"Picture of dorian gray how to read literature like a prof" Essays and Research Papers

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    How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines by Thomas C. Foster is a book that explains there is more to literature than just a few words on a paper or a few pages in a book. Thomas Foster’s book portrays a relatable message to a wide based audience. This book is relatable for two reasons‚ the way it is written and the examples it uses. The book is written in a conversational manner‚ as if the reader was in a group discussion about books

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    How to Read Literature Like a Professor by Thomas C. Foster (Notes) Introduction: “How’d He Do That?”  Part of reading is: o Knowing conventions o Recognizing conventions o Anticipating results  When a person introduces a topic‚ then digresses onto other topics it doesn’t matter what examples‚ as soon as you see a couple of them you recognize a pattern. o You know the author is coming back with an application of those examples to the main topic.  Conventions in stories/novels: o

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    How to Read Literature like a Professor Chapter 1: We learn the basics of a quest in a book or novel. The author says a quest can be any kind of journey. He uses a kid‚ named Kip‚ who runs to the store to pick up some bread for his parents. Along the way he sees the girl he asked out‚ a bully named Troy‚ and his ’68 ‘Cuda. When we hear or read the word “quest”‚ we think of an epic hero coming from a faraway land‚ who faces an obstacle‚ trials‚ a protagonist‚ and love story. To have a quest you

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    How To Read Literature Like A Professor” By: Thomas C. Foster 1) “Always" and "never" are not words that have much meaning in literary study. For one thing‚ as soon as something seems to always be true‚ some wise guy will come along and write something to prove that it’s not.” pg.8 2) "there’s no such thing as a wholly original work of literature" pg.20   3) "myth is a body of story that matters" pg.39 4) “The real reason for a quest is always self-knowledge.” pg.7 5) “Here’s the problem with

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    1. Memory‚ symbol and pattern affect the reading of literature by separating the professional reader from the rest of the crowd. Memory of what happened allows you to enjoy later scenes of a book of a movie‚ yet this does not necessarily improve the experience of popular entertainment. When reading you have to assume everything is a symbol until proven otherwise. Its good to think of things as existing as themselves while simultaneously also representing something else. Patterns are everywhere. While

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    Des Esseintes and Dorian A man with a copious amount of sin will collapse under the weight of his guilt just as a tortoise with a shell gilded in precious jewels and gold will collapse under the weight of it’s wealth. The Picture of Dorian Gray by Oscar Wilde and À Rebours (Against Nature) by Joris-Karl Huysmans explore similar ideas. Not only did À Rebours inspire Dorian Gray to leap into his life of sin in The Picture of Dorian Gray in the form of the ‘yellow book‚’ but it was also said to have

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    OSCAR WILDE’S GOTHIC: THE PRESENCE OF EDGAR ALLAN POE IN THE PICTURE OF DORIAN GRAY A Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts with a Major in English in the College of Graduate Studies University of Idaho by Peter Stegner August 2007 Major Professor: Gary Williams‚ Ph.D. ii AUTHORIZATION TO SUBMIT THESIS This thesis of Peter Stegner‚ submitted for the degree of Master of Arts with a major in English and titled “Oscar

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    Oscar Wilde’s The Picture of Dorian Gray and Henry James’ The Turn Of the Screw are key examples of the way in which gothic texts use and adapt the conventions of the genre. These changes occur due to the author’s own personal context and values. The inexorable link between text‚ context and values is expressed through the way in which both authors choose to manipulate‚ redefine and introduce new conventions to the gothic. Oscar Wilde’s first and only novel‚ The Picture of Dorian Gray‚ was written

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    original work of literature. All books borrow situations‚ ideas‚ and themes. -There’s only one story. “When a new work is created‚ it is set among the monuments‚ adding to and altering the order.” –T.S. Eliot -Intertextuality: the ongoing interaction between poems or stories. This link deepens reading‚ adding multiple levels of meaning to a work. Connections: -Sophie’s World by Jostein Gaarder: Through Sophie’s travels she meets characters from other works of literature‚ such as Alice in

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    Expectations and The Picture of Dorian Gray An old saying goes‚ “you are who your friends are‚” and while many people refuse to believe the statement‚ its message has reigned true for many centuries and will continue to reign true until the end of time. The individuals with whom a person chooses to surround him or herself with greatly impacts the person he or she will inevitably become. In addition to shaping personality and morality‚ friends and peers assist in discerning how individuals view themselves

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