ane Austen’s comedy of manners novel Emma and Amy Heckerling’s ‘teenpic’Clueless‚ as profound and satirical reflections of Regency England and postmodern America respectively‚ show how the transformation process can shape and enhance textual‚ intertextual and contextual meaning. By adapting the genteel‚ idyllic country society of Highbury to the upper- fast-paced microcosm of modern Beverley Hills‚ insight is given into the realignment of social values and attitudes towards class‚ marriage and gender
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well as the values inherent in the texts. Amy Heckerling’s‚ 20th century American film‚ Clueless is a transformation of Jane Austen’s conservative Regency England‚ Emma. The use of different techniques and medium allow Emma’s themes of personal growth‚ social structure and the role of women in society to be conveyed in a more appropriate form in Clueless. The main characters‚ Emma and Cher are representational products of their society and parallels can be drawn in the opening scenes‚ particularly
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Heckerling‚ a somewhat modern adaptation of Jane Austen’s novel Emma examines the congruent ideas of self-knowledge and social obligation. Through the characterisation of the protagonists‚ Cher and Emma‚ who are perceived to be perfect in every way‚ possessing many virtues‚ as they are ‘handsome‚ clever and rich’. However they are only seemingly ‘perfect’‚ as we soon find out that they are flawed by a deluded sense of importance and a general lack of insight. Austen and Heckerling acknowledge their potential
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represented in Austen’s "Emma"? Clueless sustains interest in the patriarchal values and social stratum of Emma by manipulating the mediums for relaying information to the audience and allow them to resonate with the messages portrayed by Austen. The teenpic Clueless (1995) directed by Amy Hecklering employs the materialistic world of LA to make a multi-layered social commentary about the patriarchal values and social strata elucidated in Jane Austen’s 19th Century novel‚ Emma. Hecklering draws parallels
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marriage. Austen depicts marriage as an all-important concern. However it could be argued that this novel is based more around the courtship aspect of a relationship as all the time in this novel is spent describing the courting of all the young‚ single women in the novel and the marriages are described in little to no detail and the writing by Austen almost seems to have been rushed. There is evidence in the novel to suggest that Hua’s statement can be perceived as being correct. Austen explores
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Jane Austen’s novel Pride and Prejudice‚ depicts pride and prejudice and their consequences when she proposes a society where people are judged on their social standing rather than merit. The people and events in the novel are used to depict the prejudicial‚ ignorant‚ and proud nature of society‚ which can be seen as inhibitors to personal happiness. The use of satire is prevalent in the novel. Austen satirizes the high class by expressing how societal standards can degrade a character’s identity
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Emma by Jane Austen Cultural context The novel I have studied is Emma by Jane Austen. The cultural context to which we are introduced in the novel ’Emma ’ by Jane Austen‚ is the world of the middle classes in the nineteenth century. In this essay I will look‚ firstly‚ at the role of women in this world. I will examine the very limited opportunities a woman had in terms of education and finding a career which would allow her to live an independent life in the world of the novel. Secondly‚ I will
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Jane Austen’s novel‚ Sense and Sensibility‚ embodies her objection to the arbitrary social rules of the regency era through the actions of her characters (Hearn). The rules of society effect every decision one makes because of the constant desire to have what others cannot afford. Eighteenth century England’s value of dowry‚ fortune‚ and estate constrict the main characters of Sense and Sensibility’s expression of true emotion and ability to associate with people beneath their social class. Is
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Jane Austen ’s Emma and the Romantic Imagination "To see a world in a grain of sand And a heaven in a wild flower Hold infinity in the palm of your hand And eternity in an hour." William Blake‚ Auguries of Innocence ’ Imagination‚ to the people of the eighteenth century of whom William Blake and Jane Austen are but two‚ involves the twisting of the relationship between fantasy and reality to arrive at a fantastical point at which a world can be extrapolated from a single grain of sand‚ and all
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Amy Heckerling transforms the many values and issues conveyed in Jane Austen’s Emma‚ set in the 18th century in Highbury to her teen pic film Clueless set in the 20th century‚ in a high school society. Both texts involve a protagonist‚ being Emma in Emma and Cher in Clueless who meddle with the relationships of others as their interest‚ while being “placed in the midst of those who loved her‚ and who had better sense than herself”. The protagonists are morally transformed towards the end of the film
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