BILKENT UNIVERSITY ACADEMIC ENGLISH PROGRAM ENGLISH AND COMPOSITION II HITCHCOCK BLONDES RESEARCH PAPER Hitchcock‚ Blondes and Cinema: Bermuda Hell Triangle Submitted by Mirac Ethem Özdağ ID# : 20700401 DPT: MAN ENG102-94 Submitted to Bengisu T. Akalın SPRING 2008 HITCHCOCK‚ BLONDES and CINEMA: HELL TRAINGLE There are thousands of topics and articles written about Hitchcock films‚ because of his being undoubtedly one of the greatest directors in our decade. In
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Rush Hour is a 1998 buddy film comedy where the plot develops around the growing friendship of two special agents played by Chris Tucker and Jackie Chan. Rush Hour teams these two men‚ who do not want to be on a team. The story revolves around the need to find the Chinese consul’s daughter‚ who was kidnapped by a man from China who is after money. Tucker plays Detective Carter who is on bad terms with his captain in the LAPD. The FBI asks his captain for a “babysitter” for a Chinese agent who the
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Psycho Hitchcock once said that he migrated to the United States as a kind of cultural exchange‚ only nobody knows what was sent in return because‚ said Hitchcock "they are afraid to open it.” Branded as the master of suspense through his pioneering editing techniques‚ captivating story telling and ability to incorporate his audience into his dramatic films‚ Hitchcock virtually created the thriller genre in the world of cinema. In the article‚ Through a Shower Curtain Darkly: Reflexivity as a Dramatic
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The famous films‚ Psycho and Rear Window‚ by Alfred Hitchcock use editing and color differently‚ yet have similar base plots. While both films are justly considered suspenseful masterpieces‚ they each achieve this differently. In the film Rear Window‚ the point of view was always set as the main character‚ Jeff. Jeff was stuck in his apartment room due to a broken leg; therefore the camera only showed shots from looking out of his window or in his own room. Hitchcock chose to do this as a way to
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In Alfred Hitchcock’s The Rear Window‚ we’re introduced to L.B. Jefferies‚ a middle-aged man‚ injured in a photo-shoot accident. Because of his limited mobility‚ he passes time observing his neighbors through a window‚ overlooking his apartment lot. Through L.B.J.’s lens‚ the audience is introduced to a recently moved in‚ newly-wed couple. One day‚ L.B.J. sees the husband peering out of his window‚ wearing a white tank-top‚ with a cigarette in one hand‚ smoke already in his mouth. He appears to
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stand out are the thrillers Rear Window and Psycho. These films capture the viewer and create an atmosphere so unique and fresh that you feel as though you personally know the characters; sometimes you even feel like you’re becoming the characters. Although the films have many similarities they both have completely different moods and themes. Most importantly the films can still hold up against today’s incredibly high-budget Hollywood movies. A main theme in Rear Window is voyeurism‚ exhibited by
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ESSAY – EXTENSION ENGLISH Anil’s Ghost‚ Rear Window and 2 ORTS: crime fiction genre‚ texts‚ contexts‚ values and techniques “While the genre of crime writing covers a wide diversity of texts‚ these texts all engage with investigating a crime and associated social and moral issues” Conventions shape a text and are adopted to suit a specific audience or contextual purpose. The genre of crime writing covers a wide diversity of texts that through the composer’s contextual influences and intentions
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After watching Rear Window for a second time I’ve come to realize that not only is Alfred Hitchcock a great director‚ but also a great movie watcher. What I’m trying to say is that he knows exactly what people want to see in certain movies. Voyeurism captures the attention of anyone‚ viewers want to “spy” on the characters without being seen‚ and they want to be in positions that reality doesn’t allow them to be in. Hitchcock knows this feeling all too well‚ making one of the greatest movies of all
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Alfred Hitchcock’s film Rear Window released in 1954 portrays the power shift between the fictional couple‚ L.B Jeffries and Lisa Freemont. In the beginning of the film the viewers see Lisa as a perfect‚ high maintenance‚ wealthy woman who did everything to grasp Jeffries attention and prove to him that she is a worthy wife‚ but Jeffries believes "she’s too perfect‚ she’s too talented‚ she’s too beautiful‚ she’s too sophisticated‚ she’s too everything". Despite Jeffries being in a cast‚ sitting in
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Firstly I would like to say that Rear window is a true classic film. The film is a is the mother of all suspense thriller film and the director Alfred Hitchcock is the father of the genre. The predictability of the film proof its originality ‚pioneered and innocence compared to the films of its genre today. Films today has matured from its roots which is Rear Window but have not lost its core elements. The only difference between films today of the same genre and Rear Window is that movies nowadays forcefully
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