Throughout centuries‚ Aristotle’s Poetics has been a widely used criterion for writers‚ filmmakers‚ and play writers. One Flew Over the Cuckoo’s Nest is among the classic films‚ that successfully applies Aristotle’s six definitions; plot‚ character‚ diction‚ thought‚ spectacle‚ and song. “Tragedy is an imitation of an action that is complete‚ whole‚ and of a certain magnitude… A whole is that which has a beginning‚ middle‚ and an end.” Aristotle further adds that the plot must follow a change of
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Poetic Devices 1. Alliteration- The repetition of the same or similar consonant sounds at the beginning of words. Ex: She sells sea shells by the sea shore. 2. Assonance- The repetition of the same or similar vowel sounds. Ex: The blue moon rose too soon. 3. Enjambment- The continuation of a sentence from one line to the next line. When you are reading poetry‚ do not stop at the end of a line. Read through until you hit punctuation that tells you to stop. Ex: “The setting sun/ slithers into
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Aristotle’s Poetics is not one of his major works‚ although it has exercised a great deal of influence upon subsequent literary studies and criticism. In this work Aristotle outlines and discusses many basic elements that an author should adhere to in order to write a great tragedies and/or poetry. Two important topics that Aristotle addresses and believes to be crucial to the art work is the mimesis‚ or imitation of life‚ and that the audience has an emotional response from the work of art‚ or
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Aeschylus- Agamemnon Characters- The Watchman Clytaemnestra The Herald Agamemnon Cassandra Aegisthus The Chorus 1). The Watchman: The watchman sets the time and place for the play (Agamemnon’s palace in Argos‚ the house of Atreus); he describes the many miserable nights he has spent on the rooftop of the palace watching for the signal fires that will herald the
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Jen Krupa Final Draft Seminar paper 11/6/12 The Portrayal of Women in Greek Writing Sappho‚ Aeschylus and Homer are Greek authors that discuss the role of women in Greek Society. Women hold traditional Greek roles in society taking on the role as wife and mother. These roles are generally viewed as subordinate roles to men in Greek times. This can be seen through the poetry of Sappho. It can be argued that women also hold very powerful negative or positive roles in Greek society. This
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| Aeschylus’ Oresteia: Agamemnon | Close Reading Essay| | | “Now you pass judgment! Exile from this land‚ the hatred of the people‚ public curses. But him! What charges did you ever bring against him? For all he cared he might as well have been killing an animal. Oh‚ he had plenty of sheep to choose from‚ but he sacrificed his own child‚ my labor of love‚ to charm away the cruel storm-winds of Thrace. He was the one you should have banished from this land‚ as punishment
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AGAMEMNON CHARACTERS IN THE PLAY AGAMEMNON‚ son of Atreus and King of Argos and Mycenae; Commander-in-Chief of the Greek armies in the War against Troy. CLYTEMNESTRA‚ daughter of Tyndareus‚ sister of Helen; wife to Agamemnon. AIGISTHOS‚ son of Thyestes‚ cousin and blood-enemy to Agamemnon lover to Clytemnestra. CASSANDRA‚ daughter of Priam‚ King of Troy‚ a prophetess; now slave to Agamemnon. A WATCHMAN. A HERALD. CHORUS of Argive Elders‚ faithful to AGAMEMNON. CHARACTERS MENTIONED IN
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Although Hamlet and Agamemnon both follow Aristotle’s definition of tragedy‚ I believe Hamlet is a more tragic play. Many more innocent lives were taken in Hamlet than Agamemnon. Hamlet‚ Gertrude‚ Ophelia‚ Polonius and Laertes were all killed due to Claudius’ deceptive and cheating ways. In Agamemnon‚ Cassandra and Iphigenia were the only innocent lives taken‚ both caused by Agamemnon’s lack of morals. The sheer number of deaths in Hamlet that were caused by unjust means and intentions brings
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is believed that when man triumphs in a battle‚ they rise to believe they are god-like and become too successful and prideful. As a result‚ a prideful man can easily start defying the gods and in turn be punished by the gods for their treachery. Agamemnon reveals of having knowledge of dangers of hubris as he quotes‚ “I am a mortal man; I cannot trample upon these tinted splendors without fear thrown in my path. I tell you‚ as a man‚ not god‚ to reverence me.” (Aeschylus‚ 922) However even though
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