art world that humans don’t always have to be aesthetically pleasing (women in particular). Lastly‚ Duchamp (b.1887-1968) started the phase of ‘ready made’ art proving that you don’t need to make something in order for it to be classified as art. Modernism encompassed the most intensive period of change in art history‚ the industrial revolution (1880’s). It did this by focusing on the transformation of atmosphere in regards to machinery (humans becoming redundant)‚ agricultural processes and the manufacturing
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The Roots of Modernism the word ‘modern’ is used to refer to contemporan object or subject matters.In the history of art‚ however‚ the term ‘modern’ is used to refer to a period dating from roughly the 1860s through the 1970s and describes the style and ideology of art produced during that era.The term ‘modernism’ is also used to refer to the art of the modern period. More specifically‚ ‘modernism’ can be thought of as referring to the philosophy of modern art. The roots of modernism lie much deeper
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Through the controversy of romanticism and modernism in Dover Beach‚ Arnold allows for readers to question the importance of life and what it means to fulfill human destiny while harnessing the quintessence of who you are. Arnold gives vivid imagery of the beautiful coastline bordering France to present the challenging contrast that we have the choice to either find fear in the future because of its uncertainty‚ or to embrace the beauty of the present because it is all we have in each moment. In
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be a sign of modernity. Traditions‚ quite often‚ keep us United‚ but modernity‚ usually‚ takes us apart from each other. A tradition implies belief or custom‚ passed on to us by our ancestors. Much of what we do today has its roots in the past. Modernism is in total contras with the ideas or methods of the traditional ones. Old‚ it is said‚ is gold and should be preserved carefully. But it is also an unavoidable fact that old is to be given up for good to enter the New Era. There is a lot in our
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Modernism The Modern Novel As T.S. Eliot once said‚ “Every age gets the art it deserves and every age must accept the art it gets. A complex age like the 20th century‚ upset by two World Wars and marked by unrest and ferments‚ couldn’t as result produce anything but complex art‚ mainly resulting‚ more than in any previous age‚ from experimentation. The search for new forms of expression‚ which affected all branches of literature‚ was carried on first of all in fiction and novel. So far novelists
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Moral Realism In this paper‚ I examine the connection between judgments of fact and moral judgments in an attempt to discern whether moral judgments are simply a subset of judgments of fact. I will look mostly at an argument posed by many moral realists that takes moral facts to be “supervenient natural facts which are independent of our theorizing about them”1 and in which moral judgments are determined by objective facts which relate to human flourishing or pleasure and pain. I will also‚ though
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Modernism as a movement was a response to the horrors of World War-I and to the rising industrial societies and growth of cities in the late 19th and early 20th centuries. It challenged the harmony and the rationality of the Enlightenment and sought to reinvent art and literature of the age. To do so‚ it broke away from the works of the past and conventions that were earlier held at a pedestal. The conception that reality could be easily be comprehended was replaced by modernism with a more
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Ibsen: Keeping it Real Since 1879 Realism is a style of writing in which the author strays away from romance and fantasy and leans toward the everyday life of real people and the negative aspects of their lives. The Norwegian author Henrik Ibsen captures the true essence of realism in his famously controversial play A Doll’s House. Nora is an idealistic wife who bows down to her husband’s commands and fulfills his every wish. When Torvald‚ her husband‚ fell sick she did everything she could to save
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the system of alliances in Europe‚ the war in itself would have been a different one. With the 1919 Treaty of Versailles‚ the war was officially over and Germany was given full responsibility for the horrors and disasters of the Great War. In this essay‚ we will discuss how and why realists would also blame Germany for the war. Due to uncertainty of other states’ objectives‚ and driven by self-interest to be a regional hegemon‚ Germany clearly pushed for World War One to happen. Because Germany felt
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One of the best parts of working on exhibitions drawn from the ZMA’s extensive permanent collection is the opportunity it provides for a look at some of the hidden gems at the museum. During the preparation of Sketching American Modernism‚ I discovered a painting that captured my interest. The work was the Portrait of Mrs. Helen McCoy Storer‚ c. 1910 by Charles Alden Gray (1857-1933). While arguably not by one of the most well-known artists in our collection‚ it was‚ at that moment‚ the most intriguing
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