De la Vega followership style is alienated. An alienated follower is an independent individual that is passive in the organization. Alienated followers are critical thinkers that might be effective followers that have setbacks and that haven’t had the courage of affronting them. De la Vega appears to be an effective follower in the beginning of his career‚ but apparently Alvon CEO Bussard‚ was not clear about his job description. Juan Carlos De la Vega is a passionate critical thinker that came to
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Notre Dame de Paris‚ Ile de la Cite (1163-1345) The building that has taken my interest is Notre Dame de Paris‚ which literally means “Our Lady of Paris” in French. When one thinks of Gothic architecture‚ majority will think of Notre Dame as it is one the most significant French catholic cathedral that is distinctively Gothic. Because Notre Dame has seen many reconstruction in its days‚ its early construction in the period 1160s is characterized as Early Gothic and adopt similar pointed arch
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response to watching University of Portland’s theatre production of Tartuffe‚ I thought that the play consists quality themes of hypocrisy and the importance of family. The character of Tartuffe demonstrates contradicting morals and negatively affects the family of Orgon as he attempts to manipulate those around him. With his claim of being pious and holy‚ his actions reveal those of a man who‚ in reality‚ is greedy and lustful. Tartuffe attempts to seduce Orgon’s wife even though he is supposed to be
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Bartolomè de Las Casas‚ "Of the Island of Hispaniola" (1542) Identify and explain the metaphor that Las Casas uses to describe the Spaniards’ treatment of the people of Hispaniola. What does the use of this metaphor suggest about Las Casas’ attitude toward the Spaniards and the people of Hispaniola? Bartolome de Las Casas compares the native people to sheep‚ describing them as "...without malice or duplicity‚ most obedient‚ most faithful‚ the most humble‚ most patient‚ most peaceful and calm
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should be changed to Dia De La Raza. Dia De La Raza means the day of the races and makes more sense for the replacement of Columbus Day because it celebrates all of the races involved with the New World. Three reasons Columbus Day should be called Dia De La Raza is because this day recognizes all the races that came to the New World‚ recognizes the natives of the New World and recognizes the African slaves that built the New World. The first reason it should be called Dia De La Raza is because this
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The Discurso en loor de la Poesía‚ composed by an anonymous writer referred to as “Clarinda” and published as a preceding of Alonso Rodriguez Gamarra’s translation of Ovid’s Heroic Letters‚ is discussed by many scholars in both Spanish and English‚ yet this poem has not been completely translated into the English language like the work of Sor Juana Inés de la Cruz‚ whom Clarinda is often compared to. Because of this‚ I will be translating Discurso en loor de la Poesía as well as exploring why this
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“Complainte De La Butte”‚ the pop genre song composed by Jean Renoir and Georges Van Parys during the 1950’s contributes to the meaning of the overall film and the scene it is incorporated with. The lyrics within the song foreshadows future events as well as suggesting the plot. The tune initiates a melancholic‚ yet exciting atmosphere of the setting.The song begins with “En haut de la rue St-Vincent” translated to “at the top of St. Vincent Street”‚ referring to a street in Montmartre‚ the city
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throughout the life of the eternal optimist‚ Candide‚ the main character. A similar masterpiece‚ Tartuffe‚ was written in the 17th century by Moliere as a satirical display of religious hypocrisy. Tartuffe is a production of vice and virtue that involves a witty and brusque family that idolizes a single religious figure who tries to insinuate himself into their lives. The two masterpieces‚ Candide‚ and Tartuffe‚ display exaggerated evil and whimsical events of religious hypocrisy and fanaticism‚ yet Moliere
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‘Tartuffe’ is a play written by a playwright Moliere‚ originally entitled Tartuffe‚ ‘ou I’mposteur’ in 17th Century‚ and is also one of the most famous theatrical comedies. A wealthy patriarch named Orgon falls under the influence of a hypocritical religious devotee named Tartuffe. Orgon becomes obsessed with him and religious ideals. Some of the characters of this comedy are Orgon‚ Elmire‚ Tartuffe‚ Madame Pernelle‚ Dorine‚ etc. Plot Orgon and his mother fall under the influence of the hypocrite
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as the Virgin of Guadalupe‚ perhaps the most recognizable icon to emerge out of post-conquest Americas. La Virgen of Guadalupe has evolved throughout history as a cross-cultural and multi-generational icon of virginity‚ femininity‚ purity‚ and maternal love. Her presence can be seen everywhere‚ on clothing‚ jewelry‚ car windows‚ and even on coffins. This essay charts the evolution of La Virgen de Guadalupe in Chicano art‚ from religious icon to feminist mascot; I examine the forms in which contemporary
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