a personal and individual approach to learning and development The legal status and principles are set out in the EYFS. This is a mandatory framework for all early years providers which is used in all schools and early years child-minders. The Early Years Foundation Stage (EYFS) is a term defined in Section 39(1)(a) and (1)(b) of the British government ’s Childcare Act 2006. The EYFS comprises a set of Welfare Requirements and a set of Learning and Development Requirements known as Early Years Outcome
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Shakespeare’s Othello‚ Emilia explains reasons for unfaithfulness. Emilia conveys her ideology about infidelity to Desdemona‚ a character that has not yet been exposed to the idea‚ through the use of rhetorical strategies such as appeals‚ imagery and diction to further reinforce her point that infidelity is caused by the husband. There is a plethora of appeals in Emilia’s monologue‚ many of which involve Emilia’s personal encounters with the idea of unfaithfulness. In Act VI‚ scene III‚ Emilia states‚ “Yes
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my expectations a lot. I got to say that a movie from 1929 didn’t sound very exiting. This film is just fantastic. I thought Koyaanisqatsi was the ground zero when talking about documentary-like-experimental-films‚ so now I dont respect Godfrey Reggio as much as I did before. I mean Vertov is the true genius. I’m assuming this is an experimental film‚ but for that matter; is Koyaanisqatsi an experimental film? Or is this a documentary? Again‚ the ambiguity of cinema. Now‚ although it is a really
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On this day we were presented with multiple opportunities to start our journey of obtaining a better understanding of the Reggio philosophy and their infant/toddler centers and preschools. The first experience we had this day was being introduced to Sarah and Paula‚ were we got a brief overview of everything we will be learning about during our two weeks at the Loris Malaguzzi Center and schools. Following our brief introductions and overview we went on a tour with two of the atelieristas‚ Federica
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disinclined to agree with the assertion. To a minor extent Emilia and Desdemona can be seen as innocent victims of circumstances beyond their control‚ as unwitting victims contribute to their own tragic ends. I will now endeavour to substantiate my pint of view Emilia is a loyal hand maiden to Desdemona. Her loyalty to Desdemona is beyond reproach. She also wants to gain the approval of hr husband; she strives in every possible way to achieve this. Emilia is later deceived by her husband Iago into stealing
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Othello‚ although he is stated to be an outsider‚ is able to win the audience ’s favor through his demonstrated virtues of faithfulness and loyalty‚ which he continues to exemplify even after they have driven him to disaster by the end of the play. Emilia‚ as well‚ proves to be a character that has heroic virtues that may even surpass those of Othello‚ as she not only offers a strong social criticism on the position of women‚ but also allows her conscience to guide her‚ rather than acting in excess
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questioning Othello’s love for her she never once questions her love for Othello. She dies trying to prove her love for him. Even Though Othello does treat Desdemona better than Iago treats Emilia‚ even better than Casio treats Bianca does not mean Othello treated Desdemona correctly. Iago bullied Emilia‚ but she knew how to hold her own. Cassio didn’t even claim Bianca because to him she was just a “street whore”. Othello did end up killing his sweet Desdemona‚ but before Iago got into his head
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During the late sixteenth century‚ Venice was a male-dominated society while women struggled to be heard. Desdemona‚ Bianca‚ and Emilia are all victims of this society throughout Shakespeare’s Othello. Desdemona is a young‚ rich‚ white girl raised Brabantio. Brabantio looks at Desdemona as a pure‚ innocent girl and feels that she is a victim to Othello’s black magic when he finds out that Desdemona is married to Othello. Desdemona admits her love to Othello to her father and defies everything that
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| Enter OTHELLO‚ LODOVICO‚ DESDEMONA‚ EMILIA and attendants | OTHELLO‚ LODOVICO‚ DESDEMONA and EMILIA enter‚ with attendants. | | LODOVICOI do beseech you‚ sir‚ trouble yourself no further. | LODOVICOPlease‚ sir‚ don’t trouble yourself. | | OTHELLOOh‚ pardon me‚ ’twill do me good to walk. | OTHELLOI beg your pardon; walking will make me feel better. | | LODOVICOMadam‚ good night. I humbly thank your ladyship. | LODOVICOGood night‚ madam. Thank you. | | DESDEMONAYour honor is most welcome
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Anmol Paudel Eng3UO 6th March 2014 Portrayal of Women in Othello Women are one of the powerful aspects of the society. They also are unit of our society and are equally important as man. As‚ per conception of the people women are created as a companion for men or vice-versa. Women plays the role like mother‚ sister‚ daughter‚ wife with a great responsibilities. Years back in the 15‚ 16 century women were more behind than men‚ the society was male dominating and the main purpose of women was to
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