Using Kelley’s Covariation Model of Attribution Yes High Consistency: Does this person respond to this stimulus in the same way across time? (If yes‚ we seek explanation.) Yes High External or situational attribution Yes High Distinctiveness: Does this person respond differently in different situations? No Low Internal or personal‚ dispositional attribution Yes High Consensus: Do other people respond the same way as this person to this stimulus? No Low Examples:
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Motifs in Psycho In the film Psycho there are many reoccurring motifs such as birds‚ mirrors‚ and voyeurism‚ which are implemented by Hitchcock and often may be unnoticed by the viewer. Mirrors frequently appear throughout the movie‚ for example when the bathroom mirror reflects on the money Marion has taken. Probably the most noticed use of mirror is when Marion’s sister sees her reflection in two mirrors and is startled because she thinks someone is behind her. Voyeurism is also a reoccurring
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Vertigo directed by Alfred Hitchcock released in 1958 was nominated for two Oscars it is about a detective in California who suffers from vertigo investigates a friends wife that they believe is possessed and while doing this he becomes obsessed with her. This movies stars James Stewart as John Ferguson the main character and Kim Novak as Madeleine Elster and as Judy Barton in the end. In this paragraph we will talk about the entertainment value and how the components action and suspense are used
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(Does American Psycho represent hyperreality? – Patrick Batemans identity as Baudrillards simulacrum) Patrick Bateman as Baudrillards simulacra – hyperreality in American Psycho The hyperconscious Patrick Bateman serves as the narrator to Bret Easton Ellis’s American Psycho and the film of the same name directed by Mary Harron. Although not mentioned by Baudrillard‚ can American Psycho be considered a hyperreal piece? This essay serves as an analysis of the question and focuses on Patrick Bateman
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Cinematography has a major importance in giving the audience of a film an idea of where the people in the movie are. If done well‚ sometime the audience can even feel as if they are in this setting with the characters. Sound also plays an important role in films whether is is sound coming from people talking‚ a crash‚ or even a soundtrack of a film. It gives the audience a chance to feel submerged into the film and participate along with the characters. Guardians of The Galaxy‚ a film directed by
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Let The Right One In Question 3 Let The Right One In a film that uses cinematography and sound very well to represent violence and how much of an impact this has on the viewers. The way the film locates the sources of the violence and how it is shown in the film‚ as well as how the violence is demonstrated how it is done to show violence in the film. Also the way cinematography and sound is used to justify the violence that is shown throughout the film. How violence is presented in Let The
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Sophia Grzeskiewicz Understanding Film Reflection #1 Psycho In the movie Psycho‚ we see a character that is the one at fault but is so sweet she is obviously the victim here. When the $40‚000 is no longer what we see from Marion Crane‚ it is because she was murdered‚ she is now the victim. Robert Ebert‚ from the Chicago Sun Times states “Marion Crane does steal $40‚000‚ but still she fits the Hitchcock mold of an innocent to crime.” She was originally at fault here‚ and then she is brutally
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order to coincide with the time period. With this being said‚ two films particularly enforce this post-modern “horror” and yet both contain an array of sub-genres‚ mutating “genre” into a more complex idea. Alfred Hitchcock’s Psycho along with Mary Harron’s American Psycho are both post-modern “horrors” with a collection of sub-genre’s attached to them‚ leading the audience to question the originally believed “horror” genre. Horror-fiction generally manipulate the emotions of their
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‘Psycho’ Critical Film Analysis Feminist analysis Alfred Hitchcock is renowned as one of the single greatest pioneers behind modern film‚ particularly in suspense‚ horror‚ and sexual features of film such as forced voyeurism through one of his very own types of shots where one views the film through the eyes of one of the characters. Hitchcock is honoured as being an innovator in film through his specific and wide variety of shots and angles and innovative uses of film technology and lighting effects
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symbolism of birds from the film Psycho Psycho (Paramount Pictures 1960) is Alfred Hitchcock’s introduction in what would begin horror films to come. After Psycho came out‚ Psycho set a new level of acceptability of violence‚ deviant behavior and sexuality in American films. Critical symbolisms of birds between Marian Crane (Janet Leigh) and Norman Bates (Anthony Perkins) foreshadowed tension between the two throughout the film. Alfred Hitchcock’s horror film‚ Psycho‚ opens tentatively in a seedy
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