In Tennessee Williams a streetcar named desire‚ he explores the notions of secrets and lies through conceptual polarities‚ the real vs. the unreal. Mostly relating to Blanch and her alternate reality created by secrets and lies. Society and class also play a big role in the relation to secrets and lies‚ upper class vs. lower class and man vs. woman. Polarity of the real and surreal in relation to the notion of secrets and lies‚ I believe is the way in which each individual perceives their lies
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In Arthur Miller’s The Crucible and Tennessee Williams’ A Streetcar Named Desire‚ both American playwrights utilize stage directions as well as their character’s interactions within the narrative to provide a setting. The social environment‚ transitions between act or scene location and atmosphere from the settings staging directions reveal the different lifestyles in New England and the post-WWII New and Old South of America. Both plays involve characters originating outside of the main setting
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A Streetcar Named Desire In what way can A Streetcar Named Desire be seen as an exploration of"old" America versus the "new" America? In the play‚ Blanche represents old America and Stanley represents new America. Why Blanche represents old America is because of her way of thinking‚ lifestyle and values. When Blanche walks into the room where the guys are playing poker‚ there is a great example of how Blanche represents old and Stanley new. When she walks in‚ the guys are sitting around the table
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In the movie‚ A Street Car Named Desire‚ Blanche uses the quote‚ “I don’t want realism. I want magic! Yes‚ Yes‚ magic! I try to give that to people." to explain her desire for her fantasy life to become reality. Blanches fantasy life would restore her youth‚ forgive her past and she would be more welcomed by people like Stanley and Mitch. I do agree with her statement‚ and believe that living in a “fantasy world” for a short period of time can be beneficial‚ but I do not agree with the circumstances
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Postmodern American authors share many themes highlighting communal pressures on ill adjusted characters. This is a direct result of the collective American desire to diverge from conformity‚ a common view shared by many progressive people in the 40s and 50s‚ including Tennessee Williams and Arthur Miller. Picture white picket fences lining newly mowed green lawns‚ each house nearly identical‚ sheltering a providing husband and dainty housewife committed to one man. To break from this archetype would
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How does Williams quickly establish Stanley as the plays antagonist? Firstly if we are to establish Stanley as the plays antagonist then we need to begin by looking at the protagonist of the play. Blanche Dubois is the protagonist and as the play develops we can begin to see that Stanley develops in to the antagonist. The two characters are the polar opposite of one another‚ Blanche is described as beautiful and moth like which allows us to see that she is very delicate and by the name ‘Blanche’
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A Streetcar Named Desire by Tennessee Williams And so it was I entered the broken world To trace the visionary company of love‚ its voice An instant in the wind (I know not whither hurled) But not for long to hold each desperate choice "The Broken Tower" by Hart Crane SCENE ONE The exterior of a two-story corner building on a street in New Orleans which is named Elysian Fields and runs between the L & N tracks and the river. The section is poor but‚ unlike corresponding
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Illusion vs. Reality A Streetcar Named Desire Tennessee Williams uses the constant battle between illusion and reality as a theme throughout his play A Streetcar Named Desire. Many use illusion to escape the reality they are living in. This theme is present in all of his characters in different ways. Each character is shown to live their life in either the way of illusion or reality. Harold Mitchell‚ also known as Mitch buys into Blanches illusions. He is overtaken by her charm‚ but in the
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Jo flipped the page over. June 21st: School. Mrs Hunt’s interpretation of A Streetcar named Desire. And then quotes from the play including Ash’s favourite: “I shall die of eating an unwashed grape one day out on the ocean.” The same quote was pasted on Ash’s noticeboard in her bedroom. A rant about her mother took up several pages – her voice and her rules and the way she told Ash off for spending money on clothes but then went out shopping most weekends and bought clothes for herself and how
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Jake Kahr Period 3 In Tennessee Williams‚ “A Street Car Named Desire”‚ Blanche Dubious is a complex‚ fascinating character who symbolizes many things throughout the book. Appropriately dressed in white‚ Blanche is first introduced as a symbol of innocence and chastity. Aristocratic‚ refined‚ and sensitive‚ this delicate beauty has a moth-like appearance. She has come to New Orleans to seek refuge at the home of her sister Stella and her coarse Polish husband‚ Stanley. With her nervous and refined
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