Shostakovich Piano Trio No.2 mov.1 Analysis The Piano Trio No. 2 in E minor‚ for violin‚ cello and piano‚ Op. 67‚ with four movements‚ by Dmitri Shostakovich was written in 1944‚ in the midst of World War II. The work received its premiere in Leningrad on 14 November 1944. After 1936‚ Shostakovich separated his compositions to two parallel sections‚ one for public consumptions‚ the other one for personal expressions. Therefore‚ Shostakovich’s chamber music probably constitutes the most complete
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Trinity College London Practical examination in Piano ATCL Recital Programme Prelude and Fugue in A flat‚ BWV 862 (No.17 from The Well-tempered Clavier‚ Book I) by Johann Sebastian Bach Prelude Fugue Sonata in A major‚ K. 331 by Wolfgang Amadeus Mozart Theme and variations Minuet with trio Rondo Nocturne in B flat minor‚ Op.9 No.1 by Frederic Chopin Waltz in E-flat major‚ Op. 18 by Frederic Chopin Trios Novelettes‚ Nos. 1 and 2 by Francis Poulenc Novelette I in C major
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2102ENG : Soil Mechanics Hydrometer Analysis Semester 2‚ 2012 Introduction: The hydrometer test is an application of Stokes Law‚ which in essence states that larger particles fall more quickly in a suspending fluid‚ while finer particles remain in suspension longer. The time at which the hydrometer readings are taken determines the size of particle remaining in suspension‚ while the reading on the hydrometer determines the amount of that size. Aim: This
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ATCL Recital (Piano) Kwan Liang Hao (Candidate ID number) Date ‚ Time Exam Venue CONTENTS I. JOHANNE SEBASTIAN BACH---------------TOCCATA IN E MINOR‚ BWV 914 (1685-1750) (TIME) II. LUDWIG VAN BEETHOVEN---------------SONATA IN C MINOR‚ OP.13 NO.8 – (1770-1827) ‘PATHETIQUE’ (TIME) i. GRAVE : ALLEGRO DI MOLTE E CON BRIO ii. ADAGIO CANTABILE iii. RONDO : ALLEGRO III. FREDERIC CHOPIN------------------------IMPROMPTU IN C-SHARP MINOR‚
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Symphony Analysis Bars 1-16 In this essay I will be writing about the opening first 16 bars of the Mozart Symphony Jupiter (K551)‚ starting off in C major‚ common time. [1] The opening bar introduces the first Antecedent idea‚ consisting of an octave C in all instruments. This is then followed by ascending semiquaver triplet runs‚ in the strings and woodwind‚ from G to C which have a decoration-like affect. This is juxtaposed against the timpani and the brass still carry on with octave C’s. This
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Handel – And the Glory of the Lord And the Glory of the Lord was composed in 1741 by George Frideric Handel. It is the fourth movement from his ‘Messiah’ works and is an Oratorio in the late Baroque period. It has a Metre of 3/4‚ meaning there are four crotchet beats per bar; its tempo is Allegro (Fast) until the end four bars‚ where is changes to Adagio (Slow/Calm). The piece is in the key of A Major (F#‚ C# & G#) but frequently modulates. At bar 21‚ the key modulates to E Major (F#‚ C#‚ G#
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Sonata No. 1 in D major by Beethoven This sonata for violin and piano was written along with a series of sonatas written by Beethoven within a five year period between 1798 and 1803. This sonata has three movements. The first being allegro Con Brio‚ the second Tema Con Variazoini and the third‚ Rondo Allegro. The first movement has several characteristics from the classical period‚ resembling much of Mozart and Hayden’s work. This is not surprising considering the fact that Beethoven
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Research paper for Niccolo Paganini 1. Niccolo Paganini (10.27.1782----05.07.1840) 1795--- He started his performents. 1805--- Paganini became a solo violinist for the lucca Baciocchi court. 1805---1809 He composed his 24 Caprices. 1809--- He left the Baciocchi and became free again. 1813--- He held a concert in La Scala in Milan that which is a great success. 2. Born in Genova‚ Italy 1800‚ Paganini traveled to Livorno‚ where he played violin in concerts and his father restarted his
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contrast‚ a measure of precision can be made using the results. Precision refers to how close a set of results are to each other. In this lab‚ the percent relative average deviation can be used as an indicator of preciseness. Percent relative average deviation is a measure of how tightly clustered a set of data points is around a mean. A low percent relative average deviation indicates that the data points are tightly clustered around the mean; moreover‚ if the
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MOZART’S UNFINISHED FANTASY THOUGHTS ABOUT THE FANTASY IN D MINOR‚ K. 397 BY EPHRAIM HACKMEY Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree Doctor of Music Indiana University May 2012 Accepted by the faculty of the Jacobs School of Music‚ Indiana University‚ in partial fulfillment of the requirements for the degree Doctor of Music ___________________________________ Prof. Menahem Pressler‚ Research Director __________________________________
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