"Record label" Essays and Research Papers

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    Introduction In computer networking and telecommunications‚ Multi Protocol Label Switching (MPLS) is a data-carrying mechanism that belongs to the family of packet-switched networks. When it comes to getting network traffic from point A to point B‚ no single way suits every application. Voice and video applications require minimum delay variation‚ while mission-critical applications require hard guarantees-of-service and rerouting. So far‚ only circuit-switched networks have provided the

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    BMG entertainment‚ the world’s fourth-largest media company‚ was a subsidiary of Bertelsmann AG‚ a German media conglomerate. In 1999‚ it was a $4.6 billion music and entertainment company with more than 200 record labels and operations in 53 countries. Its revenue was derived from North America (51%)‚ Europe (32%)‚ Latin America (9%)‚ and Asia-Pacific (8%). Despite of this BMG Entertainment’s ability of generating huge revenue‚ and its operating strategies to make the company sound‚ the BMG Entertainment

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    independent music label ‘Warp’ but also comparing and contrasting its methods and successes with the major four record labels: Sony BMG‚ Universal‚ EMI and Warner Music Group. I think it would be foolish to argue against this statement; from my examination of the music industry I have discovered that the major four record labels control just under 75% of the music industry between them‚ leaving little room for independent label such as Warp to compete against them. These four labels have the oligopoly

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    Spotify

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    Term paper At Handelshøyskolen BI - Spotify - GRA 68344 – Business Development and Innovation Management Hand-in date 30.11.2011 BI Oslo Program MSc in Innovation and Entrepreneurship Table of content Executive summary ii What is Spotify? 1 Timeline For Spotify 2 External Environment Analysis 3 PESTEL framework 3 Porters 5 forces 3 Internal Environment Analysis 6 Vrin framework 6 Stakeholder analysis 7 Users 8

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    The Sound and Music Industry

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    This essay is split into (a) areas (b) careers and (c) royalties but there is obviously a lot of overlap between these areas throughout. Hunter S Thompson said of the record industry ‘It is a cruel and shallow money trench‚ a long plastic hallway where thieves and pimps run free‚ and good men die like dogs ’. Basically is a record company just out to make money‚ or does it have its artists (the product) and its customers (the paying public who will buy what they think are the artist ’s wares) close

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    POLYPHONIC MARKETING PLAN

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    Polyphonic Business Strategy 2010 Marketing Plan Table of Contents Target Market 3 The Five Major Record labels 3 Size 3 Growth 4 Profitability 4 Artists 4 Size 4 Growth 4 Producers 5 Size 5 Profitability 5 Marketing Plan 5 Positioning Decision 5 Product decision 6 Pricing decision 6 Distribution decision 6 Promotion 7 Future Markets 7 EXHIBITS AND TABLES 8 Polyphonic HMI is a start-up technology company with a single potentially marketable product: Hit Song Science (HSS). HSS

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    does an artist and record label make money from no sale of their music? On one hand‚ however‚ the publicity as an artist and the label behind the artist is a huge gain through these websites. For example‚ an artist like Justin Bieber‚ who has almost 440 million views in total on the videos he posts on his YouTube site‚ would not hesitate to say that the use of Internet broadcast made him the teen idol that he is today. On the other hand‚ there is no doubt that these music labels would need to monitor

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    Polyphonic

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    10% (only fewer than 300 of the approximately 3‚000 singles released each year made it to the Billboard Singles Top 40) Entertainment Management : Polyphonic HMI : Mixing Music and Math 2 Situation Analysis(External) Record Labels 90% The lion’s share of a record company’s revenue was generated through its established artists - not new artists. For Warner Music Group established artists accounted for almost 90% of the 1.7 billion in revenues from newly released title in 2003. ) Entertainment

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    music industry report

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    -http://www.digitalamerica.org/how-the-internet-is-helping-the-music-industry-will-johnson/ The music industry we are all familiar with starts with record labels‚ and the introduction of the internet has broadened the potential for artist’ to create their own career without signing themselves to a major record label‚ and potentially spoiling their possibilities. Record companies dominate the traditional music industry. Warner Music Group‚ Universal Music Group‚ Sony Music Group‚ and others were established

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    Social Media and Music: The Effect of Social Media and the Digital Age on New and Independent Artists Traditionally‚ artists have had to beat down the doors of big name record companies to get their records heard in the hopes of getting a recording contract. Social media pervades all aspects of youth culture functioning as a one-stop shop for popular culture. At any time the trending topics on Twitter range from the latest news or a character from a popular television show. With the growing popularity

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