In most early British literature a woman is often presented as only one thing: an object. They can be objects of desire‚ objects of beauty‚ or merely objects to be owned‚ but it is rare that a woman is anything more than that. It is even more uncommon to find a female character in literature that is presented as an equal to the men around her. In William Congreve’s The Way of the World he plays on the similarities of both his female and male characters to establish just how much of an issue gender
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Belle Dame sans Merci’‚ ‘Lamia’ and ‘The lady of Shalott’ by John Keats and Alfred Tennyson respectively‚ we see the different representations of women; ranging from Keats’ hostile and misogynistic representation of women to Tennyson’s sympathetic yet somewhat limited representation of women. In ‘La Belle Dame sans Merci’‚ as indicated by the title‚ Keats instantly casts women as unremorseful and without compassion. As soon as the first three lines‚ we can quickly ascertain that something is askew;
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Representation of Women In Geoffrey Chaucer’s Canterbury Tales he tells many different stories throughout the novel‚ discussing a variety of topics among the lines of marriage‚ sex‚ gender roles‚ stereotypes and religion. This novel was one of the most revolutionary of its time exploring ideas that no other writers were portraying in their works. Chaucer’s work opened up many areas of conversation now and during the medieval ages which Is why it is taught in schools all over the world. The novel
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African literature From Wikipedia‚ the free encyclopedia African literature refers to literature of and from Africa. While the European perception of literature generally refers to written letters‚ the African concept includes oral literature(or "orature"‚ in the term coined by Ugandan scholar Pio Zirimu).[1] As George Joseph notes in his chapter on African literature in Understanding Contemporary Africa‚ whereas European views of literature often stressed a separation of art and content‚ African
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African literature is highly diversified‚ even though it shows some similarities. In fact‚ the common denominator of the cultures of the African continent is undoubtedly the oral tradition. Writing on black Africa started in the middle Ages with the introduction of the Arabic language and later‚ in the nineteenth century with introduction of the Latin alphabet. Since 1934‚ with the birth of the "Negritude‚" African authors began to write in French or in English. Since the 1960’s quantitative and
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confident women depicted in these narratives do not represent the real women of Medieval Ireland and Wales. Proinsias Mac Cana has suggested that the dominant roles of Deirdre and Gráinne in their respective tales (Longes mac nUislenn and Toruigheacht Dhiarmada agus Ghráinne) are ‘literary variations on the exemplar of the sovereignty goddess’ (Doan‚ 1985: 90). Bitel (1996: 2) asserts that Celticists have been seduced by these dominant female characters viewing them as representative of real women with
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Literature is yet another genre that Africa’s intellectual elites struggle to elucidate coherence for dissemination and consumption to ingrain within viable institutions. Modern African literature is considered a byproduct as well as an explicit goal engineered at the Berlin Conference (1884-5) by the imperialist nations of Europe. The challenge for African literature is to be incorporated in the ‘universal’ standards of literary canons without the demeaning criticisms of this controlled universalism
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AFRICAN LITERATURE Africa is the second largest continent after Asia. It contains a complex mosaic of peoples‚ languages‚ and cultures. The number of spoken languages in Africa has been variously estimated at between 800 and 1‚700. The dominant religion of Northern Africa is Islam‚ which replaced Christianity in the 7th century and spread west and south across the Sahara and into the equatorial zones. African literature comprises the oral and written forms of the continent‚ composed in either
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Morna‚ 2004: 25) It is a statement of the obvious to note that women have been discriminated against in the political arena for centuries‚ enjoying little to no representation and playing no role in the governing of their countries. To effectively give credence to the arguments for women’s representation and to be able to evaluate the effectiveness of various ideologies‚ electoral systems and the use of quotas in offering women political equity‚ we must first understand how they have been politically
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television is one of the main sources of media that depicts the way African Americans are represented. African Americans are continuously represented in the media in many different ways. These particular ways tend to encourage certain stereotypes about African Americans‚ some of which are negative and some are positive. Not only does television promote negative and positive stereotypes‚ but it also promotes racial stereotypes as well. African American portrayals on television‚ not only affect blacks as
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