FILM UNIT I’M NOT SCARED/IO NON HO PAURA (2003) DIRECTED BY GABRIELE SALVATORES An English teaching resource for year 12: Achievement Standard 2.5 REBECCA LAGAS & ZANITA THOMPSON UNIT OVERVIEW Unit Title: I’m Not Scared Either - An Introduction to a Sub-Titled Film. Strand: Visual Language (with links to Written and Oral Language) Levels: 6‚ 7 and 8 Function: Viewing (with links to Presenting‚ Listening/Speaking and Transactional Writing) Processes:
Premium Film editing Film techniques Film director
Introduction to film Understanding Movies Film Analysis: All Quiet on the Western Front Introduction Lewis Milestone’s All Quiet on the Western Front was one of the first realistic war films of its time. This film works to make a powerful statement about the misconceptions of war and fighting. Its message is one that anyone who has seen war close up can attest to. Regardless of time‚ location‚ or people‚ these
Premium Erich Maria Remarque All Quiet on the Western Front World War I
and ethnicities (the screenplay is a low concept film that focuses on the characters to display a point). The motion picture Crash manifests important themes and ideas about the 21st century American zeitgeist and import ideas about life. By textbook definition the film is considered a work of art its original and deals with the important topic‚ case in point‚ racism. Crash also it sets forth a wholesome view of life. Each character in the film is a victim of racial tensions and also demonstrated
Premium Police brutality Art Rodney King
Film Review-The Hunger Games Director and co-writer-Gary Ross The Hunger Games‚ it’s a harsh and relentless story based upon the first novel out of a trilogy of books by Suzanne Collins. The book is narrated by 16 year old Katniss; a young woman who lives in a post-apocalyptic America divided into 13 districts and ruled by one‚ the Capitol. In this imaginary future‚ ruled by the Capitol‚ an apparatus of their control is the Hunger Games‚ an event established in the aftermaths of a rebellion against
Premium The Hunger Games Suzanne Collins
Color in film went through a self-contained evolution much like sound. Many films of the silent era‚ for instance‚ used processes such as tinting and toning to give an overall color to the frame (Thomspon & Bordwell 34). Thompson and Bordwell comment on the process that “color could provide information about the narrative situation and hence make the story clearer to the spectator” (34)‚ much like the use of photogénie and mise-en-scene by the Impressionists and Expressionists. Other films‚ such as
Premium Orson Welles Citizen Kane Cinematography
Notes from film: What is Cinema January-10-13 8:13 PM • An art form‚ an artistic spectacle‚ an aesthetic language with its own grammar and style‚ a ‚medium of communication and expression • A series of still image on a strip of plastic which‚ wen run through a projector shown on a screen‚ creates the illusion of moving images. • Form ( film language) and content ( message) are linked. The message is understood through its form or language by exploring how it uses
Premium Film editing Film techniques
The Departed is a film centered around organized crime that involves a wide array of characters. With drug deals‚ shootouts‚ scandals‚ and espionage‚ the movie has many tense scenes that have notable staging‚ costumes‚ props and settings. At about fifty-two minutes in‚ Costigan and French enter a man named Brian’s house to assassinate him. Dressed in dark clothes and with French wearing leather gloves‚ they are dressed to kill. The setup of the room has two conceivable exits‚ that are instantly
Premium KILL Edgar Allan Poe Murder
Film noir "Film Noir" is a term that was applied to a style of American cinema that was popular in the 1930’s and 40’s. The term translates to "Black Film‚" which refers to both the characteristic lighting and the dark subject matter. Noir films often depict different aspects of the criminal underworld‚ and are most commonly set in the ’mean streets’ of the city. Many of the most recognizable early noir films were mysteries involving a hard-boiled detective like Sam Spade (played by Humphrey Bogart)
Premium Film noir
Self-reflection in Reflective Practice: A Note of Caution Kam-shing Yip: British Journal of Social Work (2006) 36‚777-788‚ doi:10.1093/bjsw/bch323‚ Advance Access publication October 31‚ 2005: My reflection on this article (attached). Ruch identified four types of reflective learning: 1. technical rationality and level of knowledge 2. practical personal assumptions and beliefs 3. process focus on conscious and unconscious (psychodynamic) development of reflective self 4. Critical challenges
Premium Social work Sociology International Federation of Social Workers
Duc Cuong Billy Gunn Film 108 Final Part 1: 1. Film history follows two distinct paths: the first originating from the Lumiere Brothers’ attempts in capturing everyday reality‚ and the second‚ following George Melies’ emphasis on the magical. Let take a closer look at George Melie’s style‚ producer used the illusion created by the film shot to make things appear or disappear as they want. For example‚ a trip to the Moon (1902) used that technique a lot. Later on‚ the film industry also developed
Premium Film Horror film