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    Head: CLASSICAL VS. NEO-REALISM Is Neo-realism an improvement on traditional realism? [Name of the writer] [Name of the institution] Is Neo-Realism An Improvement On Traditional Realism? Introduction Realism is a broad paradigm and varies from the classical realism established by Han’s Morgenthau through to Kenneth Waltz’s structural realism which introduced in 1979. Many theorists see classical realism and structural realism as two distinct theories

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    Realism is defined as “the quality or fact of representing a person‚ thing‚ or situation accurately or in a way that is true to life” (Dictionary). This way of displaying people or a situation in their true reality is recurrent in many works of literature. Stephen Crane wrote The Red Badge of Courage‚ a realistic novel that tells the honest horrors of the battlefield. Crane used his life influences of family‚ education‚ and society to shape him into the realistic writer that we see in The Red Badge

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    subtopic is Realism. The purpose of selecting realism for review

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    importance of the state above all else. Realism states that international relations should not be studied as how things should be but as how they are. We can distinguish between the ’economic person ’‚ the ’religious person ’‚ the ’moral person ’‚ the ’political person ’ etc. In order to understand politics‚ we must study only the ’political person ’ for example we should study the political actions of a statesman as a synonym of a state. The theory of political realism is based on the idea of a rational

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    was increasing between states and societies. Realism instead‚ claims the contrary‚ however realists do accept that realism doesn’t claim to explain every aspect of international relations. It does have some very basic assumptions which more than anything “can be seen as defining an extreme set of conditions or ideal type” 2 in which there is always likely conflict between states. I will now discuss that complex interdependence can challenge realism and is a more accurate reflection of contemporary

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    Every reality is a fiction Our world consists of many realties. Two being commercial‚ and the other‚ artistic. A commercial reality is one of indulgence‚ and pleasure‚ always aiming to suit those who yearn for it. Artistic reality however‚ is open to interpretation. This means there are many possible outcomes. One could be saddened or depressed by the reality‚ and others‚ joyful. It is because of this uncertainty in artistic realities that the film industry‚ as well as many other industries‚ have

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    international relations we are mainly dealing with someone who advocates for the theory of realism. More over it important to note there are different kinds of realists‚ but they all generally constitute the main idea of realism which is 4 different kinds of realists which are the following: classical realists‚ liberal realists‚ neo-realists and neo-classical realists. All these 4 all constitute for realism but to different extents with some newer realists such as the neo-realists. However they all

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    differences between realists and idealists and their approaches to international relations. PARADIGMS AND INTERNATIONAL RELATIONS Paradigms and International Relations In our textbook‚ World Politics In The 21st Century‚ it defines Political Realism as a “philosophical position that assumes that human beings are imperfect and possess an innate desire for power”. (Duncan‚Webster‚Switky‚ p. 33) I do believe that it does not matter what it is you are asking to be defined‚ the definition is always

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    Advocates of Realism theory contend race and ethnicity are truths that contribute to an over arching make-up that equals an innate social identity. The rudimentary proponents of an individual’s identity must then suffice as pragmatic and permanent from birth. Subsequently‚ when humans build relations perceivable features allow us to understand similarities and disparities. According to Realists‚ no two individuals are the same and therefore the ensuing natural propensity creates categories for placing

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    Wag the Dog Wag the Dog is a movie that demonstrates the power that media has in our society and the ways it affects it. Through the movie we see how media manipulates people’s thoughts‚ believes and the ways they interact. Barry Levinson‚ the director of the movie‚ emphasizes the importance of active media consumption as he shows us that everything we see in news these days could be just an illusion easily created in Hollywood production. Also‚ it presents Machiavelli’s idea of power and keeping

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