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    Bishops’ sonnet‚ “Sonnet‚” has strong imagery and metaphors which add to the speaker’s questioning and acceptance observed in the sonnet. Symbols of tools were used‚ for example in lines 1-2 and 3-4‚ “Caught- the bubble in the spirit-level” and “the compass needle wobbling and wavering” which allude to a compass and level. However‚ the words surrounding them alter their meanings. By describing the bubble as “caught” which has connotations of being trapped‚ and stolen‚ and in a spirit-level that is

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    title of this poem is unusual in that it is much longer than the average length of a title in poetry. The title also isn’t stylised in any way (though it could be argued that that deliberate decision is stylising the title) and doesn’t contain any form of punctuation. It also not only sets the scene (“To the doctor who treated the raped baby”) but also elaborated on the nature of its subject (“… and who felt such despair”) . Titles are the first thing that the reader sees‚ as such it is important

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    the window When one is considered naïve‚ it has been thought to determine one as “having or showing a lack of experience‚ judgment‚ or information; credulous” (www.dictionary.com). In Richard Wilburs’ poem‚ Boy at the Window‚ Wilbur uses simple form language to paint the image of the boy staring out the window at the snowman. In the beginning of the poem‚ Wilbur reveals two characters‚ one a snowman and the other a young boy. Both characters in the poem seem to have a connection to each other

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    The Bard of Avon

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    second six-line part is called the sestet‚ with a rhyme scheme of cdecde. Gradually the Italian sonnet pattern was changed. Since Shakespeare attained fame for the greatest poems of this modified type‚ his name has often been given to the English form of the sonnet. The English sonnet is made up of three quatrains and a concluding couplet‚ with the rhyme scheme of abab cdcd efef gg. In the Shakespearean sonnet each quatrain deals with a different aspect of the subject and the couplet either summarizes

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    ‘To His Coy Mistress’ Is a love poem by Andrew Marvel. The poem is ‘carpe diem’ which translates to seize the day‚ this means the poem does not take its time its blunt and straight to the point. The poem contains a thesis‚ antithesis and synthesis‚ the main argument points of the poem. The poem is split into three stanza’s which are used to persuade the woman to give up her virginity before her beauty dies. It is a conventional poem for its time in the 17th century. In the first stanza Marvel

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    In Jorge Luis Borges’ “The Mirror & The Mask”‚ a court poet is asked by the High King of Ireland to create an ode to immortalize their victory against the Norwegians. Moving through the short story‚ we can begin to see a sort of evolution surrounding the ode as it appears to transform from what is perceived as a skillfully crafted literary masterpiece‚ to something much more silent and solemn. In analyzing this evolution‚ we’ll be assisted by Paul Gee’s article‚ “What is Literacy?” As well as a few

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    Read and Compare and Contrast the Following Poems by Wilfred Owen: [It Was a Navy Boy]‚ Anthem for Doomed Youth and Dulce et Decorum Est. <br> <br>Wilfred Owen was a poet who was widely regarded as one of the best poets of the World War one period. <br> <br>Wilfred Owen was born on the 18th of March 1893‚ at Plas Wilmot‚ Oswestry‚ on the English Welsh border; he was the son of Tom and Susan Owen. During the winter of 1897-8 Tom Owen‚ Wilfred’s father was reappointed to Birkenhead‚ and with that

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    “THE RAPE OF THE LOCK”---MOCK-EPIC POEM: The epic is a narrative poem of supposed divine inspiration treating of a subject of great and momentous importance for mankind‚ the characters of the story are partly human and partly divine‚ and the language and style in which the incidents are related are full of elevation and dignity. If a long narrative poem should satisfy all the tests of epic poetry‚ but if the subject which is celebrated be of a trivial nature‚ like the cutting off a lock of a woman’s

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    Tom Jones Comic Epic

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    Tom Jones as ‘Comic Epic-Poem in Prose’ Maruf Billah Enjoying the freedom of an artist‚ Fielding in his ‘Tom Jones’ bursts on the literary scene giving thousands of hours for a kind of writing‚ which is in his own words‚ “I do not remember to have seen hitherto attempted in our language”. His immediate inspiration was the Spanish Classic‚ ‘Don Quixote’. However in discussing his work Fielding refers to Homer and Aristotle‚ the former for practice and the later for theory. This kind of appeal

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    Literary aspects in the poem include figure of speech‚ imagery‚ rhyme‚ rhythm and form. In stanza one the rhythm of the poem is in iambic pentameter‚ where there are ten syllables in each line and every other syllable is stressed. As well as the rest of the poem stanza one’s rhyme scheme is ABA. The phrases “good night”‚ “close of day”‚ and “dying of the light” are metaphors for death. Thomas is advising the elderly‚ like his father‚ to “burn and rave” in other words fight against death. Another

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