Armstrong’s famous reply was "if you had to ask‚ you’ll never know". Whatever else he meant‚ he was at least saying that jazz is noticeable‚ but not necessarily understandable by words. (do not really know exact cite where I have got this quote) For my concert review‚ I went to see the performance of Maynard Ferguson and his big band at Jazz Alley on Jan. 12th 2005. I asked some of my friends to join and they gladly agreed. Since two of my friends were a musician themselves and loved seeing live music
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Kaixin Peng Instructor: Kevin O’Neal Music 33 11/24/13 Second Concert Report I went to Mr. O’Neal’s second jazz concert today‚ which took place at a little bit far but very nice jazz studio in San Pedro. There was a beautiful neighborhood nearby‚ and it was the first time I’ve ever been to San Pedro. I was kind of tired since I went there right after I got off from work‚ but I still be excited and couldn’t wait for the wonderful music. My friends and I had a seat before the concern really started
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to Rap: Cultures of Crime‚ Cultures of Resistance Julian Tanner‚ University of Toronto Mark Asbridge‚ Dalhousie University Scot Wortley‚ University of Toronto This research compares representations of rap music with the self-reported criminal behavior and resistant attitudes of the music’s core audience. Our database is a large sample of Toronto high school students (n = 3‚393) from which we identify a group of listeners‚ whose combination of musical likes and dislikes distinguish them as rap univores
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Morgan Marlbrough @02725577 English 003 Professor Morris 21 February 2015 Analysis of Lorde Concert I am analyzing the concert of young artist Lorde‚ who performed at Echostage in Northeast DC. Chris Richards talks about Lorde’s weird style in her performance‚ but also her lyrical relevance to the audience in which she is performing too. Richards talks about how Lorde’s age is not the only thing that makes her different and stand out from other artist‚ but also how her songs can relate to her
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The Concertgoer’s Guide: A Sample Report Name: Peggy Skipitaris Course: Introduction to Music Date: December 9‚ 1991 Concert: New York Philharmonic (December 3‚ 1991) Type of concert: Symphony orchestra General reaction: I was impressed with the construction of the concert hall – Avery Fisher Hall at Lincoln Center – and with its wonderful acoustics. The visual grandeur of the orchestra and the attentiveness of the audience heightened my sense of excitement. Composition I liked best:
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CONCERT ATTENDANCE REPORT I am a casual listener because I like having music playing‚ filling the environment with sounds. I can listen to music while studying and sleeping‚ and I like listening to music because it can make me relax and ignore the noise that around me. I attended the concert on October 5 at 8:00pm. Contrapunctus XIX‚ from The Art of the Fugue‚ BWV 1080 by Johann Sebastian Bach‚ Metamorphosen by Richard Strauss and Symphony No.7 in A major‚ Op.92 by Ludwig Van Beethoven were performed
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On Monday‚ September 27‚ I had the pleasure of attending a performance by the Amherst Jazz Orchestra. Founded and headed by Bandleader Dave Sporny this professional big band played rare and historically big band works to some of the newest original contemporary jazz music. The Amherst Brewing Company looked small from the outside‚ even when I got inside there were many dining tables and a small place by the window for a fifteen piece band to fit in. Surprisingly they all fit perfectly. They took
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Music 331: History of Jazz—Concert Report Form Name and Student Number: Write brief comments for each section of this form. Do not use extra pages. You may finish comments on a second page if you need to. To receive full credit‚ you must provide comments for each section. I. Concert you attended (date‚ club/venue‚ name of artist): May 19‚ Jazz Alley‚ Thomas Marriott Quintet II. Stylistic description of artist or group(s). If more than one‚ list each with a short description. The Quintet
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Dance Concert Critique When I thought of dance for the first time‚ I believed it was just simplistic movement and structured choreography. However‚ dance can be interpreted as a story versus just following a beat through its unique body language‚ musical composition‚ and set of props. The Fall Dance Theatre demonstrates these traits extensively within its performances specifically the pieces “In Sleep‚ We Dream” and “I’m Still with You”. The performance “In Sleep‚ We Dream” has two different
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attended a string trio concert. The concert was held at First Presbyterian Church‚ in Bryan‚ TX; started at 7:30 pm and finished at 9:15pm.The ensemble‚ named Aspen String Trio‚ consists of three types of instruments: a violin for Davide Perry‚ viola for Victoria Chang‚ and cello for Michael Mermagen. There was approximately an audience of two hundred people and most of the seats were occupied. Most audience members were old and some young people also attended. The concert was the 19th season of
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