father and daughter. In my point of view‚ Coetzee’s novel is a difficult one to read. The subject matter is both grim and harsh. I felt that I gained very little in reading this book other than the straightforward use of dialogue and unembellished prose. At first I cannot get the deeper meaning of the dialogue
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was it formal wear or was it raggedy wear? What did they did they even have beds. Could they get adopted by kings and queens and become princes and princesses.How where there living conditions. What was the adoptions proses like was it easy to be adopted or was a long tiresome proses. The adoption of orphans’ medieval times was not as vigorous as adoption in these ages. Children were placed in good homes as they could be found. But when finally adopted by the right people the where often told to
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lesser extent‚ prose. It is certainly known that the revelation of Quran had an important impact on the development of the Arabic literature. In the pre-Islamic era‚ both poetry and prose dealt with a restricted range of topics; however with the rise of Islam and the revelation of Quran‚ the range of topics had expanded dramatically to encourage for developments in prose and poetry. In this paper‚ I provide a historical overview about the development of the Maghazi literature in Islamic prose between the
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the MLA website at: www.mla.org. For example‚ quotations with fewer than four lines of prose or three lines of verse are quoted directly in the sentence. Enclose them in quotation marks‚ followed by the author’s last name and the page or pages of the source from which you are quoting in parenthesis‚ for example: “inline quotation here” (AuthorSurname 31). Quotations that are longer than four lines of prose or three lines of verse follow different guidelines. Introduce these quotations with a colon:
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been bought into her service; clearly‚ Claire’s power bridges international borders. Extraordinary wealth‚ it seems‚ can place one far above the ordinary dictates of the law. The play originated in an earlier prose piece entitled "Lunar Eclipse"‚ which remained unpublished until 1981. The prose piece held the kernels of the plotline for "The Visit"‚ though the arrangement of elements was quite different. The original narrative told the tale of
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way to lengthy geographical and psychological description. His style has been said to lack substance because he avoids direct statements and descriptions of emotion. Basically his style is simple‚ direct and somewhat plain. He developed a forceful prose style characterized by simple sentences and few adverbs or adjectives. He wrote concise‚ vivid dialogue and exact description of places and things. Critic Harry Levin pointed out the weakness of syntax and diction in Hemingway’s writing‚ but was quick
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foregrounding language – lit is a speech act of textual event that elictics certain hinds of attention Functions – mimetic (imitation)‚ aesthetic‚ didactic‚ entertaining‚ social‚ ideological… Genre – refers to 1 of the 3 classical lit. forms of: fiction/prose/prose fiction‚ drama‚ poerty first novel: Crusoe Text type – refers to written document: instruction manual‚ sermons‚ obituaries‚ ad texts‚ catalogues‚ scientific/scholar writing Discourse – learned discussion‚ spoken or written‚ on a philosophical
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Introduction: It is difficult to date or define the Renaissance. Etymologically the term‚ which was first used in England only as late as the nineteenth century‚ means’ "re-birth". Broadly speaking‚ the Renaissance implies that re-awakening of learning which came to Europe in the fourteenth and fifteenth centuries. The Renaissance was not only an English but a European phenomenon; and basically considered‚ it signalised a thorough substitution of the medieval habits of thought by new attitudes
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Running head: Symbolism Symbolism of the Journey Symbolism is an important aspect of literary works because through it the craftsman of the work is able to communicate his views and ideas which might not be apparent from the work unless thought upon from a critical angle. Through the course of this paper‚ I intend to analyze and compare the symbolism in two masterpieces namely Eudora Welty’s “A Worn Path” and Robert Frost’s “A Road Not Taken”. The reason for selecting
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The Essays of George Orwell are a personal anthropological and cultural artifact‚ serving as authorial cathartic metalanguage that is ‘essentially communicative’ of omnipresent themes [John Donne‚ Metatempsychosis‚ 1601]. Such are indicative in ‘Why I write?’‚ ‘Writers and Levithan’ and ‘Politics and the English Language’‚ which are perpetually and contemporaneously relevant through Freudian ‘Ontological Pastiche of Experience’‚ as changing milieus offer new interpretations‚ producing continual fascination
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