“The physicality of an artwork is a product of its time and place.” Discuss this statement in relation to one example from this assessment task‚ 2 artworks from modernism and two contemporary examples you have studied. Throughout time‚ the representation of a particular subject matter in art has changed to encompass the values of the time and place or challenge them through art. An artist is influenced by society’s ideologies’ and thus either represent these ideologies’ or challenge them within
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Digital Divide – by Claire Bishop Response by Lucas Olscamp Claire Bishop sets out to examine the idea the largely the genre of “digital art” has been ignored and somewhat consciously forgotten by the world of contemporary art. Bishop also suggests that much of the ideology and history behind the “digital revolution” is also reduced‚ removed‚ and ignored; that digital art poses the necessary questions to our society today on the “troubling oscillation between intimacy and distance” (1) and that
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As I stood there looking into the painting as if it were a portal back in time. I could think of nothing but what it must have felt like to be abandoned from your ship by no choice of your own‚ as illustrated in “A Storm on a Mediterranean Coast” by Claude-Joseph Vernet. Art can do that to people‚ you can feel emotions that are unable to be put into words‚ and see things that are indescribable. Although art is conceptually viewed differently by each person. Art is better in person as opposed to digitally
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Photograph as Contemporary Art by Charlotte Cotton was first publish in 2004. Charlotte Cotton discusses the transformation of photography‚ as it moves into the category of contemporary art. As they were gaining momentum throughout history‚ but today they have people more vocal than they ever been. She is more concerned about the motivations of the photographer; rather than the themes‚ or subject matter. Because that’s the main focus when “regular” people are viewing photographs. She is focusing
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Modernism is a an era characterized new ideas and lives provided by fast social change‚ advances in sciences and industrialization. The movement would influence artist to portray a subject that exists in the world‚ to their own unique perspective. Modernism is a new form of expression stating around the late 19th to the mid 20th century. One specific artwork that has all the characteristic of modern art is the Wrestlers in a Circus by Ernst Ludwig Kirchner. . This oil on canvas painting was created
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A proliferation of varying styles characterized the world of American art and architecture in the period between 1880 and the outbreak of World War 2 in 1939. In spite of the fact that these various styles often had little in common with each other‚ they are traditionally clusted under the label of Modernism. It is thus rather difficult to give a precise definition of modernism‚ one that encompasses all the characteristics of the aritists and architects who are commonly grouped under this
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Traditional art VS Digital art Fri‚ May 15‚ 2009 News Because we live in a century dominated by technology innovation‚ art itself has been offered new creative horizons. But these new advantages have not been considered so beneficial for the art by some conservative art lovers‚ who believe that if the art is not created using traditional tools (pen‚ oils‚ watercolor‚ etc.) that art cannot be considered true art (true in the meaning of recognizing it’s real values). Even if the painting‚ the
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Modern Art There is no way to simply define Modern Art into a sentence or so‚ for the collaboration of genres within Modern Art expand from the 1890’s to1970 with many influences of philosophy and other styles and denotations. Modern art is known as intellectual and individual where the idea is primary‚ and the object is secondary. Formal filters were used‚ such as line‚ shape‚ color‚ form‚ and texture. These filters were created among traditional formats‚ such as easel painting‚ pedestal sculpture
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Thomas Pynchon’s The Crying of Lot 49 is the first truly quantum novel in American Fiction. Written in 1966‚ the book is penned by a Cornell educated electrical engineer living in the midst of a scientific revolution. Published before the Standard Model of Elementary Particles‚ the author’s work is a direct representation of the newly accepted uncertainty in pre-quantum physics that dominated scientific discourse at the time. Before both Pynchon’s book and Quantum Theory becoming established‚ the
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Malcolm Rogers was the director of the Museum of Fine Arts‚ Boston during this time period of change within the Contemporary Wing. In a PR Newswire Malcolm Rogers addressed the upcoming changes to the museum: ’The designs embody an architectural statement that is not only intensely beautiful but also innovative and precisely functional. The architects have responded magnificently to the needs of the Museum. Their designs will stimulate a revitalized visitor experience within the Museum as well
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