and a movie that is no exception to this is Pulp Fiction. The amount of style in the movie could become a college dissertation‚ but I will try to give the best examples of style. This ranges from the use of doorways as a frame for the shot‚ to the use of 70’s music as the background for this film. Overall‚ in my opinion‚ the style of Pulp Fiction is one of the main reasons the movie has been so popular for this amount of time. Mise-en-scene in Pulp Fiction is seen throughout the movie‚ but what fits
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Film 1 December 12‚ 2013 Mise en scene of Bicycle Thieves The major feature of Neorealist filmmaking is a concentration on the lives of ordinary people struggling against adversity in the devastation of the aftermath of WWII. They tend to focus on poor‚ working class people and their everyday lives‚ the socio-economic conditions of the time‚ and the desperation and moral ambiguity which results. However‚ not only was the subject matter different that what had come before – Neorealism also created
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Regarding the mis en scene‚ the film takes place in the 1940’s. The costumes support that era. For instance‚ one of the main characters Det. McPherson wears a trench coat and fedora which was standard clothing for that era. I feel that the mis en scene was effective throughout this film. In the scene were Det. McPherson is talking with Bessie about how the bottle of scotch appeared in Laura’s apartment‚ he
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Ethical Values in Pulp Fiction Pulp fiction is a movie filled with drugs‚ violence‚ gambling‚ and pop iconography‚ describing how real-life society is going towards the “death of god” era; a life without morals. A lot of movie critics would say that Jules (Samuel L. Jackson) and Vincent (John Travolta) possess no ethical values‚ no sense of morality. They also say that the movie does not convey a message. The movie does convey a message; Quentin Tarantino just masks it behind the street-savvy
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I based my movie project on the film‚ Pulp Fiction‚ by Quentin Tarantino. This film stars such names as John Travolta‚ Samuel L. Jackson‚ Uma Thurman‚ and Bruce Willis. The movie has a few different aspect that takes form thoughout the plot. One of which is about John Travolta and Samuel L. Jackson’s characters‚ who play a couple of deadly‚ cold hearted hit-men. Another is about an over the hill boxer‚ played by Bruce Willis‚ who scams the head boss of a mafia-like cartel for some big time money
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Pulp Fiction is like boot camp for the Marines. You come into it from your civilized life‚ they subject you to violent language until you’re numb‚ they abuse you verbally and physically until all of your normal feelings and values are reduced to dust. Leaving you aware that you have changed‚ and able to describe the change‚ you find yourself questioning the person you were previously. First thing you know you’re saluting. This story is a cleverly disorienting journey through a landscape of danger
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Pulp Fiction (1994) is a mesmerizing‚ violent and entertaining movie. It has a bizarre cast of characters‚ a nonlinear sequence of events and endless references to pop culture. The underlying theme of the movie‚ however‚ deals with religion and the transformation of two characters: Jules (Samuel L. Jackson) and Butch (Bruce Willis). In the beginning of the film‚ Vincent (John Travolta) has returned from a stay in Amsterdam‚ and the conversation between Jules and Vincent deals with what Big Macs
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Pulp Fiction is a movie that almost everyone today has seen. However‚ it can be a difficult movie to understand if one is only looking for a straight story. Pulp fiction seems to have multiple stories being told almost simultaneously. Some will say it is about two hit men or a boxer‚ but the truth is there is no story behind the film. The whole purpose of the film is to parody every type of film movement created. From documentary as a style to Surrealism‚ this film leaves no movement out. The
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Pulp Fiction‚ is considered by many to be a key example of post modernist cinema. Its use of non-linear narration‚ copious references to other movies and its off beat dialogue‚ combined with Tarantino’s unique style make the viewer aware that there is something different about this movie from most Hollywood blockbusters. George Ritzer said that "in the modern world everything seems pretty clear-cut‚ (but) on the cusp of the postmodern world many things seem quite hazy." This is the case with regard
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Primarily‚ Gran Torino promotes conflict resolution‚ through visual mis-en-scene techniques‚ including‚ but not limited to‚ lighting effects‚ camera angles and setting. The innovation of these aesthetic ingredients allows the audience to sympathise with the central characters‚ whilst positioning them to feel intensified feelings of desperation‚ worry and emotional attachment. Together these components
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