SPOKEN ENGLISH AND BROKEN ENGLISH George Bernard Shaw is perhaps one of the most prolific writers of the modern era. Though he is best known as a playwright‚ Shaw was also a respected critic‚ journalist‚ novelist‚ and essayist. A noted social reformer‚ Shaw wrote plays which dramatized social commentaries‚ and in 1925 he was awarded the Nobel Prize for Literature. “The gramophone will one day be used for language teaching”‚ prophesied H.G.Wells. Shaw made a special recording on ‘Spoken English
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“To The Reader” Analysis The never-ending circle of continuous sin and fallacious repentance envelops the poem “To the Reader” by Baudelaire. The beginning of this poem discusses the incessant dark vices of mankind which eclipse any attempt at true redemption. As the poem progresses‚ the dreariness becomes heavier by mentioning the Devil and demons‚ and how Hell is the final stop of everyone’s journey. The ending stanza says the most dangerous of all actions is boredom. This proposition that
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Reader Positioning Narratives encourage us to feel a particular way about the events and people in them. They often encourage us to align ourselves with one character in a narrative and not with others. To align ourselves with a character means to be on their side or empathise with them. They might encourage us to feel sorry for character or admire them‚ disapprove of them or fear them. This is called reader positioning: narratives position reader to adopt particular feelings or attitudes.
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While sitting in my daughter’s room in our home‚ I observed her play with her three baby dolls and her kitchen set which is against her wall by her princess vanity. My daughter is 5 years old and I quietly observed her on 3/17/17‚ roughly about 1 hour and 10 mins. My daughter had her pink and white chef outfit on‚ using it as she pretends to cook her “babies” something to eat on her kitchen set stove. I then asked several questions as I observed her playing with her toys. I asked her what did she
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case relates‚ in particular‚ to the problems currently being faced by HCF. Its new Managing Director‚ Jeffrey Cheong had just taken over and was immediately and inundated with problems. Two of HCF’s major client Kiki and Houida‚ two European fashion houses had informed Jeffrey of their attention to pull out contracts with HCF and look towards China as their supplier. HCF is no match to China’s growing economy and this new development will definitely cause the downfall of HCF unless something is done
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Bandura and the Bobo Doll Running head: BANDURA AND THE BOBO DOLL Bandura‚ Ross‚ and Ross: Observational Learning and the Bobo Doll Anthony R. Artino Jr. University of Connecticut Bandura and the Bobo Doll 1 Bandura‚ Ross‚ and Ross: Observational Learning and the Bobo Doll Since the publication of their seminal article entitled‚ “Transmission of Aggression Through Imitation of Aggressive Models” (Bandura‚ Ross‚ & Ross‚ 1961)‚ the work of Albert Bandura and his co-authors has had an
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Synopsis The case started with the dilemma faced by the protagonist‚ Jeffry Cheong when both of his major clients KiKi and Houida (European fashion houses) was writing to Jeffry to inform him that they may be looking forward to China as the prices are very competitive. Jeffry Cheong was managing director at Haute Couture Fashions Bhd (HCF). Loss of its major two clients (KiKi and Houida) would be catastrophic to HCF as now the financial statement of HCF showed HCF has been experiencing falling margins
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tailoring men’s clothing in Argy11 Road‚ Penang until his retirement in 1980. HCF started out as a family owned business with all of its shares being held by the Tan family. Peter prepared to bid for contract manufacturing deals with the European fashion houses. HCF started its first fully equipped factory in Penang in November 1974. HCF very quickly established itself as a high quality manufacturing of both men’s and women’s clothes. In July 1980‚ HCF opened its new factory in Butterworth. After 10 years
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Exhibit 1 Selected Operating Projections for Match My Doll Clothing Line Expansion 2010 Revenue Revenue Growth Production Costs Fixed Production Expense (excl depreciation) Variable Production Costs Depreciation Total Production Costs Selling‚ General & Administrative Total Operating Expenses Operating Profit 2011 4‚500.00 2012 6‚860.00 52.44% 0.00 1‚250.00 575.00 2‚035.00 152.20 2‚762.20 1‚155.00 575.00 3‚403.80
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After the first time reading the poem “Doll Eyes”‚ it took me a while to comprehend the real meaning of the message presented in the text. The first stanza of the poem‚ was filled with a sense of scorn‚ as the narrator described the boy as being “scrawny.” However‚ he continues with the selection of detail as he goes on to describe the young boys beautiful “amber” eyes. At this point‚ I was not completely sure of what the author was trying to portray‚ until I identified the shift in tone through
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