Ryan Foley Humanities 101 Self Portrait Paper September 28‚ 2013 Born April 15‚ 1452 in the Tuscan hill town of Vinci‚ was born with no surname his full name being "Leonardo di ser Piero da Vinci"‚ meaning "Leonardo‚ son of (Mes)ser Piero from Vinci." Little is known of Leonardo’s early up bringing besides him spending his first five years of life in the household of his father‚ grandparents and uncle‚ Francesco‚ in the small town of Vinci. His father had married a sixteen-year-old girl
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Formal Analysis of Rembrandt’s Self-Portrait‚ Aged 23 Self-Portrait‚ Aged 23 was painted by Rembrandt van Rijn (1606-1669) in 1629. The oil on wood work is on display in the Isabella Stewart Gardner Museum in Boston. It was purchased in 1896 from Lt. Col. Sawyer through Bernard Berenson and has dimensions of 89.7 x 73.5 centimeters1. As the title implies‚ Rembrandt as a young man is the only figure in the portrait. He is set slightly off-center to the viewer’s left and his body is angled so
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realism movement‚ his Portrait of Marevna c. 1915 is vulnerable to the assumption of being an outlier to Rivera’s more well-known style and to the reduction of being merely evidence of experimentation. Though Portrait of Marevna cannot be linked at first glance to the politically charged‚ indigenismo-influenced work he created during the Mexican Mural Movement of the 1920s‚ inklings of this era are present within the portrait’s construction. This paper explores how Portrait of Marevna
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Alliteration: repetition of the initial consonant sounds beginning several words in sequence. "Let us go forth to lead the land we love." President J. F. Kennedy‚ Inaugural 1961 "Veni‚ vidi‚ vici." Julius Caesar (I came‚ I saw‚ I conquered) Adage a proverb or wise saying made familiar by long use Allusion a passing reference or indirect mention He was the Adam to her Eve Anadiplosis: ("doubling back") the rhetorical repetition of one or several words; specifically‚ re
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Portrait of Augustus as General Roman portraiture was one of the most significant periods in the development of portrait art. The characteristics of Roman portraitures are more modest‚ realistic‚ idealized‚ and natural. Also‚ the body compositions‚ muscles and facial expressions of portraits and sculptures are more advanced. Many roman portraits are directly linked to specific individuals‚ such as gods and emperors. They were often used for propaganda purposes and included ideological messages
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Rhetorical Devices Style is part of classical rhetoric and a number of rhetorical devices are worth considering in any analysis of style. For the analysis of literature a knowledge of rhetorical devices is indispensable‚ since there is often a considerable density of rhetorical figures and tropes which are important generators and qualifiers of meaning and effect. This is particularly the case in poetry. Especially the analysis of the use of imagery is important for any kind of literary text. (For
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The Arnolfini Portrait‚ created by Jan van Eyck‚ is a complex oil painting that was created in 1434. It is a representational work because it references real life events‚ which in this case‚ are the marriage rituals of that day in age between husband and wife. For the very first time in history‚ van Eyck became the perfect eye-witness in the truest sense of the term. This portrait is very complex due to the fact of its iconography. It is very symbolic and has been interpreted in several‚ countless
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ambiguity of manner. 8. Anachronism – Something or someone that is not in its correct historical or chronological time‚ esp. a thing or person that belongs to an earlier time: The sword in an anachronism in modern warfare. 9. Anaphora – A rhetorical device in which a word or phrase is repeated at the beginnings of successive phrases or sentences. Compare this to epistrophe‚ where such repetitions occur at the ends. (lesson 10. Analogy – A similarity between like features of two things‚ on which a
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Analysis of the archetype in O. Wilde’s novel "Portrait of Dorian Gray" The scale of the realization of ideas through the archetype of an animated portrait allows one to compare "Portrait of Dorian Gray" and Gogol’s "Portrait" as manifestoes of related epochs. In the first chapter‚ an analysis of the archetype in Gogol’s story was conducted‚ we will try to discover the archetype in Wilde’s novel by the same characteristics: • the inclusion of the archetype in ontological issues; • reflection of
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“A Portrait of the Artist as Filipino” Nick Joaquin Act I ”Bitoy Camacho‚ an old friend of the Marasigans‚ pays them a visit one afternoon after many years of absence. He is greeted by the two daughters of Lorenzo Marasigan‚ a famous painter‚ who in his declining years has been living in isolation and abject poverty. Recently‚ he finished his latest and perhaps last major work of art‚ a painting he entitled Portrait of the Artist as Filipino. The sisters Paula and Candida welcome Bitoy. They
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