(youngest son of a family living with the dregs of society in Offal Court) has always aspired to a better life‚ encouraged by the local priest (who has taught him to read and write). Loitering around the palace gates one day‚ he sees a prince (the Prince of Wales – Edward VI). Tom is nearly caught and beaten by the Royal Guards; however‚ Edward stops them and invites Tom into his palace chamber. There the two boys get to know one another‚ fascinated by each other’s life and their uncanny resemblance
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The Challenges of Public Sector Audit as an Effective Accountability Tool in PPP Arrangements in Nigeria. By S. C Okaro and Gloria Ogochukwu Okafor (Mrs). Both of Department of Accountancy‚ Nnamdi Azikiwe University‚ Awka. E Mail: sundaychukwunedu@yahoo.com. E Mail:go.okafor@unizik.edu.ng Contact Author: S.C Okaro Contact E Mail: sundaychukwunedu@yahoo.com Abstract The Purpose of this study is to explore some of the challenges constraining public sector audit from acting as an effective accountability
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Earned Revenue *Earned revenue* is *revenue* created by the business operations of the facility. Sources that contribute to museums’ earned revenue include admissions‚ gift shops‚ food and beverage sales‚ memberships‚ facility rentals‚ and fees for research services. Essentially‚ any product or service that is offered by the museum and generates income is considered earned income. *Unearned revenue* is money that is not generated by the business operations of the facility‚ but is provided
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Charlie Wales Charlie Wales‚ who is known to be a man of many mistakes‚ is attempting to fix his past in order to regain the custody of his daughter‚ Honoria and start a new life as a reformed man. In order to do so‚ Charlie must prove to his sister in law Marion that he is a changed man. She seems to have a sheer hatred for Charlie‚ seeing as she’s his wife’s sister and is very well aware of all the things that had happened between the couple‚ making his wishes to gain custody of Honoria difficult
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The Universal Museum – a valid model for the 21st century? Introduction In October 2002‚ the International Group of Organisers of Largescale Exhibitions‚ also known as the Bizot Group — a forum comprising directors of 40 of the world’s major museums and galleries — gathered in Munich for their annual informal discussion.1 The meeting was convened specifically to address the problem of how to confront the growing number of requests for repatriation of objects from ‘universal’ museums and in particular
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Are Seltz’s new Japanese museums ‘counter-museums’ by Patterson’s definition? Patterson and Seltz introduce new museums differing in subject matter‚ context and methodology‚ but sharing analogous goals. The Jim Crow Museum of Racist Memorabilia (JCM) in the United States is touted by Patterson as a ‘counter-museum’ that ‘seek[s] to engage visitors as active participants in dynamic‚ continuing memorial processes’ (66)‚ and one that ‘seeks to use products of intolerance to teach understanding’ (68)
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The Prince and The Pauper by Mark Twain Hugh Latimer‚ Bishop of Worcester‚ to Lord Cromwell‚ on the birth of the Prince of Wales (afterward Edward VI.). From the National Manuscripts preserved by the British Government. Ryght honorable‚ Salutem in Christo Jesu‚ and Syr here ys no lesse joynge and rejossynge in thes partees for the byrth of our prynce‚ hoom we hungurde for so longe‚ then ther was (I trow)‚ inter vicinos att the byrth of S. J. Baptyste‚ as thys berer‚ Master
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of news about Museum of Modern Art (MoMA) drew my attention. It said that this nonprofit museum suffered decreasing investment and donation since the worldwide financial crisis in 2008; indeed‚ it lost about 18% money. It is no doubt that the great power of financial crisis damages the development of nonprofit museums‚ which rely on the endowments and donations from the individuals‚ institutions‚ government‚ etc. There may be some negative expectation on the future of nonprofit museums because of the
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In this essay‚ I will argue that ethnographic museums privilege viewing‚ at the expense of other senses. I will further argue that by privileging the visual‚ ethnographic museums become problematic in two ways- firstly‚ by not accurately representing the cultures they are supposed to be exhibiting‚ and secondly‚ by limiting the experience of museum-goers who may be visually impaired or otherwise unable to visit museums that are purely mono-sensorial. After outlining and discussing the problems associated
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The Kennedy Museum of Art is the university museum at Ohio University in Athens‚ Ohio. The Museum is known for their Southwest Native American Collection that comprises extensively on weavings‚ jewelry‚ and silverwork from the cultures of the Diné (Navajo)‚ Zuni‚ and Hopi peoples‚ respectably. Additionally‚ the collections include a renowned print and photo collection‚ 20th century American art‚ and a notable African art collection. Together the staff executes exhibitions to be used as pedagogical
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