The story of Antigone is full of issues regarding leadership and the conflict surrounding these issues. Creon decisions and choices were influenced by his inexperience in leadership. His forceful style leads him straight to disaster which results in losing his son and wife. This disaster was a direct result of his decision to kill Antigone for disobeying his edict regarding the forbidden burial of her brother‚ Polyneices. He believed his rules were superior‚ even to those unwritten statues of the
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hubris that lead to misguide judgment and their downfall. Both main characters Antigone and Creon have the characteristics as a tragic hero but Creon more so in his status as a king. Creon’s hubris and close mindedness doesn’t allow him to listen to the advice and comment that are made by his decisions. The ultimatum decision of Creon is putting Antigone who is both family and the fiancé of his son Haemon. Creon has the nerve to tell his son “still friends‚ in spite of everything‚ my son?” (142). Haemon
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‘How would you perform the role of either Creon or Antigone in their scene of confrontation after the Soldier has brought her before the King’ The desired audience response of this scene is to make the audience feel uncomfortable and on the edges of their seats‚ as the way that Antigone is defying Creon would not have been acceptable in that time‚ and the audience will not know how Creon is going to act. On entry‚ Antigone will be held on both arms by soldiers‚ but she will not struggle. She will
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King and Antigone Sophocles portrays two characters‚ Oedipus and Creon‚ as rulers of Thebes. After the murder of Laius‚ former King of Thebes‚ Oedipus became leader when he successfully solved the riddle of the Sphinx. Some time later‚ Creon became King of Thebes as the result of his nephews deaths. "Oedipus is a good ruler in spite of his defects. Creon is a bad ruler in spite of his virtues." This essay will discuss Oedipus and Creon as rulers of Thebes. In the eyes of the townspeople‚ Oedipus is
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than leaving them simply present. In doing so‚ Sophocles developed the character Creon‚
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analytically speaking‚ Creon seems to fit the category of a tragic hero more accurately. There is no doubt that the nature of the work is tragedy. Along with this genre come ascertained requirements and Creon is the character that fits them all. A character must possess certain qualities in order to be
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time. Antigone‚ Creon‚ and Haemon are all examples of this. They are not open to council and their stubborn single minded approach makes them blind to their horrible ways. Haemon and Creon are blinded by their stubbornness to be right. After Creon disagrees with Haemon‚ he says “you will never see me‚ never set eyes on my face again”(856-857). This is so rash and demonstrates that the family violence is just continuing. Tiresias tries to warn Creon of the errors of his ways but Creon ignores these
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unreasonableness‚ anger‚ and disrespect to be highlighted within Creon’s character. In the end‚ these conflicting motivations develop Creon as a tragic hero by ensuing his stubbornness‚ and damaging his pride. Antigone and Creon’s actions and feelings contrast because she insists that she will only follow the rights of the gods‚ not the king. This is evident
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kingship‚ who eventually end up killing each other. And the new hereditary ruler becomes their uncle‚ Creon. He declares that Eteocles should be buried honorably‚ while Polynices’ body should lay unburied on the battlefield. One of the main characters‚ Antigone strongly opposes the declaration of her brother’s unjustful burial and believes it’s the law of the Greek gods to bury people. While‚ Creon‚ the new ruler‚ upholds his law
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1. Comparing Creon and Oedipus: Creon has come to replace Oedipus at the throne Creon compares himself to Oedipus. They were loyal to him so they should be loyal to Creon “You never hesitated in your duty to our late ruler Oedipus[…] and I as in the next in blood have succeeded to the full power of the throne…until he has been tested in office” (196). No aspects of Creon are admirable in Antigone and the audience is void of sympathy for the character as he continues to indulge in his hamartia.
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