Is the future of cinema a secure one? Support your case by discussing five major trends that you believe will affect the future of the sector. INTRODUCTION The growing socio-economic importance of the entertainment industry‚ especially the public entertainment in this current global climate cannot be overemphasised. The hype that is consistently generated by the cinema industry is promoting the much needed positive synergy in the society‚ as the masses attempt to climbs out of the glooms of the
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IMPACT OF CINEMA ON THE INDIAN SOCIETY Cinema has become the most powerful form of Mass Media since the day it was introduced to the world. The Lumiere Brothers who invented the ‘ Cinematograph’ ( a compact and portable device which with a few adjustments could be used as a projector ‚ camera or a printing machine) declared that the cinema is an invention without a future. The primitive form of cinema were ‘ living photographic pictures’ which attempted to produce reality. If Cinema in reality
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The Truth about Direct Cinema: Direct Cinema Filmmakers Are Still Humans Cinema Verité‚ or direct cinema—as it is also called—is a misnomer of sorts. “Verité” literally means “truth” in French‚ but as with other truths‚ the cinematic truth is molded and configured by those who have access to it. In this case‚ those people would be the filmmakers themselves. A direct cinema film proceeds without any formal script and is pieced together in its entirety in the editing studio. That is‚ the
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edu/DMC/African%20Journals/pdfs/.../caj002004006.pdf http://www.cinemaofmalayalam.net/newwave.html indian parallel cinema Through his first film Pather Panchali (1955) Satyajit Ray became the pioneer of a genre of films latter known as the ’Indian Parallel Cinema ’. Even though Ritwik Ghatak made his first film Nagarik in 1952‚ he became well known by his film Ajantrik (1958) and became a strong presence in parallel cinema. Mrinal Sen made his first filmRaatbhor in 1955. The first film society was founded in Bombay in
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Representation of Race in Cinema In this research paper‚ I have been asked to analyse the representation of race in the World‚ African or South African Cinema. Before I start‚ I would like to clear something regarding the task I have been asked to do‚ as I personally believe that we only have one race which is the human race‚ but regarding this tasks‚ I try to understand the word “race” as people of different background and culture including different languages. So only in this essay‚ I will be
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Sections 4.4‚ 4.5‚ and 4.6 are not included in the Demo file 4.1 General requirements 4.1 Is the EMS established‚ documented‚ implemented‚ maintained‚ and continually improved in accordance with ISO 14001 requirements? This catch-all question can only be answered at the end of the whole audit. Typically‚ if there is a noncompliance here‚ there must be other major noncompliances somewhere else in the system. If so‚ reference them in the ‘Auditor Notes’ field. 4.1 Is the scope of the EMS
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The history of theatre charts the development of theatre over the past 2‚500 years. While performative elements are present in every society‚ it is customary to acknowledge a distinction between theatre as an art form[->1] and entertainment and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens] in the 6th century BCE‚ vibrant traditions of
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Cinema City Strategic analysis Pawe? Majchrzak 2009 Contents I.History 2 II.Letter from the CEO 2 III.Goals and aims 4 IV.Managerial system and organizational structure 6 V.Financial situation 7 VI.External surrounding 8 VII.BCG matrix 9 VIII.SWOT analysis 10 IX.Porter’s five forces analysis 10 X.Plans for future 14 XI.Conclusions
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companiesandmarkets.com/News/Leisure/UK-cinema-market-led-by-Cineworld/NI6625 UK cinema market led by Cineworld The UK cinema market has traditionally proved fairly resilient to recessionary forces. However‚ with consumers being squeezed by a combination of higher taxes‚ low earnings growth and high inflation‚ they are being forced to look again at all areas of their discretionary spending and cinema is bound to come under threat. January saw admissions to UK cinemas hit a total of 17‚081‚70‚ which
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inemas are a common sight nowadays. They are found in every town. The existence of so many cinemas reflects their popularity. They have indeed become the most popular places of entertainment. The cinema attracts large numbers of people everyday. It is the magnet of the town. It sometimes attracts even those who do not wish to see a film. As it is so popular‚ the cinema exerts a profound influence on the minds of many people‚ young and old. The influence is sometimes good‚ and sometimes it
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