Richard III - Irony of Shakespeare Shakespeare is known for his wit and brilliance in writing. One of his tactics is his use of irony. There are three types of irony: verbal‚ dramatic and situational. Verbal irony is a figure of speech in which the speaker says the opposite of what he or she intends to say. Dramatic irony is the contrast between what a character says or thinks and what the reader knows to be true. Situational irony is the discrepancy between appearance and reality or between
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The fact that the audience works in tandem with the actors on stage to dethrone Richard—or at least desire this dethronement—means they have some power‚ even if that is just the power of judgment. Phyllis Rackin argues that audience members play just as great a role in judging and misjudging characters within Richard II as any character within the stage. She acknowledges‚ “There is an extra role in the play not listed in the dramatis personae‚ a carefully calculated role complete with motivations…designed
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Challenging King Richard III as a villain or a hero. A hero within his own mind Williams Shakespeare’s King Richard III grew up in the turbulent time of the latter years of the War of the Rose between years 1455-1485. Born in England in 1452‚ King Richard III was not famous and well known for his services to England as their King rather; he was best known for being accused of murdering his two nephews to protect his throne. Shakespeare portrayed Richard III as being a tyrannical ruler. Villains performs
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regicide of Edward V The infamous Richard III‚ born on the 2nd of October 1452‚ was a man recognised‚ not for the Battle of Bosworth Field‚ nor for being the King of England from the years of 1483 to 1485‚ but for the alleged slaughter of his two nephews‚ Edward V and Richard‚ Duke of York‚ in London Tower‚ 1483. However‚ should this event be the origin of Richard’s fame? To assess the likelihood of the murders‚ I will be asking the question‚ ‘why?’ Why‚ if Richard were so loyal to his brother‚ would
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supposed to be a tragedy‚ and is not even supposed to really analyze evil at all. The more important take-home points of the play are about mirth and the folly of misunderstanding. In RIII‚ we find Richard; a conniving‚ evil‚ and manipulative trickster who causes all of the trouble in the play. In RIII‚ Richard is plotting against everyone in order to gain control of the thrown. The first glimpse of his conniving personality is from the very first scene in act one. “To set my brother Clarence and
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It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? Myself? There’s none else by.” (5.5.133-136). Richard III is a remarkable‚ if not irregular‚ rendition of the renowned historical figure‚ Richard III. In it‚ Shakespeare poses Richard as a villain with no remorse towards others—without any fear. This is evident when Richard awakes and holds an internal dialogue in which he berates his conscience for giving him bad dreams. "What do I fear? Myself? There’s none
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“All the world’s a stage…” The role of acting‚ disguise‚ deceit in Richard III “I am determined to prove a villain” says Richard in the beginning lines in one of the history plays of Shakespeare‚ Richard III. He is trying to cheat us right in the beginning with this sentence‚ just as he cheats and deceives everybody later‚ to finally become the King of England in the end. On the other hand‚ he is absolutely right‚ despite being never able to realize this: he really is just a poor man in the hands
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For our interpretation of Richard III the overarching concept we came up with for our version of the play‚ was instead of two families feuding for the throne‚ the Lancasters‚ of Lancaster Inc.‚ and Yorks‚ of York Co.‚ are two rival corporations. Richard has been wanting to buy out Anne’s family’s company‚ for a long time‚ and after her father and her husband are tragically murdered‚ Richard sees his chance to prey on a grieving and vulnerable Anne. The scene takes place in a dimly light‚ run
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throughout the play while Richard is a complex character with differing layers as he plays different roles in the play and change throughout the entire play. Lastly‚ parallels can be drawn between Richard and Richmond‚ from the similarity in name to their introduction and finally their speech to their armies before the battle. [so what is your stand? Understand that in this quote there are two big contentious points – Richmond ONLY to be a foil and Richmond AS much a hero AS Richard a villain.] Richmond
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"An honest tale speeds best‚ being plainly told.” This quote from William Shakespeare’s King Richard III is a seed from which Al Pacino’s docu-drama Looking For Richard grows‚ both texts demonstrating the intrinsic relationship between contexts and the composition of texts. As 21st century students‚ we see Pacino’s creative reshaping emphasise inherent values within the original text‚ from dynamic perspectives to interpretational understandings‚ presented in an ‘honest’ and ‘plainly told’ composition
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