audience interpretation‚ thus it must be recognised that meaning in texts can be shaped and reshaped. Significantly‚ this may occur as connections between texts are explored. These notions are reflected in the compostion of Edson’s W;t and Donne’s poetry as their relationship is established through intertextual references‚ corresponding values and ideas and the use of language features. Edson particularly portrays key values surrounding the notions of the importance of loved based relationships‚ and
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In John Donne’s “The Sun Rising‚” the use of apostrophe helps strengthen the premise of the poem‚ that love is the strongest‚ most blinding ideal. When one examines the poem on a literal level‚ taking each line at face value‚ the speaker of the poem makes commentaries on the sun‚ love‚ and various other subjects. When one judges the poem as a whole‚ however‚ and considers the parts with respect to each other and not as independent commentaries‚ one sees that the true message being conveyed is not
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of texts ultimately connect them. Margaret Edson’s 20th century‚ postmodern play W;t and John Donne’s 17th century‚ metaphysical poetry are inextricably linked through their exploration of key concerns of humanity. Accepting one’s mortality and redeeming sins are underlying values of both texts. The importance of accepting one’s mortality is an underlying value which ultimately connects W;t and Donne’s poetry. The texts explore the anxieties of the personas’ potential death and their journey to accept
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Lucia‚ the West Indies‚ on January 23‚ 1930. Walcott himself and his family‚ were part of a minority in his island which was dominated by the catholic culture established during the French colonial rule‚ this will really have a big impact on the poet`s style and poems. He later attended the University of the West Indies‚ having received a Colonial Development and Welfare scholarship‚ and in 1951 published the volume Poems. Studying certain poems written by Walcott‚ we can really realize how colonialism
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John Donne’s sonnet entitled “Divine Sonnet X” looks closely at death and Donne fervently writes about his views on death and his strong belief that death should not be feared‚ but embraced. Donne personifies death all throughout his poem as he challenges death by stating that death is not the “mighty and dreadful” part of life that most people fear‚ but rather an escape from life where people can be at peace like they are when they are sleeping. Donne is literally conversing with death‚ and pleading
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Mushtaq Subject: Classical Poetry Topic: “Distinctive Qualities of Donne as a Poet” Submitted by: Ambreen Naqvi (11014237-1006) M.A English Fall 2011 1st Semester Content Introduction • John Donne • The Age of Donne • Life History • Major Works Donne As A Metaphysical Poet • Metaphysical poetry • Love Poetry • Divine Poetry Donne’s Style • Use of Metaphysical Conceits • Bizarre Imagery
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made evident in the texts you have studied? Connections between John Donne’s Selective Poems and Margaret Edson’s play Wit to a great extent enrich the audiences understanding of each text and the themes of death and love. When these texts are studied together it is evident through continual intertextual reference that Donne has heavily influenced the play Wit. Although the texts differ contextually‚ with Donne’s 17th Century poetry and Edson’s 20th Century script writing‚ their contextual connections
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By comparatively analysing the connections between texts‚ a responder’s understanding of intrinsic human concerns are outwardly enhanced. Edson’s play “W;t” is a manifestation of the Selected Poetry of John Donne‚ and explores the analogous notions of redemption through self-examination and the need for human relationships. A responder‚ when taking both Edson and Donne’s work as one‚ understands the timelessness of human concerns. Hence‚ there can be no doubt‚ that fundamental to any comparative
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John Donne Death is a very complicated subject that people view very differently in different situations. In John Donne’s Holy Sonnets‚ he writes about death in Meditations X and XVII. Both meditations use many similar rhetorical devices and appeals‚ but the tones of the meditations are very disparate. Donne’s different messages in Meditations X and XVII convey tones of defiance and acquiescence towards death‚ respectively. His apparent change of attitude towards death could be accounted for
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