"Praise dance" Essays and Research Papers

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    perspectives on bodily movements in contemporary dances. Some of the famous works the author focuses on are that of Bill Jones‚ David Dorfman‚ Jawole Zollar‚ among others. A key aspect of contemporary dance which the author focuses on is the notion that the body‚ when dancing‚ is a source of cultural identity. The author investigates different choreographic concepts and determines how cultural representation becomes a part of the body’s movement when performing a dance. The author later on concluded that dancing

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    City Contemporary Dance Company (CCDC) was founded in 1979 and become one of the most famous dance companies in Hong Kong. It is a pleasure to get the opportunity to watch the dance performance ‘Eureka’. Having status in the arts and dance field in Hong Kong‚ or even representing Hong Kong around the world‚ the capability of CCDC should not be neglected. Apart from the superb performance of their dancers and choreographers‚ management of the organizers also plays an indispensable role on the smooth

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    Different kinds of Folk Dances The following are examples of popular Philippine folk dances : Binasuan - Originated in Pangasinan Province “meaning with the use of drinking glasses”‚ this vibrant dance basically shows off balancing skill of the performers. Glasses filled with rice wine are placed on the head and on each hand carefully maneuvered with graceful movements. This dance is common in weddings‚ fiestas and special occasions. Rigodon - Originated from Spain‚ this dance is commonly performed

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    Bangarra Dance Theatre – Ochres 1995 Co-Choreographers: Stephen Page and Bernadette Walong Composer: David Page Cultural Consultant: Djakapurra Munyarryun Lighting Design: Joseph Mercurio Set Designer: Peter England A Passion for Dance “For me‚ I think the importance of going back to the traditional style of dance was that I was able to observe and watch our traditional teachers‚ not just for the dance steps but to be aware of what environment they came from‚ what their landscape

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    She has left a huge imprint in the dance world. Despite her parents dismay‚ she continued to chase her dreams which led her to become one of the most important dancers of the 20th century and the mother of modern dance. Her name‚ Martha Graham. Born in Allegheny‚ Pennsylvania on May 11th 1894‚ she was the daughter of a psychiatrist‚ born into a Presbyterian family. Graham had first discovered her interest in dance after her family moved to Santa Barbara‚ California in 1909. In 1911 Martha Graham

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    Belly Dance Belly dance is the western word for the Arab dance. In Arabic‚ belly dance is brays sharqi meaning‚ dance of the countryside. Belly dance also deals with the movement of the torso and abdomen‚ which are the most dominate characteristic movement of this dance. There have been many theories about the origin of belly dancing‚ but most evidence links it to the Middle East and Mediterranean countries. Some say it was originated by the Phoenicians; others claim that it was introduced

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    and Merce Cunningham: Two Post-Modern Dance Choreographers Anna Halprin was born July 13th‚ 1920 as Anna Schuman. She took on the name Halprin when she married Lawrence Halprin‚ a landscape architect. Together they founded the San Francisco Dancer’s Workshop in 1955. Merce Cunningham was born on April 16‚ 1919‚ his romantic partner was John Cage‚ who he began working with back in 1940’s. In 1953‚ together with John Cage‚ he founded the Merce Cunningham Dance Company. Both Ann and Merce were highly

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    Alvin Ailey ’s Influence on Modern Dance Alvin Ailey never considered dancing as his career. He had always been enthralled by the lights‚ costumes‚ and dancers flowing with the music‚ but it never occurred to him that he would be creating such spectacles. He went to see many shows when he was younger‚ mostly ballet and musical theater. Acceptance for modern dance had not yet been established during the 1940 ’s‚ when Ailey was in his childhood‚ and he would become one of its most major influences

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    movement in ballet and contemporary dance as the symbol of body shifting by the theory of anthropology‚ in particular‚ through an in-depth study of the sense of touch‚ kinaesthesia and the essential of movement in ballet and contemporary dance to further explain the

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    Chorographic Fusion between Contemporary Dance and Indigenous Movement in Bangarra Dance Theatre Stephen Page has been the Artistic director of Bangarra Dance Theatre since 1991. During this time he has choreographed many works‚ including his two major pieces Ochres and Fish. Ochres was first performed in Sydney in 1995 playing an essential part in traditional life and it explored the significance of ochres. Fish is also about the earth and the power of the elements‚ Fish focused on the waters of

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