Chopin’s Nocturne Op.9 No. 2 in E Flat Major In darkness‚ small pinpoints of light begin to shine in the abyss of the night sky. These pinpoints of light twinkle in an absent minded daze‚ illuminating‚ only slightly‚ the velvet curtain of never-ending midnight blue. All is quiet‚ still‚ as fireflies hum by on their own accord. The dark only holds the premise of slight melancholy in its isolation‚ but a settling sense of calm persists. Nightfall brings forth beauty in its mysterious nature; it is
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Peter Tchaikovsky’s Romeo and Juliet Overture is a symphonic poem that accurately follows one of Shakespeare’s most well-known plays. The piece was written in six weeks and premiered in 1870. It contains three themes and generally follows a traditional sonata-allegro form. The first theme is church-like with its homophonic nature and represents Friar Lawrence in the play. The second theme‚ Theme A‚ is very rhythmic with a melody that at times is dissonant to its harmony and represents the feud
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The boulevard of broken dream is a wonderful piece of music‚ another great piece of work from the band green day‚ a outstanding rock song‚ which also means this piece will be especially hard to transform into a different type of art work which in this case‚ it will need to be modified into a jazz piece. Firstly the important role of the electric guitar here must be replaced by a fanfare instrument‚ i think a trumpet will suit this the best‚ then the acoustic guitar will need to play a bigger place
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Nuova Consonanza - NC Berlino 1969 The piece begins with about 3 sounds occurring concurrently. I can identify a guitar or similar string instrument distinctly. I also hear a wind instrument drone. As the piece progresses‚ I hear random noises in the background. These begin with an object sliding down a wire‚ creating a downward scale effect. High pitched piano that is low in intensity is heard. Suddenly I hear a squeaky‚ high pitched sound that sounds like squeaking on glass with wet fingers
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“Distinctive images are created for different purposes” How is this shown in your prescribed text? A composer uses techniques in order to influence and create a lasting impression on the responder. John Misto’s aim is to increase awareness of the women’s suffering during the war‚ allowing the responder to acknowledge the women‚ which will convince society to pay tribute to the women. He uses a variety of techniques which involve many senses of the responder in The Shoe-Horn Sonata to achieve this
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Grade 11 Physics Study Guide SPH3U1 Unit 1: Kinematics + Intro How to count significant figures: -Embedded 0’s count (i.e. 101 has 3 sig figs) -Any numbers that aren’t zeros count (i.e. 5263 has 4 sig figs) -0’s after the decimal place count (i.e. 1.00 has 3 sig figs) -Trailing 0’s (i.e. 2000 has 4 sig figs) -Numbers after the first non-zero (i.e. 0.0002102 has 4 sig figs) How to add and subtract numbers with proper sig figs: The result will have the least amount of numbers after the decimal
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Score Details Recording Details Comments Stravinsky: “The Rite of Spring” (1913) (learning central audio and score) • In “The Augurs of Spring”‚ the strings play a quaver ostinato that has irregular accentuation (e.g. 2nd and 4th quavers in the third bar of 13). This causes the pulse and sense of rhythm to become obscured. I have made use of this technique in variation 13. • Stravinsky makes use of triplets‚ sextuplets (flute in first bar of 17) and septuplets (7th bar of 32). I have also made
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Subnetting Assignment Vernon Sampson November 10‚ 2014 CMIT 265 172.29.0.0/16 subnetted to 113 subnets and provide information for subnets #1‚ #10‚ #26‚ and #113. 172.29.0.0/16 10101100 00011101 00000000 00000000 Network Address 11111111 11111111 00000000 00000000 Subnet Mask I need to have 113 subnets. I have to borrow host bits and convert them to subnet bits. I will use the formula 2X to find how many bits I need to borrow. 21=2 22=4 23=8 24=16 25=32 26=64 27=128 I need to borrow 7 bits
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Side Notes: Helpful Hints: • I came up with a killer Mozart-style arrangement involving several songs by modern artists. But I ran into a roadblock with getting permissions. So I decided to do variations on a theme by making my arrangement an original tune. • Learn the hardest parts first with the correct fingering. Instead of using a slower tempo to practice longer sections‚ try using the actual tempo to practice overlapping shorts sections (as small as 2 notes...hands alone if needed). • For
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October 3rd‚ 2008 In the second chapter of Levitin’s This Is Your Brain on Music‚ he discusses Rhythm‚ Loudness‚ and Harmony. When discussing rhythm‚ Levitin groups in tempo and meter along with it as related concepts. He defines them. Rhythm: “the lengths of the notes.” Tempo: “the pace of a piece of music”‚ and meter is the intensity of a note (how hard or lightly it is hit). Rhythm is “a crucial part of what turns sounds into music.” A single note can be played over and over again‚ but as
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