INTRODUCTION: This case involves the suspects attempting to murder the victims by shooting at them from a loaded firearm during a drive-by shooting. One victim sustained a non-life threatening gunshot wound. LOCATION DESCRIPTION: This incident occurred at 101 W. Washington Boulevard‚ which is a single family residence. EVIDENCE: • I.D. Technician Chapman #1370‚ took photographs of the scene‚ recovered several expended 9MM caliber bullet casings and projectiles. INVESTIGATION:
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Another man is is chasing the victim up the street. Jason begins to cry and sit their because he doesn’t know what’s going on. BANG BANG BANG. Jason is on the porch dead covered in blood next to the man that was shot by the suspect. Mann is affected by status everytime he gets in trouble he is thrown on the porch. As soon as he touches the porch he freaks out and says” i can’t breathe.” when he says that him and his mother began to cry. Regardless of the fact‚
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Titurel‚ was entrusted with the Holy Grail‚ the vessel that caught Jesus’s blood‚ and the Lance of Longinus. A magician‚ Klingsor‚ wanted to enter the temple that Titurel made‚ but was refused. In retaliation‚ Klingsor made a garden of seductive maidens‚ and was thus the ruin of many noble knights. Amfortas had lost the Lance of Longinus when he was wounded in the attack against Klingsor’s
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lesbianism in the Victorian context. Indeed‚ Joseph Sheridan Le Fanu condemns the narrow-minded conception of women’s sexuality during the Victorian age through the use of three typical characters of Gothic literature: a femme fatale‚ a persecuted maiden‚ and a hero. By presenting Carmilla as the typical femme fatale of Gothic literature‚ Le Fanu portrays the image of the liberal woman of the Victorian era. To begin with‚ Carmilla
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AJANTA CAVES INTRODUCTION Ajanta Caves (Ajiṇṭhā leni; Marathi) in Aurangabad district of Maharashtra‚ India are about 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 or 650 CE.[1] The caves include paintings and sculptures described by the government Archaeological Survey of India as "the finest surviving examples of Indian art‚ particularly painting"‚[2]which are masterpieces of Buddhist religious art‚ with figures of the Buddha and depictions of the Jataka tales
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Stephen Crane and Gwendolyn Brooks “Do Not Weep Maiden for War Is Kind” a poem by Stephen Crane is written in a way that reveals how war is an atrocious creature through verbal irony. In “The Sonnet-Ballad” by Gwendolyn brooks‚ she portrays death as a flirtatious lady. Both of these authors do an extraordinary job in using imagery and irony to sketch their thoughts about death and war. Through the use of imagery Brooks characterizes the coquettish death and how her loved one was fooled into betraying
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choice argues that although this may have happened years ago the pain is still persists and hurts the man like it was yesterday. The word choice also indicates that Annabel Lee might have been apart of a hierarchy. She lived in a kingdom‚ was called maiden‚ and when she was taken away from her lover it was described as “So that her highborn kinsmen came.” (line 17) Poe uses alliteration often in this poem. It gives the poem a smooth flow. Examples of alliteration can be found stanza 4 (line 25-26) “That
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the poem “The Raven.” Although we do not know much about how she looks‚ Lenore symbolizes beauty which brings a sense of purity to the poem. Poe writes‚ “It shall clasp a sainted maiden whom the angels name Lenore ¾ / Clasp a rare and radiant maiden whom the angels name Lenore” (690). The narrator uses “sainted maiden” to describe the deceased Lenore. By using that adjective‚ he is associating Lenore with a saint‚ which means she is the perfect‚ ideal woman. If Lenore is the ideal woman‚ she must
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illuminates the unrealistic and prejudiced stereotypes in age-old fairy tales‚ stereotypes inadvertently etched on the minds of millions of children. Sexton uses a conversational tone that remains oblivious to the initial hardships of the “rags to riches” maiden to highlight the insignificance and passiveness of women and the influential and dominant character of men. She conveys to the world’s audience of fairy tale lovers the blatant inequality in “Cinderella‚” showing that this model fairy tale simply
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In “Lost and Found‚” Lynda Barry uses the three key features of literacy narrative. Well-told story: Lynda Barry’s essay provides a looking-glass into her past to which she is informing her readers on what exactly influences her decision to become a cartoonist/author. Barry addresses the conflict’s she comes to face while trying to determine her place as a writer. She tells of the stories she imagines of as she reads the classifieds as a nine-year-old girl and how she didn’t show interest in writing
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