------------------------------------------------- CIN 375E: formal notes for Novermeber 8‚ 2010 Part 2; Prepared by: Sivfong Liu (Siv) We began the second half of the class discussing about the film Rear Window. Alfred Hitchcock’s Rear Window is a movie about an injured photographer’s (Jeff) accounts and observations of his neighbor’s daily activities through the windows of his confined New York City apartment. After being injured during an auto race accident‚ Jeff’s left leg was encased in castings up to his waist‚ leaving him immobile
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Alfred Hitchcock touched on many different themes of relationships between sexes that I have observed in both of the movies‚ Psycho and Rear Window. Some of main themes in both of these movies include the theme of marriage‚ sex‚ infidelity and murder. Through class discussions and my observation of these movies‚ my analysis of these points are as follows: Women were portrayed to be desperate for companion‚ a hunger for control with a streak of jealous behavior. But‚ they are also compelled to
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The action/thriller film of 1954 Rear window‚ directed by Alfred Hitchcock shines the light on the primary theme of marriage throughout the film. Each of the characters are related to their marital status‚ at one point or another‚ even the crime on which the plot twists is the product of a failed marriage. Within the first couple of minutes you are able to tell that L.B. Jeff Jefferies‚ tosses the idea of marriage around throughout the film. With Jeff examining his neighbours marital problems each
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Fear of Marriage and Voyeurism in Rear Window In Alfred Hitchcock’s 1954 classic thriller Rear Window‚ Jimmy Stewart stars as L.B. Jeffries‚ a world traveling magazine photographer accustomed to living a fast pace active lifestyle. When Jefferies injures himself taking a risky picture he is immobilized‚ confined to a wheelchair inside his apartment for two months. Bored with his uneventful life he becomes completely obsessed with the lives of his neighbors spending the majority of his
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Do You See What I See? : An analysis of theme in Rear Window’s “Meet the Neighbors” scene Rear Window‚ directed by Alfred Hitchcock‚ introduces a plot about the voyeur-esque lifestyle that has overcome L.B. “Jeff” Jeffries while being temporarily immobile in his New York apartment. The viewer is given a visual introduction to the neighbors that live in the same area as Jeff‚ as the camera pans left and right by the different windows across the courtyard. The panning of the camera imitates the moving
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Alfred Hitchcock’s 1954 film “Rear Window” demonstrated a suspenseful and terrifying storyline‚ which captured the attention of a variety of audiences. The film focuses on James Stuart (Jeff) and ultimately his neighbors who live around him. Stuart is crippled from the beginning of the movie and is unable to leave his apartment. Due to his immobility‚ he remains confined in his home with a broken leg and begins to watch his neighbor’s particular behaviors and routines. The film progresses into
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Alfred Hitchcock’s Rear Window is a mystery and thriller that leaves audiences in a constant state of suspense. Rear Window opens by showing photographs of high risk environments hanging on a wall of an apartment. This leads one to believe that whoever owns the apartment lives a high risk and adventurous life. However‚ once the broken camera is shown‚ it is understood that the main character‚ L.B Jefferies‚ is a photographer before it is stated through dialogue in the film. Early into the film we
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Rear Window Director: Alfred Hitchcock Cast: James Stewart‚ Grace Kelley‚ Wendell Corey‚ Thelma Ritter‚ Raymond Burr Screenplay: John Michael Hayes based on a short story “It Had to be Murder” by Cornell Woolrich published 1942 Cinematography: Robert Burks Music: Franz Waxman Paramount Pictures Use of Subjective point of view. Someone said there are two kinds of people in the world‚ there are people who
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Observation is the most prevalent theme displayed in the film Rear Window (1954). As such‚ the aesthetics chosen by the director emphasize the altered gender roles of Jefferies and Lisa. The film’s editing techniques contribute to these roles; a series of point-of-view and shot/reverse shots exhibit Jefferies feelings of confinement in the scenes “Lisa” and “Something’s Wrong.” The sound techniques used‚ such as off-screen diegetic sound‚ echo Jefferies’ preoccupation with what’s going on in his
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The film ‘Rear Window’‚ directed by Alfred Hitchcock in 1954‚ enthralled worldwide audiences through its clever and original depiction of a suburban murder. It is a widely renowned crime thriller that employs many conventions of the genre‚ while subverting others‚ in order to portray a realistic environment that collapses into tension and mistrust. The depiction of protagonist L.B Jefferies as the ‘everyman’ is an important subversion of the conventional detective‚ piquing the audiences curiosity
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