Playing Dice‚ black-figured amphora‚ c.a. 530 B.C.E. Death of Sarpedon‚ red-figure krater‚ ca. 515 B.C.E. Greek: Classical Period Kritios Boy‚ c.a. 480 Doryphorus (Spear-Bearer)‚ by Polycleitus‚ 450-440 B.C.E Zeus‚ c.a. 460 B.C.E. Aphrodite of Knidos‚ by Praxiteles‚ c.a. 350 B.C.E. Parthenon‚ Acropolis‚ Athens‚ 448-442 B.C.E. Erechtheus‚ Praxithea‚ and Their Three Daughters (from the Parthenon frieze)‚ ca. 440 B.C.E. Erechtheion‚ Acropolis‚ Athens‚ 430-405 B.C.E. Temple of Athena Nike‚ Acropolis
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sculptures and Roman sculptures. All of the sculptures that I have seen and analyzed have very interesting characteristics‚ but the one that I have analyzed most recently was the most fascinating. Hermes carrying the infant Dionysos‚ by the artist Praxiteles‚ was sculpted circa 350 B.C.‚ and the copy that I analyzed‚ circa second century B.C. This sculpture was from the Greek classical period and is originally from Greece. The original can be seen in the Olympia Museum in Greece‚ and the replica that
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Ancient Greek Art: Archaic‚ Classical‚ and Hellenistic By: Catherine Marten CLA3114 sect. 02D3 Spring 2013 Art is the expression or application of human creative skill and imagination‚ usually through visual forms. Art in ancient Greece went through a variety of changes throughout its history‚ especially from the Archaic to the Hellenistic periods. These changes are mainly due to the different views in Greek society that developed throughout these periods
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In Genesis‚ the naked body is something considered to be ashamed of by Adam and Eve‚ but not “bad”. The bodies of Adam and Eve were created and given by the Lord God‚ which is a pure and good being. In the Sarcophagus of Junius and Bassus‚ we can find Adam and Eve in a lower section between two columns. The reliefs of them are both looking down in a contrapposto position‚ holding a fig leaf with two hands to cover their own genitals‚ standing on two sides of the tree‚ in the opposite direction with
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method using melted wax 1. ______ triglyph 2. ______ Polykleitos 3. ______ Pericles 4. ______ encaustic 5. ______ Myron 6. ______ entasis 7. ______ cella 8. ______ Dionysus 9. ______ Praxiteles 10. _____ amphora 11. _____ abacus 12. _____ volute 13. _____ Propylaia 14. _____ Exekias 15. _____ centaur 16. _____ Iktinos and Kallikrates 17. _____ Athena 18. _____ architrave 19. _____ caryatid 20. _____ pediment s. developed
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The representation of the female nude in art history exists in abundance; as does the prototype from which these nudes are styled. The focus of this essay will be the masterpieces Venus of Urbino‚ 1538‚ Titian Vecelli painted in the period referred to as the High Renaissance; being a study of methods systems and standardized practice of art. Along with Grande Odalisque‚ 1814‚ Jean-Auguste-Dominique Ingres‚ painted during the Neo-Classical period; concerned with the ideal‚ harmonious‚ naturalistic
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The precursor and codifier of Western culture as we know it today‚ the civilization of the Greek city-sates of the Peloponnese peninsula is renowned for its many pioneering works of art and architecture. From the Doryphoros to the famed Parthenon of Athens‚ the legacy that the ancient Greek civilization has left to Western culture and the world as a whole cannot be underestimated. Of particular interest are two pieces of art from an age before Alexander: a black-figure panel amphora made in the sixth
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The first and possibly one of the most famous female nude sculptures is Praxiteles’ The Venus de Milo. It was likely created between 130 and 100 BC‚ although the exact date of origin is a source of some controversy. Discovered in 1820‚ the nude torso enabled her to be identified as Aphrodite‚ the Roman Venus‚ goddess of love and beauty. Her serene expression‚ high breasts and calm pose show the classical influences in Praxiteles’ style‚ but her elongated silhouette‚ position in space and very sensual
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In the Archaic period‚ the Greeks developed a monumental stone sculpture for the representation of life-size‚ nude‚ young men (kouroi) and life-size‚ clothed‚ young women (korai). The kouroi‚ which were evidently made to serve a funerary purpose at a gravesite‚ emulate the frontal pose of standard Egyptian statues‚ but‚ over the course of the sixth century‚ are carved with increasingly more realistic anatomy. Faces‚ however‚ retain the conventional "Archaic smile" which serves to illustrate that
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Title Name of class Professor’s name Date I. Term Paper - Basics A. Purpose: It is intended to develop ability to analyze a work of art and employ critical thinking and written communication skills. B. It combines background research with personal visual analysis of an art object. (See Basic Guide to Analyze Works of Art on Blackboard). C. Note some objects in the museum similar to the ones we study and appear similar‚ not identical. (The illustrations in
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