Our Casuarina Tree | | Toru Dutt (1856–77) | | | LIKE a huge Python‚ winding round and round | | The rugged trunk‚ indented deep with scars‚ | | Up to its very summit near the stars‚ | | A creeper climbs‚ in whose embraces bound | | No other tree could live. But gallantly | 5 | The giant wears the scarf‚ and flowers are hung | | In crimson clusters all the boughs among‚ | | Whereon all day are gathered bird and bee; | | And oft at nights the
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“Do Not Weep‚ Maiden‚ for War is Kind‚” was written by the poet Stephen Crane. The poem is a bitter and emotional protest of the horrors of war. It gets much of its strength from using simple but highly descriptive words in contrast with innocence‚ and also through the use of repetition and sarcasm. The poet portrays bitterness and innocence in the first stanza. It is strongly shown in the lines "Do not weep‚ maiden‚ for war is kind‚ because your lover threw wild hands towards the sky” (1-2). The
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American writer and artist‚ Flavia Weedn‚ once wrote in her poem‚ “Some people come into our lives and leave footprints on our hearts and we are never ever the same”. One of my teachers told me something during my junior year that stood out to me and touched me dearly. She said‚ “Lift your problems up to Him‚ and He will take care of the rest”. Transitioning from a Catholic grade school to a public school high school was not an easy task‚ especially after recovering from a concussion. Upon entering
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Analytical Essay Have you ever wondered what it feels like to experience euphoria? In the song “The Calling”‚ The Fat Rat explains the feeling of euphoria. The connotation of the song uses lots of imagery to convey the tone/attitude and the theme of the poem. The connotation of “The Calling” has to do with the imagery used in the writing by the writer‚ The Fat Rat. “Reason and rhyme--Grand and glorious.” This is a great example of alliteration in the song that repeats the consonant r and g. “Gold and
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The most explicit theme of the reading that stood out to me was racism in the form of slavery in the southern United States. Throughout the narrative‚ Douglass included excellent examples of how slaves are dehumanized‚ mentally and physically‚ by the slave system. In many ways‚ slavery and segregation were the main obstacles in his personality growth. One of the most powerful lines in the narrative was in chapter ten‚ when Douglass directly addresses the relationship between slavery and the denial
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The poem can be viewed as a sensational verse or emotional monolog. Each spring‚ the speaker in the lyric‚ probably the writer himself and his neighbor‚ an old New England rancher stroll along the stone divider between their individual properties to survey and repair the harm done to the divider consistently‚ apparently by cruel climate and seekers. Every rancher gets the stones that have tumbled to his side and places them back on the divider yet being of uneven shapes and sizes‚ they don’t stay
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Poems 2/HS305 The Harp Of India Why hang’st thou lonely on yon withered bough? Unstrung for ever‚ must thou there remain; Thy music once was sweet - who hears it now? Why doth the breeze sigh over thee in vain? Silence hath bound thee with her fatal chain; Neglected‚ mute‚ and desolate art thou‚ Like ruined monument on desert plain: O! many a hand more worthy far than mine Once thy harmonious chords to sweetness gave‚ And many a wreath for them did Fame entwine Of flowers still blooming on the
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Prayer Poems by Deeci Murphy Copyright Page Acknowledgements To He from which all blessing flow. To He who imparts strength to do all we do. To He who is the giver of all good gifts and perfect presents‚ I am humbly and graciously appreciative
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The attitude of eurocentrism is best displayed when evidence shows that this poem focuses on the worldview of Western civilization. The source creator likely supports eugenics because it selects only the best genetics to breed so that all “poor” and undesirable traits are eliminated in the process‚ which can perhaps help “take up
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have succumbed to the lure of stereotypical representations” is certainly apocryphal when applied to Liz Lochhead’s “Rapunzstiltskin”‚ which promulgates “our maiden’s” autonomy and‚ indeed‚ her independence. Certainly‚ Lochhead’s use of the noun – “maiden” – is employed to connote archaic suggestions of an unmarried woman rescued by “the knight in shining armour”; this fickle romanticism is what Lochhead ultimately sets out to erode. Primarily‚ Lochhead’s use of language reflects upon the perspective
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