possibilities of each genre. They wrote domestic tragedies‚ tragedies of character‚ the revenge tragedies; they contributed comedies of manners and comedies of humor to the earlier romantic and satiric comedies. In Greek and Elizabethan Theater‚ props were few‚ scenery was simple‚ and dialogue often indicated changes of locale and time. Elizabethan plays
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LOCATION: Equatorial Hotel Melaka‚ Melaka Room I and II. Dimensions 23.5m2 x 31.0m2. Equipment provided by hotel includes: Kodak Carousel 35mm Slide projector 60" x 60" Screen Cassette Tape Recorder Microphones Multi-system Video players 20" Colour TV Projection TV LCD Projector OCCASION: A business workshop on “Improving Communication”‚ AUDIENCE: Numbering about 400 people. Mostly young entreprenuers from mid-twenties to late thirties. Gender more biased towards the male side
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This position led me to show my leadership skills back stage by preparing the props for each show‚ making sure the actors were on time‚ and to help fix any glitch that could have occurred during the performance. I learned to step out of my comfort zone and communicate with others on a leader role to help with any issues that arise
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The Wizard of Oz‚ written by L. Frank Baum and produced by Mervyn LeRoy is an example of how art reflects life because of the characters‚ scenery and props chosen. In the 1890’s and early 1900’s a new political party emerged‚ the populist party. Most populists (farmers and laborers) mistrusted the president and most of the presidential candidates‚ they thought of them as “wind bags”. Mark Twain would refer to this as the “Gilded Age” because those in power considered it a time of prosperity‚ but
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A. Our final theme for the semester 1. We have two more additional readings II. REVIEW READINGS A. Calavita’s (1996) ‘“Balanced-Budget Conservatism’ and the Symbolism of Proposition 187” Proposition 187 influenced the rest of the nation in terms of this concept called nativism. Nativism is used to describe this defensive merit of nationalism. You can be nationalistic and love your country‚ but when you have a defensive‚ aggressive nature about the way in which you feel about that nationalism
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of M/s Advance Classes‚1-G-28‚RHB Colony‚Dadabari‚KOTA 9 Shri Virendra Prakash Jain of M/s Jain Classes‚E-10‚Vallabhbari‚ KOTA 10 Shri Amit Rathore of M/s Rathore Coaching Centre‚ Shop No.5-6 Near Water Tank TalwandiKOTA 11 Smt. Namrata Agrawal of Prop. M/s SainathCommerce Classes‚ 2-H-15‚ Talwandi‚ KOTA 12 M/s Neochem(Coaching)(Partnership Firm)6-B‚ Jawahar Nagar‚ KOTA 13 Vission -2000 Educational Service 360BTalwandi KOTA 14 M/s Future Z Point 3-F-27‚Talwandi KOTA 15 M/s Atul Gaur Mathematics Classess
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to act. In spite of myself‚ my hands arms‚ legs‚ face‚ and facial muscles and something inside me all began to move.” He used props around his house to get into character‚ with a “large ivory paper-cutter” as a “dagger” and an “umbrella...pressed into service as a scimitar.” Theatre is truly about feeling in the eyes of Stanislavski. It did not matter to him that his props were inaccurate to the setting of Othello. In his process‚ not every rehearsal came of something; some rehearsals were just to
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programs‚ rely centrally on relational pattern matching‚ but that differ by mimicking the cyclic operation of human cognition over time. You have already used CLIPS for the first exercise. The production system framework you will use for this assignment‚ PROPS‚ has a different syntax‚ similar to that in Prolog‚ the language in which it is implemented. This provides it with more powerful pattern-matching abilities that will prove useful for the task. As explained in the lecture on production systems‚ a
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Movie: Hero Director: Zhang Yimou Cast : Jet Li‚ Tony Leung Chiu Wai and Maggie Cheung Year of production: 2002 Country of production: China Language: Mandarin Film synopsis: The Qin King was obsessed with conquering all of China and becoming the first Emperor. He had been the target of assassins throughout the other states. Among them none inspired as much fear as the three legendary assassins‚ Broken Sword‚ Flying Snow and Sky. To anyone who defeated the three assassins‚ the King of Qin
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Harrison’s stage directions gives the performers room to powerfully use the props and sets to symbolize the true feelings of each character. I experienced this from watching a production of “Stolen” by the Sydney Theatre Company. The five actors were always repositioning their beds in the institution across the stage to highlight
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