How To Read Literature Like a Professor Chapter 1: Every Trip Is a Quest (Except When It’s Not) In Chapter 1 the author explains the symbolic reasoning of why a character takes a trip. They don’t just take a trip they take a quest. Structurally a quest has a quester‚ a place to go‚ a stated reason to go there‚ challenges and trials en route‚ and a reason to go there. Quests usually involve characters such as a knight‚ a dangerous road‚ a Holy Grail‚ a dragon‚ an evil knight‚ and a princess
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Dorian Gray‚ a handsome young man‚ is slowly tortured by a sliver of his conscience and fear of fate in the novel The Picture of Dorian Gray by Oscar Wilde. When Dorian believes‚ thanks to the devilish Henry Wotton‚ that physical beauty and pleasures are the key to true happiness‚ he begins on his horrid journey. The flawed logic keeps Henry content and happy and seems to do the same for Dorian. Although‚ as Dorian does evil with credit to his newfound logic‚ his evil deeds paired with everlasting
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THE BALANCE OF DORIAN GRAY’S STRUCTURE OF PERSONALITY IN OSCAR WILDE’S NOVEL THE PICTURE OF DORIAN GRAY: A STUDY OF PSYCHOANALYSIS Background of the study Human lives with their desire though some of their desire are failed to deliver because of the norms border. As a human‚ we live in a community and it is impossible to do as we please. Norms play the role as law where it limits our behavior and make the standard law points about what we can do or what we cannot do. This law usually opposes
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In Thomas C. Fosters How to Read Literature like a Professor‚ Foster expresses how every story has a journey that someone or sometimes multiple people go on specific journeys. In Mary Shelley’s Frankenstein or The Modern Prometheus‚ the novel is based on exactly that‚ a journey. One journey is Victor Frankenstein’s quest for knowledge. Foster says that “The real reason for a quest is always self knowledge.” Victor Frankenstein is the perfect example of this; Frankenstein sets out on a journey to
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Anonymous Period 5 9-10-13 Journal #1: “I am not young enough to know everything” I can completely and whole-heartedly say that this epigram from Dorian Gray is very relatable and in fact true. It is a well-known fact that the recent generation or generations of teenagers that inhabit this wonderful place we call “America” fully believe that they themselves know everything there is to know about everything in this world. The rest of us with common sense know that this is entirely false.
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In the first chapter of Thomas C. Foster’s How to Read Literature Like a Professor‚ Foster discusses the five aspects of a typical character’s quest and alerts all readers that “when a character hits the road‚ we should start to pay attention” (6). To start out the chapter a rather dull scene is set of a young boy commuting to a store to retrieve bread for his mother. Foster reveals that the seemingly unimportant commute is actually a quest. It is determined that “a quester” (3)‚ a destination‚ an
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How to Read Literature Like a Professor (Thomas C. Foster) Notes Introduction Archetypes: Faustian deal with the devil (i.e. trade soul for something he/she wants) Spring (i.e. youth‚ promise‚ rebirth‚ renewal‚ fertility) Comedic traits: tragic downfall is threatened but avoided hero wrestles with his/her own demons and comes out victorious What do I look for in literature? - A set of patterns - Interpretive options (readers draw their own conclusions but must be able to support it) - Details ALL
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variety of characters and situation to show that much of this book could be seen as immoral. The Picture of Dorian Gray presents many different aspects to it that could seen as immoral‚ such as‚ murder and hatred‚ Narcissism and Hedonism. Murder and hatred are two of the most reoccurring themes throughout the book. One of the main instances that portrays hate and murder involves Basil and Dorian. Dorian is unhappy with his self-imagine in the portrait and he blames Basil‚ the artist for this.
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Heart Problems Within chapter 23 of How to Read Literature Like a Professor‚ Thomas Foster discusses the in-depth reasons authors use heart complications in novels and the meaning it can add to a story. Throughout The Scarlet Letter‚ Nathaniel Hawthorne uses these various heart techniques that Foster talks about to further emphasize character’s personalities and guilt. Guilt is an emotion Hawthorne used to cause pains within Reverend Dimmesdale. At the beginning of the novel‚ Dimmesdale is seen
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(3) How does the novel relate to the fear of aging and mortality? Does Wilde critique the cultural obsession with youth and beauty? or‚ Does he embrace it? The whole point of the novel is the fear of aging and mortality. The picture is the reference to the fear. Dorian never wants to grow old‚ or become ugly and die. He wants to be beautiful and young forever. "I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me. Why should it keep what I
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