Boomerang- The Essence of Sex Board Members in Board Room- Strange’ smells a perfume Strange: (Smells Perfume) I hate it Board Member (Lloyd) : But this fragrance tested very well. Strange’: I said I wanted the essence of sex! Jacqueline: Yes Board Member (Lloyd): Well I think this is it Strange: You would‚ but let me show you what I’m talking about (Takes of thong) Board Member 2: Unbelievable! (Holds thong up to board members face) Strange’: (Rubs thong in man’s
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Adam Bede Adam Bede is the hero of George Eliot’s novel ADAM BEDE. He is close-pin portrait of the novelist’s own father. George’s father‚ Robert Evans‚ began his working life as apprentice carpenter then “he raised himself from being artisan to be a man whose extensive knowledge is very varied”. When the novel opens‚ Adam Bede is introduced to us as a carpenter and foreman in Burger’s shop. George Eliot describes Adam as “not average man yet such men as he is reared here and there in every
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Parents George Eliot is known as an exceptional writer now and of her time. George Eliot is not what most people think of her‚ when they hear the name George Eliot; most think that she is a he but the case is that George Eliot used the name as a pen name‚ because back in her time female writers were not even common or thought of really. George Eliot was born to Robert Evans and Christiana Pearson Evans. George Eliot’s father was a carpenter but later got a better job as an estate agent for Arbury
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adopting a conversational tone. This perspective creates a personal atmosphere of the speaker’s uncertainty and hardship of the journey of spiritual growth‚ and allows the reader to fully experience and empathise with the difficulties that the Magi and Eliot have endured in their respective journeys. The first two stanzas specifically depict the difficulty and hardship of the magi’s journey. The imagery in ‘the very dead of winter’ evokes a sense of death and despair‚ and highlights the hopelessness
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with various different methods. Within Poem 1 and Poem 2 of “Preludes”‚ Eliot comments on the state of the setting‚ early 20th century London or Paris. Poem 1 is overflowing with adjectives with negative connotations such as “grimy”‚ “lonely”‚ “withered” and “burnt-out” in its description of the setting. With this description‚ combined with the dreary weather that can be heard throughout‚ “The showers beat/ on broken blinds”‚ Eliot has chosen to position his readers to feel uncomfortable regarding this
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Francis Bacon - The Portraits Francis Bacon was born in Dublin‚ Ireland to English parents. When F. Bacon grow up and was more independent he then travelled to Berlin were he spent most of his time there. He then moved onto Paris‚ before returning to London and starting out as an interior designer. Bacon never attended art school; he only began his work in watercolours about 1926 – 27. An exhibition of works by Pablo Picasso inspired him to make his first drawings and paintings. The influence
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Christian Gutierrez Dr. Wendy Slatkin ART 213 19 November 2012 The Portrait of Marten Looten There have been many great artists throughout the history of mankind. World famous and household names such as Leonardo da Vinci‚ Michelangelo‚ and Picasso may be the first to come to mind. However there is one artist who perhaps surpasses the aforementioned names in terms of technical skill; a man who is incredibly proficient in the fields of painting and especially etching; a man who’s work symbolizes
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Ryan Foley Humanities 101 Self Portrait Paper September 28‚ 2013 Born April 15‚ 1452 in the Tuscan hill town of Vinci‚ was born with no surname his full name being "Leonardo di ser Piero da Vinci"‚ meaning "Leonardo‚ son of (Mes)ser Piero from Vinci." Little is known of Leonardo’s early up bringing besides him spending his first five years of life in the household of his father‚ grandparents and uncle‚ Francesco‚ in the small town of Vinci. His father had married a sixteen-year-old girl
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Formal Analysis of Rembrandt’s Self-Portrait‚ Aged 23 Self-Portrait‚ Aged 23 was painted by Rembrandt van Rijn (1606-1669) in 1629. The oil on wood work is on display in the Isabella Stewart Gardner Museum in Boston. It was purchased in 1896 from Lt. Col. Sawyer through Bernard Berenson and has dimensions of 89.7 x 73.5 centimeters1. As the title implies‚ Rembrandt as a young man is the only figure in the portrait. He is set slightly off-center to the viewer’s left and his body is angled so
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realism movement‚ his Portrait of Marevna c. 1915 is vulnerable to the assumption of being an outlier to Rivera’s more well-known style and to the reduction of being merely evidence of experimentation. Though Portrait of Marevna cannot be linked at first glance to the politically charged‚ indigenismo-influenced work he created during the Mexican Mural Movement of the 1920s‚ inklings of this era are present within the portrait’s construction. This paper explores how Portrait of Marevna
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