Othello‚ in Act I‚ Scene iii‚ declares that he is “rude in speech”; however‚ he then goes on to describe at length how he seduced Desdemona by his wondrous capacity as a storyteller. “My story being done‚” he confesses to his friends‚ “she [Desdemona] gave me for my pains a world of sighs […] and bade me‚ if I had a friend that loved her‚ I should but teach him how to tell my story” (I‚ iii‚ 158-165). Throughout the play‚ in fact‚ Othello’s poetic expression is unabated; it merely changes tone
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‘Jealously remains the ultimate corrupting force within action.’ To what extent do you agree with this? Within the play Othello‚ jealously remains the ultimate corrupting force‚ as it is through jealously that dramatic conflict occurs and the tragic events unfold. The consequences of jealously have a catalytic impact on the characters of the play and their mutual relationships. This is clearly demonstrated through the machiavellian villain of the play‚ Iago‚ whose actions and dialogue are driven
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The way in which Shakespeare portrayed women is solely based on the era he lived in and the general expectation of women and their actions. In Othello there are only three women: Desdemona‚ Emilia and Bianca. In general‚ men considered women as their possessions and the only power a women had was sexual power. However‚ towards the end of the play Shakespeare shows he has complete respect for women and we see them begin to gain more respect for themselves. There is a small sign they are beginning
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Although the women reflect “foolishness” on the outside‚ The Great Gatsby provides several examples in which women empower themselves despite their inferior status. Although Fitzgerald may have viewed women as a weaker sex‚ several females in the novel demonstrate an underlying power through their relationships‚ and display some admirable qualities. Although they are not able to achieve the same amounts of success as men in the society; by attaching themselves to a suitable mate allows them to share
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Women in popular culture and cinematic representations offer what ‘Barbara Creed calls it “monstrous-feminine”’ in different guises: ‘the archaic mother‚ woman as monstrous womb‚ woman as the witch‚ for instance-while others address them matters of sexual desire-the femme castratice and the vagina dentata’. The woman and her capacity to disturb normal ontology to give birth fascinate‚ repulse and intrigue. From the psychoanalytic viewpoint‚ the monstrosity of the maternal body is ambiguous‚ a ‘man’s
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chosen this novel to prove she could ’do men as well as women ’)‚ there is a small but important female presence. When WW1 began in 1914‚ women in Britain were still very much the oppressed gender. Campaigns for women to be allowed the vote were well established. It was only one year previously that Emily Davison had thrown herself under the King ’s horse at the Derby‚ but no votes were to be awarded until after the war‚ and even then only to women who owned their own homes or were married. By introducing
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OTHELLO AND UNFORGIVEN How do the values represented in Othello and Unforgiven resonate with the contemporary audiences? Values are the principles of behavior that is regarded to the importance and exchangeability. Universal values represented in Othello and Unforgiven evidently depicts with the contemporary audiences as it reflects through the fundamental issue regarding definition of what is ultimately real as opposed to what is merely apparent. Without a doubt this is shown through the conflicting
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stories are common in the art world. However‚ the portrayal of demonized women‚ such as Jezebel or Delilah‚ is rarely done from a non-Hebrew perspective or from one that shows how their actions could be interpreted as good rather than cruel. In Kirk Richards’ Delilah‚ the use of lighting‚ composition and symbolism within the painting mimic saintly portraiture to cast Delilah in a positive light as the savior of her people‚ instead of the common portrayal of her as a seductress or traitor. Through this
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PART 1 INTRODUCTION CHAPTER 1 INTRODUCTION TO PROJECT 1.1 PROJECT PROFILE 1. Topic of Project OTHELLO (or REVERSI) WINDOWS PHONE GAME. 2. Project Features 4X4 board game. Live counter of number of discs after every move. Sound alert on invalid moves. 3. Runtime Environment Information “Othello (or Reversi)” which is a Windows Phone Game runs on Windows Phone OS 7.0/7.1 and there is a prerequisite of Windows Phone SDK 7 to develop
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Act 1 in Othello ----Sally Fu RACE William Shakespeare’s Othello explores the issue of race in his portrayal of the protagonist as a Moor which represents his tending marginal role in a Venetian society. In the play‚ characters are judged again and again based on appearances and outward characteristics. The protagonist’s different ethnic background provides a platform for probing ideas of racial conflict. This is exposed initially through the title of this play‚ “Othello‚ the Moor
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