‘So What’ Miles Davis Solo Analysis Miles Davis’ solo is very minimalistic mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. For the A sections of the first chorus he bases phrases around the minor pentatonic scale. He develops his opening motif (bar 2 of A1) in bar 4-7 returning to the root (E) in between each ascending then descending phrase going up to the 7th (D) in the final variation of the motif. The phrase lengths are irregular; Davis
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Dynamics – At the beginning of the piece its supposed to be played quite softly‚ my sheet music says ‘mezzo piano’. The piece gets louder and louder in a gradual crescendo and then roughly two minutes through (depending on how slowly or quickly you play it) there is a diminuendo‚ which is emphasized by the change from arpeggios to chords in the bass part. Tempo – It starts off quite slowly and then picks up on the second line and continues at that speed until the quavers in the right hand begin
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Shostakovich Piano Trio No.2 mov.1 Analysis The Piano Trio No. 2 in E minor‚ for violin‚ cello and piano‚ Op. 67‚ with four movements‚ by Dmitri Shostakovich was written in 1944‚ in the midst of World War II. The work received its premiere in Leningrad on 14 November 1944. After 1936‚ Shostakovich separated his compositions to two parallel sections‚ one for public consumptions‚ the other one for personal expressions. Therefore‚ Shostakovich’s chamber music probably constitutes the most complete
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Trinity College London Practical examination in Piano ATCL Recital Programme Prelude and Fugue in A flat‚ BWV 862 (No.17 from The Well-tempered Clavier‚ Book I) by Johann Sebastian Bach Prelude Fugue Sonata in A major‚ K. 331 by Wolfgang Amadeus Mozart Theme and variations Minuet with trio Rondo Nocturne in B flat minor‚ Op.9 No.1 by Frederic Chopin Waltz in E-flat major‚ Op. 18 by Frederic Chopin Trios Novelettes‚ Nos. 1 and 2 by Francis Poulenc Novelette I in C major
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2102ENG : Soil Mechanics Hydrometer Analysis Semester 2‚ 2012 Introduction: The hydrometer test is an application of Stokes Law‚ which in essence states that larger particles fall more quickly in a suspending fluid‚ while finer particles remain in suspension longer. The time at which the hydrometer readings are taken determines the size of particle remaining in suspension‚ while the reading on the hydrometer determines the amount of that size. Aim: This
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ATCL Recital (Piano) Kwan Liang Hao (Candidate ID number) Date ‚ Time Exam Venue CONTENTS I. JOHANNE SEBASTIAN BACH---------------TOCCATA IN E MINOR‚ BWV 914 (1685-1750) (TIME) II. LUDWIG VAN BEETHOVEN---------------SONATA IN C MINOR‚ OP.13 NO.8 – (1770-1827) ‘PATHETIQUE’ (TIME) i. GRAVE : ALLEGRO DI MOLTE E CON BRIO ii. ADAGIO CANTABILE iii. RONDO : ALLEGRO III. FREDERIC CHOPIN------------------------IMPROMPTU IN C-SHARP MINOR‚
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Symphony Analysis Bars 1-16 In this essay I will be writing about the opening first 16 bars of the Mozart Symphony Jupiter (K551)‚ starting off in C major‚ common time. [1] The opening bar introduces the first Antecedent idea‚ consisting of an octave C in all instruments. This is then followed by ascending semiquaver triplet runs‚ in the strings and woodwind‚ from G to C which have a decoration-like affect. This is juxtaposed against the timpani and the brass still carry on with octave C’s. This
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Handel – And the Glory of the Lord And the Glory of the Lord was composed in 1741 by George Frideric Handel. It is the fourth movement from his ‘Messiah’ works and is an Oratorio in the late Baroque period. It has a Metre of 3/4‚ meaning there are four crotchet beats per bar; its tempo is Allegro (Fast) until the end four bars‚ where is changes to Adagio (Slow/Calm). The piece is in the key of A Major (F#‚ C# & G#) but frequently modulates. At bar 21‚ the key modulates to E Major (F#‚ C#‚ G#
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Sonata No. 1 in D major by Beethoven This sonata for violin and piano was written along with a series of sonatas written by Beethoven within a five year period between 1798 and 1803. This sonata has three movements. The first being allegro Con Brio‚ the second Tema Con Variazoini and the third‚ Rondo Allegro. The first movement has several characteristics from the classical period‚ resembling much of Mozart and Hayden’s work. This is not surprising considering the fact that Beethoven
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Research paper for Niccolo Paganini 1. Niccolo Paganini (10.27.1782----05.07.1840) 1795--- He started his performents. 1805--- Paganini became a solo violinist for the lucca Baciocchi court. 1805---1809 He composed his 24 Caprices. 1809--- He left the Baciocchi and became free again. 1813--- He held a concert in La Scala in Milan that which is a great success. 2. Born in Genova‚ Italy 1800‚ Paganini traveled to Livorno‚ where he played violin in concerts and his father restarted his
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