Alexandra Martinez EL3510 :Literature Across Cultures II: Theory 4/26/13 amarti67@oldwestbury.edu A Clockwork Orange Essay Assignment The Ludovico Treatment The psychological conditioning treatment used in A Clockwork Orange ‚ the Ludovico treatment ‚ raises many moral issues. Is it justly to take a persons “free will” to make the world a safer place? In this paper I will discuss different perspectives from the novel‚ including my own reflection on the treatments moral effect on the novels
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Silent Metamorphosis A Clockwork Orange is an enthralling piece of literature filled with luscious vocabulary and controversial topics. Burgess uses his linguistic and artistic backgrounds to suck in his readers into a literary adventure while simultaneously bringing forth moral dualistic questions for them to ponder on. The novel presents a challenge to novice readers due to its unusual dialect‚ ascertaining only dedicated readers can understand it. Nonetheless the message it projects is enriching
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Nadine Gordimer‚ South African writer and Nobel Prize winner‚ said that penetrating fiction doesn’t give answers‚ it invites questions. This quote is accurately reflected in Anthony Burgess’ novel‚ A Clockwork Orange‚ in which many questions and moral values are explored. Burgess strongly believed that humans’ ability of choice is the only factor distinguishing us between animals or machines. The two most predominant recurring themes of and questions relating to the novel involve ‘good vs evil’
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"A Clockwork Orange" "A Clockwork Orange" is a film about a gang of "droogs" who take pleasure in crime. They enjoy raping and torturing their innocent victims for their own pleasure. The main characters ’ name is Alex. Alex ’s diagnosis is Antisocial Personality Disorder (Psychopath). When caught and arrested‚ classical conditioning is used in order to rid Alex of his vindictive thoughts‚ but is not very successful. Antisocial Personality Disorder is a Disorder that cannot be easily diagnosed
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cycle" films using the article entitled "The Left and Right Cycles" by Robert Ray. To help me explore what makes up a "left cycle" film‚ I will compare two movies‚ both "left cycle" according to Ray. Those movies are "Dog Day Afternoon" and "Clockwork Orange". What makes both of these movies "left cycle"‚ and how to they differ within that classification? First‚ I think it is important to differentiate between the "left" and "right" movies. What Ray says to this is "the three factors that superficially
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A Developmental Study of Alex in Kubrick’s A Clockwork Orange Synopsis of A Clockwork Orange In A Clockwork Orange‚ the main character is that of a mildly young child of 15 who‚ along with his fellow friends‚ or "Droogs"‚ partake in evenings of Ultra-Violence. Ultra Violence consists of random beatings‚ theft‚ destruction‚ and rape. The main character‚ Alex‚ is the self-proclaimed leader of the pack‚ and makes judgment on their actions pending on his mood. His Droogs eventually find themselves
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possibility of moral transformation‚ or an increase in wisdom‚ operating in your chief character or characters. Even trashy bestsellers show people changing” (Burgess). In the novel A Clockwork Orange a moral transformation is shown whereas in the film it is absent. Although Anthony Burgess’ novel A Clockwork Orange and the 1971 Stanley Kubrick film version are similar in matters of the use of nadsat language and the presence of a self-serving deceitful government‚ they are however different in terms
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many sleepless nights about this. What does God want? Does God want goodness or the choice of goodness? Is a man who chooses to be bad perhaps in some way better than a man who has good imposed upon him?” (Burgess 106). Within Burgess’s novel‚ A Clockwork Orange‚ the significance of choice is emphasized. The methods used to impose good on those who commit evil acts are assessed and address how moral choices are the only way humans are able to distinguish themselves from machines. In the absence of moral
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Clockwork Cruelty The names Stanley Kubrick and Antonin Artaud are ones that are not often‚ if ever‚ heard together in the same sentence. However‚ this does not mean they have nothing in common. In fact Kubrick ’s film A Clockwork Orange shares elements with Artaud ’s Theatre of Cruelty. This is seen in the disorienting use of language‚ visuals in which “violent physical images crush and hypnotize the sensibility of the spectator” (Cardullo‚ 375)‚ and in how the film ’s
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bloom of a modern time anti-hero can be traced back to the period of Romanticism. Through the view of an anti-hero‚ we are ultimately challenged to look at ourselves and our contemporary world and recognise the complexity of human condition. In Clockwork Orange and Unforgiven‚ the dichotomist relationship between two protagonists Alex and Will Munny has demonstrated our deeper understanding of the notion of an anti-hero. Alex represents the common men chained by society and their own insignificance
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