"Portrait painting" Essays and Research Papers

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    Persian Miniature Painting

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    Persian Miniature Painting Within the Potter’s House; The Rubaiyat of Omar Khayyam (Unknown) Persian Miniature painting: Gouache on paper Late 19th- Early 20th century Bequest of Helene Brosseau Black (Class of 1931) MH 1991.4.50 I. Discussion of the Image This miniature is a beautiful example of later Persian book painting that displays adaptations of the classical style to suit a more global viewership in the late 19th- early 20th century‚ the era of British colonialism (see figure

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    The Absolut Vodka painting was done in Stockholm‚ Sweden (Wrenn‚ and Abraham). This painting turned out to be the painting that allowed Wenner to be known by a wider audience. Another painting he was hired for was for Disney in Glendale‚ California (“Kurt Werren”). This job grew into a relationship between Wenner and Disney; he trained some of the top engineers at Disney Imagineering as well as theme park designers to use unusual uses of perspective (“Kurt Wenner”). The National Gallery of Art in

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    Why do artists make self-portraits? Why would someone take the time to create a work of art that merely resembles themselves? To answer this‚ one must understand the famous artists of the past‚ both visual and literary. When analyzing a self-portrait‚ one notices that it often goes beyond the visual characteristics of the author. Minute details that can be easily overlooked frequently delve into the artist’s personality and can sometimes make the viewer look deeper into themselves. To answer

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    For this painting Johannes Vermeer used charcoal‚ chalk‚ tempera‚ white lead‚ red and yellow ochre‚ vermillion and oil paints in various tones most of which he grinded up himself daily. No one knows how Johannes Vermeer made the initial drawing for this painting but it is thought that preliminary drawing on the canvas was to act as a guide during the painting and also intended to fix the significant contours of the composition. Once the initial outline drawing was finished he began the underpainting

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    Lascaux cave paintings

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    The Lascaux cave paintings On September 12‚ 1940 in Dordogne‚ France‚ four men named Marcel Ravidat‚ Jacques Marsal‚ Simon Coencas‚ and Georges Agniel‚ came upon a long forgotten cave- Lascaux. The Lascaux cave‚ now a World Heritage site‚ has been called the Lascaux bestiary. A revolution occurred in the creation of art during the Upper Paleolithic Era in Europe. Beginning around 40‚000 B.C.‚ records shows that modern humans replaced Neanderthals and remained the only hominid inhabitants across

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    The series of potraiture works by Georgette Chen titled “Eugene Chen‚ 1940” and ”Self Portrait‚ 1946” are representatives of how artistic elements and the composition of the work used by an artist can establish an emotional connection with the audience. Through these elements‚ the personalities‚ character‚ status of the individual in these portraiture works can be felt strongly by the audience. In addition‚ as time passes‚ Georgette Chen’s shift in artistic expression and stylistic approaches can

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    Over the long history of paintings in ancient China‚ the largest portion of painters specialized in landscapes. Landscape paintings are the most influential category among Chinese paintings and were developed in the Tang Dynasty (618-907)‚ usually taking images of natural scenery‚ such as mountains or rivers. Landscape painting continued throughout the following dynasties maturing over time. There are specific techniques used to express nature that have been passed down from the ancient masters

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    ART 101 Week 5 Individual Painting Styles Resource: Appendix B   Review pp. 504–518 in Ch. 20 & Ch. 21 of A World of Art   View the Neoclassic piece The Emperor Napoleon in His Study at the Tuileries by Jacques Louis David‚ on the National Gallery of Art website‚ located in Appendix B. To access the piece‚ do the following:   ·         Type The Emperor Napoleon in His Study at the Tuileries into the Search This Site box. ·         Click The Emperor Napoleon in His Study at the Tuileries.   View

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    Morisot painted what she experienced on a daily basis. Her paintings reflect the 19th-century cultural restrictions of her class and gender. She avoided urban and street scenes as well as the nude figure and‚ like her fellow female Impressionist Mary Cassatt‚ focused on domestic life and portraits in which she could use family and personal friends as models. Paintings like The Cradle‚ in which she depicted current trends for nursery furniture‚ reflect her sensitivity to fashion and advertising‚ both

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    Sesshu’s painting known as “Winter Landscape” depicts the mountainous terrain of China with people settled across it. At first glance‚ without being technical‚ Sesshu uses only ink and paper to paint the mountain range‚ slowly adding less distinct mountains as it moves further away‚ and then vegetation in the form of trees is scattered about the mountain. There is a human presence mixed in with the nature in the form of a man walking up the mountain and a large temple or palace like structure in

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