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Edith Wharton Biography 1862 Born New York City‚ third child of George C. Jones and Lucretia Rhinelander Jones. 1866-72 Fall in family income‚ owing to economic depression‚ prompts move to Europe. The Jonses spend most of 1867 in Rome‚ travel in Spain and settle in Paris in 1868‚ move to Germany in 1870 and to Florence at the end of 1870. 1872 Family returns to the United States‚ living in New York City and spending summers in Newport‚ Rhode Island. 1876-81 Juvenile writings: a manuscript
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Lectures 11 & 12 American Short Stories: From Postmodernism to Dirty Realism John Barth on the short story ‘Less really is More… there are narrative ideas suitable only for a short story: quick tales‚ epiphanies that even a novella would attenuate…. You can hold a short story in your hand‚ like a lyric poem; see it whole; examine the function of individual sentences‚ even individual words‚ as you can’t readily do with Bleak House’. Ihab Hassan: Modernism vs Postmodernism (from
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Edith Wharton was born in New York City‚ New York on January 24‚ 1862 into a wealthy family and “spent much of her childhood in Europe‚ mainly France‚ Germany‚ Italy‚ developing both her gift for languages and a deep appreciation for beauty – in art‚ architecture and literature” (The Mount). Her parents‚ relatives of Dutch and English pioneers‚ were socially observable with wealth from property‚ transporting‚ and investing (Cliff Notes). Their lives were loaded with maids‚ carriages‚ and social behavior
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THE RISE OF REALISM (1860-1914) The U.S. Civil War (1861-1865) between the industrial North and the agricultural‚ slave-owning South was an important event that marked American history. Before the war‚ idealists championed human rights‚ especially the abolition of slavery; after the war‚ Americans increasingly idealized progress and the selfmade man. Business boomed after the war. War production had boosted industry in the North and given it prestige and political clout. The enormous natural resources
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Edith Wharton in the novel‚ “ The Age of Innocence”‚ illustrates a young wealthy lawyer who degress from his life plans to marry May Welland by becoming infatuated with Countess Ellen Olenska‚ who has separated from her European husband. Eventually‚ Archer Newland and lady Olenska become devotedly in love with one another. The forbidden love is displayed as “innocence”; this so called innocence can be portrayed as young girl with lovely little pigtails that can not fulfill any harm‚ but in reality
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PRACTISES. Before realism‚ theatre was bound up in melodramas‚ spectacle plays (disasters‚ etc.)‚ comic operas‚ and vaudevilles (acrobats‚ musicians‚ ect.).Realism began in the late 1800s as a trial‚ in hope of making theatre more relevant to life and society. Today‚ many aspects of realism are still present in contemporary theatre practices. For majority of the 20th-century theatre‚ realism has been main stream. Due to a reaction against melodramas (romanticized plays) realism began as an experiment
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People constantly compare themselves to others or compare others to themselves. This is exactly what happens in‚ “Roman Fever”‚ by Edith Wharton. The short story starts with two young women and their mothers. The young women wonder off around Rome while the two mothers sit down and chat. One mom is Alida Slade and her daughter is Jenny‚ the other mom is Grace Ansley and her daughter is Barbara or ‘Babs”. Mrs.Slade is constantly comparing people‚ at first her daughter to Mrs. Ansley then herself to
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Age of Innocence and The House of Mirth. There are many similarities and differences placed throughout the two novels. A close reading of The Age of Innocence and The House of Mirthreveals Wharton’s use of similarities and differences of the themes of society and class‚ love and marriage: the love life of characters; and setting of the late 1800’s New York throughout the novels. First‚ Wharton places similarities and differences in the themes of society and class‚ marriage‚ and love throughout the
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discussing classical realism and structural realism‚ there is always a debate about what distinguishes the two. There are similarities between the two realisms but to really understand each‚ one must understand the differences. Mearsheimer uses a great phrase to differentiate the two realisms. Mearsheimer states‚ “For classical realist‚ power is an end in itself‚ for structural realists‚ power is a means to an end and the ultimate end is survival (Mearsheimer 2013: 78).” Classical Realism as Lebow states
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