than we are used to in this day and age. Mr. George Eastman was born on July 12‚ 1854‚ in Waterville‚ NY. His father‚ George Washington Eastman‚ ran a business school where he taught bookkeeping
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story "An Uncertain Grace: Photography and the Alchemy of Light and Time" there were seven pictures that were talked about. The article talked about these specific pictures because each photo represents different things and different modes when looking at the image. The five elements in photography are the thing itself‚ the details‚ the frame‚ the time‚ the vintage point. The images that were shown in the article each represent at least one of the five elements of photography. The article talks about
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Right Place‚ Right Time Episode 3 of 6 Duration: 1 hour Being in the right place at the right time’; ’the decisive moment’; ’getting in close’ - in the popular imagination this is photography at its best‚ a medium that makes viewers eyewitnesses to the moments when history is made. Just how good is photography at making sense of what it records? Is getting in close always better than standing back‚ and how decisive are the moments that photographers risk their necks to capture? Set against the
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evidence in a court of law. Forensic tools examples are forensic photography‚ forensic ballistics‚ forensic toxicology‚ computer forensics‚ hair analysis‚ DNA analysis‚ and fingerprint evidence. Forensic tools can be used rhetorically in debate or argument. There are American TV shows that feature CSI’s using forensic evidence to solve murders; however these CSI’s show impractical interpretations of the abilities
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get to space. During the Cold War many people got new ideas‚ and a lot of money was spent for the United States and the USSR to outdo the other. Throughout the cold war‚ photography was a key way people could see conflict‚ whether it was photographing the stages of atomic bombs or documenting both Korean and Vietnam war‚ photography fell into the
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work from gaining wider recognition but today he is considered one of the seminal figures of photojournalism- or a particular form of journalism that employs images in order to tell a news story. His work made a huge contribution to lyrical street photography and worked to influence many photographers who followed him. Andor Kertész was born on 2 July 1894 in Budapest to the Jewish family of Lipót Kertész‚ a bookseller‚ and his wife‚ Ernesztin Hoffmann. After the tragic death of his father‚ the family
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‘Digital Photography: Communication‚ Identity‚ Memory’‚ Visual Communication‚ vol. 7‚ no. 1‚ pp. 57-76. In this article Van Dijck discusses how recent technological‚ social‚ and cultural transformations have facilitated an evolution in the role of digital photography‚ commenting on the increasing need for an individual to form a sense of self-identity and to communicate within a public sphere. He argues that memory still reappears as an important function within personal photography‚ if not
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