Persuasive techniques and a powerful refusal in Iliad Book IX From the outset‚ Homer concentrates his epic Iliad on the wrath of Achilles and probes the values and attitudes of him as a hero. Ìçíéí áåéäå‚ èåá‚ Ðçëçéáäåù Á÷éëçïò Sing‚ goddess‚ of the wrath of Achilles‚ son of Peleus (BI.1). Homer first draws our attention to the heated dispute between two individuals‚ Achilles and Agamemnon‚ rather than the Trojan War itself in order to highlight their significance and also his focus. Achilles’
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The Iliad By Homer Written 800 B.C.E Translated by Samuel Butler Book IX Thus did the Trojans watch. But Panic‚ comrade of blood-stained Rout‚ had taken fast hold of the Achaeans and their princes were all of them in despair. As when the two winds that blow from Thrace- the north and the northwest- spring up of a sudden and rouse the fury of the main- in a moment the dark waves uprear their heads and scatter their sea-wrack in all directions- even thus troubled were the hearts of the
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Satire 10. [Translated by G. G. Ramsay] The Vanity of Human Wishes In all the lands that stretch from Gades to the Ganges and the Morn‚ there are but few who can distinguish true blessings from their opposites‚ putting aside the mists of error. For when does Reason direct our desires or our fears? What project do we form so auspiciously that we do not repent us of our effort and of the granted wish? Whole households have been destroyed by the compliant Gods in answer to the masters’ prayers;
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In Linda Hutcheon’s novel A Theory of Adaptation‚ Hutcheon examines adaptions as secondary work from the original and whether or not they are successful. In her novel she says that there are many forms of adaptions and different directors or producers will have their own unique perspective on it. Hutcheon explains that‚“They use the same tools that storytellers have always used; they actualize or concretize ideas; they make simplifying selections‚ but also amplify and extrapolate‚ they make analogies;
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divine blood. Achilles has even more divine blood though his father‚ Peleus‚ who is Zeus’ grandson (XI. 235‚ 250-252‚ 235). Peleus also gives Achilles royal blood since he is a king. Like Achilles‚ Hektor is from a royal family. Hektor’s father is King Priam of Troy‚ which makes Hektor a prince (World Masterpieces 332-333). However‚ he is not descended from the gods. Bespaloff explains‚ “Neither superman‚ nor demigod‚ nor godlike‚ he is a man‚ and among men a prince” (127). Therefore‚ both warriors have
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What does Aeneas learn in Book II of the Aeneid? Book II of Virgil’s epic takes place in Carthage where Aeneas recounts his exploits at Troy to the assembled Carthaginians and their queen‚ Dido‚ as well as the surviving Trojans. Aeneas’ tale fits into roughly three sections; the discovery of the wooden horse and Sinon‚ the ensuing battle of Troy‚ and finally Aeneas’ flight from the fallen city. This is clearly a distressing subject for Aeneas who says “no man could speak of such things and not
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Chapter One Origins and Antiquity: Myths‚ Legends‚ and Epics The geographical origins of Western literature lie in areas as diverse as the Middle East‚ the Mediterranean‚ the central European forests‚ and the northwestern coasts‚ each of which produced a body of oral histories‚ myths‚ and legends‚ many of which were subsequently written down. They have been drawn on by writers since the emergence of a Western literature culture in ancient Greece. Stories have been used as entertainment‚ as origin
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Homer’s The Iliad translated by Robert Fagles. The Iliad is the story of the battle of Troy‚ in which Greek heroes fight and die‚ with much interference from the various gods and goddesses. The story ends when Achilles gives Hector’s body back to King Priam and Hector is buried. Homer uses a number of different literary devices to illustrate Achilles’ character development‚ such as his actions‚ what other characters say about him‚ and his appearance. Throughout this epic poem‚ Achilles must deal with
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the relief of emotions by a piece of art (Else‚ 14). Euripides along with the UTSC production conveys the post-war surroundings of extreme suffering and torment as well as depictions of the gods‚ mainly through Hecabe‚ the widow of the Troy’s King Priam and the only living symbol of Troy (Green‚ 55). Euripides based the play on the myths and legends about the Trojan War‚ familiarly in reference to Homer’s Iliad (Fagles‚ 3). In fact Archeological and historical evidence suggests that the war
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Are the ancient biblical stories and the myths of the Greeks irredeemably male oriented? All ancient societies treated women as the inferior gender. It has been historically shown that in the ancient world‚ men were the leaders‚ heroes‚ and kings‚ and women served primarily as companions‚ helpers‚ and child-bearers. In the Old Testament and throughout ancient Greek literature‚ there is a constant theme of male superiority that cannot be ignored. Men did not believe that women were capable of existing
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