Over time there have been many men and women who have received the title “hero.” They likely have been named by their bravery‚ strength‚ and willingness to give up their own comfort‚ if not their own life‚ to benefit the wellbeing of others. Every hero differs in many ways. Each one of them has his own story of heroism. The tragic hero survives in our literature. The first characteristic of a tragic hero is that they must suffer more than deserved. This stands true for Achilles‚ Hector‚ Beowulf
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DOCUMENT RESUME CS 201 686 ED 098 597 AUTHOR TITLE INSTITUTION Fleming‚ Margaret‚ Ed. Teaching the Epic. National Council of Teachers of English‚ Urbana‚ PUB DATE NOTE AVAILABLE FROM 74 120p. EDRS PRICE DESCRIPTORS MF-$0.75 HC-$5.40 PLUS POSTAGE American Literature; Bibliographies; Classical Literature; English Instruction; *Epics; German Literature; Greek Literature; High Schools; Legends; *Literary Analysis; Literature; *Literature Appreciation; Medieval Literature;
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Ancient Cultures Ancient Europe—Part I Greece—Chapter 4; some on Powerpoint Lecture Bronze Age Civilizations of the Aegean (ca. 3000-1200 B.C.E.) 77-79 1. Greek city-states first emerged on islands and peninsulas a. in the Aegean Sea. b. along the coast of Asia Minor. c. in southern Italy and Sicily. d. All of these areas. 2. One link between early Bronze Age cultures and later Greek cultures is the a. profound respect for goddesses. b. continuity of written records. c. influence of volcanic
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19 BC THE AENEID by Virgil BOOK I Arms‚ and the man I sing‚ who‚ forc’d by fate‚ And haughty Juno’s unrelenting hate‚ Expell’d and exil’d‚ left the Trojan shore. Long labors‚ both by sea and land‚ he bore‚ And in the doubtful war‚ before he won The Latian realm‚ and built the destin’d town; His banish’d gods restor’d to rites divine‚ And settled sure succession in his line‚ From whence the race of Alban fathers come‚ And the long glories of majestic Rome. O Muse! the causes
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Shakespeare ’s plays reflect not life but art. ’ Make use of this remark in writing an essay on Shakespeare ’s use of Metadrama. Shakespeare constantly plays with metadrama and the perception of his plays as theatre and not life with the complications inherent that in life we all play roles and perceive life in different ways. The play has recognition of its existence as theatre‚ which has relevance to a contemporary world that is increasingly aware of precisely how its values and practices
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Victorian Certificate of Education 2011 ENGLISH (ESL) Written examination Thursday 3 November 2011 Reading time: 9.00 am to 9.15 am (15 minutes) Writing time: 9.15 am to 12.15 pm (3 hours) TASK BOOK Section Number of questions A – Text response (Reading and responding) B – Writing in Context (Creating and presenting) C – nalysis of language use (Using language to A persuade) 20 4 2 Number of questions to be answered 1 1 2 Marks 40 30 30 Total
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Archaeological Site of Troy Brief Description Troy‚ with its 4‚000 years of history‚ is one of the most famous archaeological sites in the world. The first excavations at the site were undertaken by the famous archaeologist Heinrich Schliemann in 1870. In scientific terms‚ its extensive remains are the most significant demonstration of the first contact between the civilizations of Anatolia and the Mediterranean world. Moreover‚ the siege of Troy by Spartan and Achaean warriors from Greece in
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t is my pleasure to welcome you to the academic year that looms before us like one of the mythical lands on Odysseus’s journey: unknown‚ a little scary‚ and full of promise for the intellectual adventurer. This is the seventh year that convocation has included a lecture on Homer’s Odyssey. For parents who read the text over the summer‚ I hope to provide one focus for your conference discussion tomorrow. And as a quick aside: for those of you who haven’t quite finished‚ jump ahead to book XXII and
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"Inferno" Notes on 7th circle of Hell-Violence Capeneus = Round Three- Violence Against God(blasphemy) A huge and powerful warrior-king who virtually embodies defiance against his highest god‚ Capaneus is an exemplary blasphemer--with blasphemy understood as direct violence against God. Still‚ it is striking that Dante selects a pagan character to represent one of the few specifically religious sins punished in hell. Dante’s portrayal of Capaneus in Inferno 14.43-72--his large size and scornful
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Apollo (Attic‚ Ionic‚ and Homeric Greek: Ἀπόλλων‚ Apollōn (gen.: Ἀπόλλωνος); Doric: Ἀπέλλων‚ Apellōn; Arcadocypriot: Ἀπείλων‚ Apeilōn; Aeolic: Ἄπλουν‚ Aploun; Latin: Apollō) is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros (a beardless‚ athletic youth)‚ Apollo has been variously recognized as a god of light and the sun‚ truth and prophecy‚ healing‚ plague‚ music‚ poetry‚ and more. Apollo is
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