Running head: The Erotic and Sexual Nature of Dracula The Erotic and Sexual Nature of Dracula Kimberly Irish Axia College of University of Phoenix 1 Abstract Dracula‚ is the king of the vampires. Since Bram Stoker ’s novel was published a fascination with vampires has boomed. In its wake there have been countless books‚ films and research on Dracula. One often overlooked element in the ’Dracula universe ’ is the use of erotic and sexual references. These references are sometimes subtle
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In this essay‚ I would like to expose myself to the question how the non-human agency of a bat can be reflected through Bram Stoker’s novel Dracula? Furthermore‚ does nature exist in any prediscursive form prior to its marking by human culture? In Stoker’s Dracula a big bat flaps and buffets its wings against the window of Lucy Westerna frightening her out of her wits. In this novel bats can be seen as representing the uncanny and mysterious of nature; and moreover‚ as we humans are part of nature
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Dracula as the Anti-Christ is a theme that presents its self commonly in the novel “Dracula”. The novel portrays Anti-Christian values and beliefs‚ through its main characters‚ Dracula. The author uses his knowledge of Christian believes to construct one of the darkest‚ most evil characters in any novel. To create Dracula he takes these believes and flips them and places them in the character. There are many ways that Bram Stoker’s character Dracula can be considered the Anti-Christ‚ mostly because
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English Assignment – Dracula Feature Article Brianna Moore Francis Ford Coppola’s modern adaption of Bram Stoker’s 19th century gothic text captivates audiences by uncovering the layers of Dracula’s depiction as a tragic hero and exploring the dimensions of darkness existing in the story’s most innocent protagonists. What modern gothic elements were used to demonstrate the conflict between religion with its emphasise on purity and the immorality and maleficence of vampirism? The most drastic
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Over the course of cinematic history‚ many filmmakers have attempted to recreate the chilling‚ unprecedented world of Bram Stoker’s Dracula. Arguably very few have succeeded‚ for the majority of directors tend to avoid the pervasive sexuality inherent in the novel. It is a difficult task to achieve‚ considering the blatant imagery surrounding sex and vampirism‚ such as the reproduction following a vampiric encounter and the phallocentric nature of the violence committed both by and against these
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Dracula‚ Bram Stoker’s most well known novel‚ was written during the Gothic Era (1800-1865). Writers of gothic literature often created feelings of fear and mystery by focusing the plot on an ancient house that was used to harbor secrets or a place of refuge from a dangerous character. (Kennedy n.p.). Stoker used some characteristics of the Gothic Era‚ such as descriptions of gloomy settings and the use of supernatural events‚ (Marinaro n.p.). in addition to using the social conventions of London
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During the Romantic Era‚ Bram Stoker created a timeless monster in his novel‚ Dracula. Stoker uses a series of letters and journal entries to tell the story form a first person point of view. The Count‚ for whom the book is named‚ seems to be invincible to mere man. Stoker uses his character of Dracula to reflect the elements of romanticism through his supernatural powers‚ a fascination with youth and innocence‚ and imagery. Dracula seems to possess unexplainable supernatural powers. When Jonathan
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Samuel Grundhoefer Professor Thomas 2/20/2012 Dracula: A better read‚ or a better movie? Since the beginning of the moving picture‚ directors have been recreating books into movie. More often than not‚ the directors will change the original plot line of the book. In Bram Stoker’s Dracula the director changes the plot in a few different instances but for the most part‚ the director keeps the same plotline. Some similarities between the book and the movie are: the genre and setting‚ loss of
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This show‚ Program‚ is set in a utopian universe inspired by the iconic novel by Bram Stoker‚ Dracula. Within this utopian society‚ the poor population makes up the majority of the overall population and yet the 1% of wealthy hold all the power and control the government. The poor population are desperate for a way out of the system of poverty. Due to this‚ the president‚ O.J. OndskaKraft‚ offers a program in which those living in poverty may compete either individually or as team for what is advertised
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between good and evil and dealing with the supernatural in some sort of way. The episodic novel Dracula written by Bram Stoker in 1897 and the movie Blade by Stephen Norrington created in 1998 bring to the fore many conventions relating to the Gothic Horror genre despite their vastly different contexts. Gothic elements of imprisonment‚ eccentricity and death are clearly represented through each of the texts. Stoker and Norrington present these conventions through a variety of literary and film techniques
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