"My Last Duchess" and "Porphyria’s Lover” Robert Browning wrote the two poems‚ "My Last Duchess" and "Porphyria’s Lover." Both poems convey an thoughtful‚ examination profound commentary about the concept of love. communicates two interpretations concerning Both poems describe the behavior of people who are in loving‚ romantic relationships. There are several aspects common in both poems. Using the literary technique of dramatic dialogue‚ the author reveals the plot and central idea of each poem
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his earlier pieces titled "Porphyria’s Lover"‚ deals with the manner in which women were treated by men during the Victorian era. There are many theories that attempt to explain what exactly is occurring in this piece. Some scholars have suggested that the speaker in the poem murders his lover in an attempt to preserve a perfect moment‚ or because they come from different classes and the speaker cannot bear to be apart from her. The strangling of Porphyria appears to be a dramatic representation
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title‚ “Porphyria’s Lover”‚ which alludes to a disease highlights that the persona is being infected by Porphyria to point where it makes him sick‚ suggesting that inter-class relationships are abnormal and unhealthy. Porphyria is implied to be of higher social status than the persona through the diction in “When in glided in Porphyria” where the word glided gives the sense that she has the higher class elegance. Browning reinforces the persona’s obsession with owning Porphyria as a commodity through
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Comparison of the use of a dramatic monologue. In ’Porphyria’s Lover’ and ’My Last Duchess’‚ Browning uses several features of dramatic monologue in order to engage and sustain the interest of the audience. This style of monologue is spoken by a character‚ which is not the poet‚ and is usually projected at a critical moment‚ as in the case of ’My Last Duchess’ and ’Porphyria’s Lover’. The speakers unintentionally reveal their insanity‚ in both poems‚ through their separate accounts. By studying
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instance‚ in the poem The Love Song of J. Alfred Prufrock by T.S. Eliot‚ the implied auditor is Prufrocks lover. We know of her presence when Prufrock addresses her‚ for example Let us go then‚ you and I. This first line of the poem tells us then that the poem is addressed to a specific person. Another instance is Oh‚ do not ask‚ What is it? This line tells us that the auditor‚ that is the lover does interact with the speaker‚ Prufrock‚ but we know about these interactions only through what the speaker
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Robert browning-speech What would continue to make Robert Browning’s poetry worthy of critical study? ‘Half-flush that dies along her throat’. ‘In one long yellow string I wound three times her little throat and strangled her’. Wow‚ are they insane? Or are they simply just scared and insecure? For more than a century Robert Browning has been known for his dramatic monologues. Through the use of Dramatic monologue‚ Browning freely questions the concerns of the Victorian society through the use
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concepts of love and war are inextricably linked with the similar attributes and emotions that are concomitant to each idea‚ however their paradoxical relationship suggests divergent ideas when involved in variant contexts. The love poem‚ ‘Porphyria’s Lover’ by Robert Browning conflates passion and violence‚ reflecting notions of obsessions‚ hunger for ownership and abusiveness within a relationship whilst Bruce Dawe’s ‘Homecoming’ investigates the anonymity and insensitivity for the deaths of the soldiers
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Robert Browning and the Dramatic Monologue Celebratons honoring the bi-centennial of Robert Browning’s birth are taking place on each side of the Atlantic. In late June‚ a conference sponsored by the Browning Society of London focused on a particular aspect of Browning’s work–the dramatic monologue. For those who are unfamiliar with the term‚ the following definition is offered. M. H. Abrams‚ one of the general editors of the Norton Anthology of English Literature and a respected American critic
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Robert Browning’s “Porphyria’s Lover” written in 1836 explores and undermines the complex gender stereotypes regarding power and authority present in the nineteenth century. The typical stable male figure is absent. Instead‚ the male narrator is extremely capricious and erratic in nature‚ making for an unusual story. Porphyria‚ the female in the poem‚ also undermines regular stereotypes. On a deeper level‚ Porphyria seems to be the one with the power even although physically she gets strangled. The
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