Mozart?s Piano Sonata No. 2 (K.280) Mvt. I is a rarity in that it follows almost every rule of sonata-allegro form to a ?T.? I consider this a most striking find‚ since there really wasn?t anything called sonata-allegro form in the classical era. It just happened to be that music was very set in ratio now that we look back on it. Mozart wrote this piece in 1775 when he was just 19 years old‚ and it was his second piano sonata (as the title suggests). The exposition starts out in F Major with a small
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“Now Is the Month of Maying” was composed by Thomas Morley and performed by The King’s Singers. The style of music is Renaissance madrigal music. The melody goes by flute and the singer and the harmony goes by the harmony singer. The tempo was little fast and the meter measured by 4/4 times. The dynamics of this song is normal. Flute and percussion instrument are using in this song. There are five different voices in this song. Happy mood are created and it’s a nice music. “The Four Seasons‚ Movement
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__________________________________ Prof. Luba Edlina-Dubinsky __________________________________ Prof. Emile Naoumoff ii Table of Contents 1. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. The Fantasy and Its Place among Mozart’s Piano Works 3. Structure and Thematic Material . . . . . . . . . . . . . . . . . . . . . . . . . . 4. The Current View about the Ending of the Fantasy 5. Mozart and the Baroque Bibliography 4 6 . . . . . . . . . . . . . . . . . 11 . . . . . . . .
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‘The poems ‘Remember’‚ ‘Piano’ and ‘Poem at Thirty-nine’ all explore melancholy emotions.’ How far do you agree with this statement? ‘Poem at Thirty-nine’ and ‘Piano’ explore melancholy emotions while ‘Remember’ does not in my opinion. The reasons I do no completely agree is because the three poems all have hidden feelings and meanings. ‘Poem at Thirty-nine’ shows melancholy emotions because it presents the loss of the persona’s father and ‘Piano’ portrays how D.H. Lawrence misses his childhood
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Mozart Sonata No. 12 in F Major K. 332 First Movement Rachel Gilmore MTC 461.001 November 26‚ 2012 The first movement of Mozart’s piano Sonata No. 12 in F Major is written fairly typically in the very structured sonata form. Historically is follows the main guidelines that were understood for the form. Harmonically‚ is progresses like expected. There are a few surprises here and there‚ but they are typical for Mozart’s compositions‚ especially his sonatas of the 18th century. In all‚ it makes
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On October 24th at 7:30 in Williams gym‚ Gregory Tompkins and Ellen Brewer performed several piano and violin pieces. I really enjoyed the dynamic aspects of each piece. They all told an individual story that resonated with the audience even after its conclusion. As I listened to the performance‚ I was reminded of various different historical contexts. The musicians’ playing technique along with the unique structure of each composition contributed to their dynamism. The first piece was a violin solo
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Shiyun. Shang Music analysis paper Mendelssohn Trio Op.49 The first movement of Erstes trio Opus.49 is one of the most famous trios by Mendelssohn Bartholdy. This movement is in d minor. The form of this piece is called the classical sonata form. Sonata form contains three main sections. The first section is called the exposition‚ the second section is called the development and the third section is called the recapitulation. The exposition starts with d minor‚ with a feeling of melancholy
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Janice Weber (piano). They debuted this year’s concert series on January 31s at the Slosberg Music Center‚ a show that compelled virtually everyone to attend‚ even intern president‚ Lisa Lynch‚ attended. The show’s program began with a composition by Gabriel Fauré (1845-1924)‚ two sonatas for violin and piano from 1876‚ which was a breakthrough work‚ back then‚ for the 30-year-old composer. Before the composition was printed‚ Fauré was known chiefly as a composer of songs and short piano works‚ and
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Major work of the composer’s early style. It is also a landmark piece of XX.th century piano music. Premiered in 1950 by Yvette Grimaux this Sonata is stupefying by the accomplishment of a young composer aged 23. Even though molded in the classical Sonata model it also displays an amazing novelty in its discourse. Showcasing a high rhythmical complexity‚ probably inspired by Messiaen’s researches it also distinguishes itself by its departure from the Schoenberg concept of the tone-series. Sonic
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Analysis of “Allemande” from J.S. Bach’s English Suite No. 3 in G minor. I have analysed Bach’s allemande from the English suite no. 3 using the Schenkerian method‚ by reducing the score down to its basic foundations‚ in order to show how the work can be understood on the foreground‚ middle ground and background levels. In order to this‚ I have taken away unnecessary notes‚ such as the neighbour and passing notes‚ to leave the score as a basic four part chorale-like piece with two chords to
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