the essence of memory and seals it into the history of those involved in the process. Susan Sontag’s didactic text “On Photography” digs deep into the meaning of photography and claims that it has unlimited power within modern society. Her exclamation that “cameras are fantasy-machines” exerts the idea that photography brings the world closer together‚ yet seems so distant as if it were all but an illusion. Sontag starts off her text by asserting that humans are still in Plato’s cave. She argues that
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Shelby Grimac English 121: Fashion Institute of Technology Assignment #5- Miss Representation/S. Sontag November 11‚ 2014 In the documentary‚ “Miss Representation”‚ themes such as appearance and the importance of beauty in the female gender are clearly represented. It is well known that gender roles play a huge part of society‚ and the strong presence of the sexualization of women. The facts presented in this film prove that women are truly seen as sexual objects rather than intelligent human beings
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Triumph of the Will‚ has been perceived as one of the most remarkable works of art in film history. It is a documentary produced by Leni Riefenstahl‚ a renowned film maker‚ who “has remained the focus of critical attention since the 1930’s” (Sontag‚ 1976p. 31). Triumph of the Will‚ is a documentary created to follow Hitler and his supporters through the Nazi Nuremberg Rally of the 1930’s. In the study of Holocaust and films‚ it is crucial to uncover hidden messages portrayed through films by analyzing
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documenting everything over years throughout history. A practice that is often debated and discussed about the relationship of the action and photograph itself. In the chapter entitled In Plato’s Cave from her book On Photography‚ photo theorist Susan Sontag refers to various photographs and photographers and analyzes the wider questions that individuals should be discussing in regards to the medium. Exploring her thesis as she states that “a photograph is not just the result of an encounter between
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After reading your essay i’ve concluded that even though cameras are a great invention‚ they can also twist what we see. That they are a good thing for people to use‚ to create with‚ but can be used in bad ways‚ to distort what we see. What I understand your essay is about‚ is the way even when photography is good‚ it will always be manipulated‚ someone bad will always use this good thing for wrong. Your question at the end of‚ how do we combat this? How do we make sure we get the truth? really will
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A cross between green and blue waters contrast each other as the white waves crash on the shore‚ but in the background there is a large piece of metal sticking out of the deep ocean. A roller coaster that had once brought people bliss and laughter is now in the ocean with the ominous feeling of the gloomy clouds surrounding every corner of the photograph. Photography is a basis of knowledge to shed light upon what we know today. We are surrounded by it in our daily lives‚ but do we really see everything
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Power Source?‚ Susan Sontag elaborates on the internal hardships women face due to societal gender roles that have existed for millenniums. She poses a series of historical and modern day contradictions to highlight the absurdities of these rigid gender roles and the way we think about the role of women. While her message is meant to appeal to all women‚ she risks alienating many who may feel as if beauty is something they truly don’t want to give up. In the beginning of her essay‚ Sontag uses logos
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Susan Sontag‚ in her book Illness as Metaphor‚ describes illness as being a “kingdom” where each person must eventually reside. She first states that each person has “dual citizenship” to the nation of the well and the nation of the ill‚ then explains that each person must acknowledge himself as a part of “that other place”. She finally states that as a person living in the “kingdom of the sick”‚ she has learned that the best way to confront illness is without the use of distracting metaphors‚ since
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Photography‚” Susan Sontag discusses the role of photographs in raising awareness about human rights issues while simultaneously looking at the effectiveness of graphic images. She asks her audience to engage with how they respond to images that are a result of “concerned photography‚” and how those images impact their understanding and memory of the human rights event. Sontag also grapples with how shocking images lose their effectiveness over repeated viewings‚ or over the course of time. Sontag primarily
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Regarding the Pain of Others‚ by Susan Sontag In Regarding the Pain of Others‚ Susan Sontag asks the reader to think about how our engagement with a photograph affects our understanding of suffering and war. Sontag evaluates the use of images and the role of photography in representing how the interpretation of images is heavily influenced by context‚ and the effect that these representations have on us. In doing so‚ Sontag addresses a few major questions concerning photography. What is unique
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