Walls‚ Peter‚ ed. Baroque Music‚ The Library of Essays on Music Performance Practice‚ series editor Mary Cyr. Farnham‚ Surry‚ UK‚ and Burlington‚ VT‚ USA: Ashgate‚ 2011. ISBN 978-0-7546-2882-8. David Schulenberg Copyright 2012 © Claremont Graduate University In the sciences‚ there are foundational articles on which entire disciplines are founded. Physicists today rarely read the papers in which Einstein demonstrated the principles of the theory of relativity‚ but thousands of papers based
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Chapter one Baroque art what is baroque art and its features Baroque is an artistic style prevalent from the late 16th century to the early 18th century in Europe.It is most often defined as "the dominant style of art in Europe between the Mannerist and Rococo eras‚ a style characterized by dynamic movement‚ overt emotion and self-confident rhetoric".The popularity and success of the Baroque style was encouraged by the Roman Catholic Church‚ which had decided at the time of the Council of Trent
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RENAISSANCE ART Renaissance was the period of economic progress where cities were built. The term “Renaissance” came from the French language meaning‚ “rebirth.” In this period‚ another word was created for man. There was a classical learning in the study of the ancient Greek and Roman texts. The period stirred enthusiasm for the philosophy and artistic values of the ancients. The ideals of classicism- balance‚ harmony‚ proportion and intellectual order became the artistic standard of the time.
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Abstract Baroque music is considered both lively and tuneful and believed to express order. Derived from the Italian word barocco‚ meaning bizarre we now translate to English the style of music we call Baroque. Today the term Baroque has come to represent a clearly defined type of Music that originated around the 1600’s‚ coming full circle between the year 1700 to 1750. Typical of the baroque musicians active in Rome during this period was the popular Composer and violinist
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The Baroque time period in history saw changes in art across Europe‚ all leading to more dramatic more individualized art. However‚ the movement saw its beginnings in Italy. Though many influences inspired the change to Baroque art‚ the religious climate in 16th century Italy was one of the strongest influences on the art of the time‚ mainly because of art’s role in the Catholic Counter-Reformation. The Reformation was mainly brought about by Martin Luther who raised numerous concerns with the
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CHAPTER I INTRODUCTION Music of any period reflects‚ in its own way‚ some of the same influences‚ tendencies‚ and generative impulses that are found in the other arts of that time (Donna‚ 2005). Thus the word "baroque‚" usually used despairingly by eighteenth-century art critics to describe the art and architecture of the seventeenth and early eighteenth centuries‚ came to be applied also to the music of the seventeenth and early eighteenth centuries. After some years after the death of Johann
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BACKGROUND OF THE RENAISSANCE ERA 1 THE ‘REBIRTH’ OF RENAISSANCE MUSIC 3 THE FAMOUS COMPOSERS 4 SACRED AND SECULAR VOCAL GENRES IN THE RENAISSANCE 10 SACRED VOCAL GENRES: 10 SECULAR VOCAL GENRES: 10 INSTRUMENTAL MUSIC: 11 CHARACTERISTICS OF RENAISSANCE MUSIC 14 Words and Music 14 Texture 14 Rhythm and Melody 15 RENAISSANCE MUSICAL INSTRUMENTS 16 Recorders and flutes 17 Shawm 17 Dulcian 17 References 18 BACKGROUND OF THE RENAISSANCE ERA
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The term "Baroque" was initially used as a disparaging term to call attention to its use of irregular forms‚ myriad of fine detailing‚ and exuberance of spirituality which was considered to be extremely different from the finesse of Renaissance classicism. Heinrich Wölfflin‚ Vasari‚ and many others praised the period of rebirth while somewhat denouncing the work of Baroque artists. The Renaissance tended to be more rational stylistically while the Baroque has often been described as irrational with
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Almost immediately‚ I was reminded of what I had previously learned in my History 102 class. Baroque music came out of the Renaissance period. It was known to be very ornamented and exaggerated. This was particularly reflected in his pieces‚ the overall melody of the song was much more sharp and dramatic in comparison with the first piece. Again‚ the song took me
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When I first began comparing the two different statues of David‚ Bernini’s Baroque "David‚ and "Michelangelo’s Renaissance "David" the first thing that came to my attention was the facial features. As you study the face of Michelangelo’s "David" there is a sense of calmness to it. There is little or no emotion depicted in his face whatsoever. Here is a man‚ ready to face a giant with nothing more than a sling‚ a stone‚ and his faith in God‚ yet there is no emotion on his face. No signs of fear‚ anger
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