Aristotelian philosophy teaches that knowing material reality can be achieved by properly identifying the essential traits of things and distinguishing things from other things by forming classification schemes based on those traits. The theory’s great power is that it canproduce useful‚ independently verifiable categories of analysis--if we all can agree on the epic’s essential traits‚ then we can conduct reasonable scholarly discussions about epics. Since Aristotle also was interested (like his
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in Frankenstein To some people Frankenstein might be considered a tragedy while for others it might not. For Aristotle‚ tragedy was a word to describe a certain situation‚ especially in plays and literature. According to Aristotle‚ in order for a poetic work to be considered a tragedy it had to have several requirements. For Frankenstein‚ only four parts will be mentioned as the other parts applied more to plays rather than literature. First‚ it should have a plot where the outcome depends almost
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Tragedy is a huge part not only in life but in literature. Tragedy in reality can be anything; death‚ natural disaster‚ suicide‚ and so on. Tragedy in literature is portrayed in a plays or religious ceremonies. Most of these tragedies are related to the disaster of heroes‚ legends‚ and religious myths. A tragedy in literature may have some similarities as tragedies in real life‚ but will need key aspects to be considered a tragedy. Tragedy is portrayed very differently in literature compared to
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are able to relate to. They engage their senses by not only being audio but visual‚ as well as using young teenagers in their film clips further enhancing their communication towards youth. Music videos and lyrics also have various symbolism and poetic devices throughout which youth must identify to really understand the meaning being driven by the video clips. This
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tragic hero. A comparison of Creon’s two famous speeches‚ the state of the union address and his closing remarks‚ show the shift in tone from unfolding and prideful to weary and accepting‚ which transcends throughout the story. Creon’s use of literary devices effectively illustrates his tone shift between these fore-mentioned speeches‚ dramatically showing his tragic hero status. During Creon’s state of the union speech‚ he is trying to show his authority as the new King of Thebes by using an imperial
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containing both modern and classical elements in it. The play is modern in that it deals with the sorrows and predicaments of a common human being and it is classical in that it maintains the classical principles of drama as laid down in Aristotle’s Poetic. Simply we can say that Riders to the Sea is a modern tragedy in classical settings and with classical overtones. Unlike Greek tragedies‚ Riders to the Sea deals with the sufferings of a common human being named Maurya who is the head of an Irish
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Marcus Brutus as The Tragic Hero of Shakespeare’s The Tragedy of Julius Caesar Aristotle is a Greek philosopher who made significant contributions to many different aspects of literature. In Aristotle’s philosophical treatise‚ Poetics‚ a tragedy is depicted as the downfall of a tragic hero‚ which is conveyed through the unification of hubris‚ free choice‚ and an error of judgement. Aristotle defines a tragic hero as a person of noble prestige and greatness. Although the tragic hero is notably great
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To what extent does Othello meet the criteria of a tragic hero? The characteristics of a tragic hero are explained in Aristotle’s theory. Aristotle said that a tragic hero must go through four stages. These are Peripateia‚ which is an utter and complete downfall from a very high status such as a king‚ prince etc… to catastrophe and misery. Hamartia‚ which is a fatal or tragic flaw in the hero. Anagnorisis‚ which is recognition of the hero’s mistakes‚ and Catharsis‚ which is when the audience is
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judgment or has a fatal flaw that‚ combined with fate and external forces‚ brings on a tragedy. Of all the tragic heroes in Greek literature‚ Sophocles believed that Oedipus was the truest. Sophocles was correct‚ for based on analysis of Aristotle’s Poetics; it is obvious that Oedipus is indeed far more of a tragic hero than any other hero of ancient Greek literature. According to Aristotle‚ a tragic hero is a character‚ usually of high birth‚ who is neither totally good nor totally evil‚ and whose
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Notes on Poetics by Aristotle Part VI-Defining tragedy‚ it’s elements and Imitation Defines tragedy as an imitation that is serious‚ complete and with a certain magnitude. The success or failure of the tragedy aspect is dependent on action‚ and action consists of distinctive qualities through character and thought. Character is the association of virtues we give to the agent. Thought is fund everywhere‚ for everything must be justified. Therefore it is relevant for any statement or truth
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