Portrait of a young man was painted by Andrea Del Sarto (Andrea d’ Agnolo) from Italy‚ Florence. It was actually done between the years of 1485-1530. The accession number assigned to this portrait is 1982.60.9. In addition to my prior knowledge of my class and the significant amount of time‚ I invested analyzing every single detail of this portrait of the young man helped me to reach the climax of the concept of this portrait. The idea Agnolo depicts on this specific painting through the representation
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mathematically rigorous‚ precise‚ controlled‚ logical‚ and rational. Sol LeWitt’s Wall Drawing No. 681 is one of the examples of analytical line. (Sayre‚ 2010). Expressive lines are less logical‚ free‚ loose‚ and somewhat out of control. Vincent Van Gogh’s painting “The Starry Night” is an example of art using expressive lines. (Sayre‚ 2010). Generally‚ analytical lines are very precise and very logical. The characteristics of the analytical lines are more closely associated with a male form while expressive
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The Dynamics of Leadership Development: A Personal Leadership Portrait David Benenoch Capella University Author Note David Benenoch‚ Doctoral Learner‚ School of Public Service Leadership‚ Nonprofit Management Specialization‚ Capella University‚ Minneapolis‚ MN Correspondence concerning this article should be addressed to David Benenoch‚ Capella University‚ Minneapolis‚ MN. Contact: dbenenoch@capellauniversity.edu. Abstract This paper examines the definition of leadership
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Mark Rothko Mark Rothko is one of the important figures in the generation of painters. His work still draws attention to many people around the world. Born in Dvinsk‚ Russia (in what is now Latvia)‚ Marcus Rothkovich was the fourth child of Jacob Rothkovich‚ a well to do pharmacist and his wife Anna Rothkovich. As Russia was a hostile environment for Zionist Jews‚ Jacob immigrated to the United States with his two older sons in 1910‚ finally sending for the rest of his
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Institutionalization of the "fine arts” and the nature of academic instruction * The academy set the standard for what was art. * Very specific criteria * Only allowed to do History Painting: an event out of history‚ the bible‚ or mythology * Other than history – portrait‚ still lives‚ genre painting * Subject matter: history/mythology/politics * Studying in Rome was the high point of artistic development * Mengs‚ Parnassus‚ 1761 * Theme: the origin of poetry-
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Building‚ would entail social‚ political‚ industrial‚ and scientific possibilities of the twentieth century. Rockefeller did approve Diego’s mural. However‚ Rockefeller did not approve Rivera’s tie in of communism. In the painting Rivera included a scene of a giant May Day Portrait of Lenin leading the demonstration. (A Russian
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On A Portrait Of A Deaf Man. Structure and language Form This poem is an elegy. Structure This poem is eight stanzas written in ballad metre. Lines one and three also have more beats in them than lines two and four. (If you want to get a bit more technical‚ one and three are tetrameters‚ two and four trimeters! Tetrameters have four stresses‚ trimeters have three stresses). Sound As a reminder of ballad metre‚ think of the Christmas carol O Little Town of Bethlehem. Using ballad metre means
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general‚ the Raphael painting is significant in that it is considered a prime example of High Renaissance art and considered Raphael’s masterpiece. I believe it is also significant because as a component of the School of Athens (1509-1511) the painting over a period of 500 years continues to influence discussion and analysis among art historians and scholars. History suggests that Raphael was clearly influenced by Michelangelo’s Sistine Chapel ceiling in the course of painting the room. Vasari said
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was to Egyptians and that their paintings were very accurate to how they were living. Renaissance style art is classical and most known for their religious pieces. A characteristic Renaissance art had that Egyptian did not was mannerism. Mannerism in Renaissance art included unusual poses of figures and the body language. Compared to the Egyptian’s stiff style‚ Renaissance art contained much movement and was very soft to look at. Below is a mannerist painting. As you can see the poses seem strange
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Many paintings from the early 1400’s start noticeably portraying two different categories of art: the “head” and the “heart”. It is a belief that a piece of art is either portrayed to entice a viewer’s intelligence or their “head‚” or their emotions which is the “heart.” We can look at great painters from centuries ago and compare their works into these two classifications. Additionally‚ there are numerous factors and different styles artists use to make their works of art either intellectual or
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